Is it the gremlin or the good nurse tonight?

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@bifauxnenarmand
Is it the gremlin or the good nurse tonight?
Am I my history I have endured?
Colour study. Armand as an angel statue ✨️
I hope he knows tons of ppl are fancasting and drawing him as nightcrawler rn
that picture of armand’s office where you can actually see where he keeps his coffin absolutely kills me. he really got laid right in front of the floor to ceiling windows to a another room
remember armand
ENOUGH REVISIONISM
Ha ha ha ha ha Hannah Muscovitch saying "because I'm from Quebec it was important to represent the accent" in her spoiler reveal that there are going to be scenes set in Quebec in season 3.... meanwhile we spent a week trying to decipher what language they made Fareed and Louis mangle in that scene.
White people are so funny. Actual snowflakes could never.
I've actually moved from derison to rage about this because @niarchery reminded me that Assad made an effort above and beyond to learn French without that having been a requirement when he was auditioning for Season 1.
Here's the quote from him:
About eight or nine months before we started shooting, Rolin called me and said, “How fluent are you in French?” I said, “Absolutely, non-existent!” And he went, “How fluent can you get by the time we start?” And I was like, “I can give it a go.” So, I got a French teacher, an incredible woman who was so amazing, and we just jumped right in. It was before the scripts, so we didn't have the lines to work with, so I started with just a basic crash course. I studied every day, and it was quite intense, but it was also an incredible opportunity. I've always wanted to learn French! I never got a chance to in school. What an opportunity to be given, to get a chance to learn a new skill in your life. So, I'm really grateful to Rolin for actually making me do that. When we finally got the scripts and I got to a certain level, we were like, “Okay, now it's better to just focus on the lines and make sure I can sound as fluent as possible.” I think the advantage I have as Armand is, Armand is not native French speaker. So, we could afford a little bit of flexibility there — and that's not a cop out — but it's just an understanding that it doesn't have to be perfect.[...] It was such a joy to learn and I'm still learning by the way! It's such a difficult language.
So here is an actor treating extra, unnegotiated demands on his labour as a gift and a joy, going above and beyond in his prep, talking about the nuances of how even though the character does have an in-text excuse to not be perfect, its still important to sound as fluent as possible, and ending up with, as I have heard French speakers say, the most authentic accent of them all (even though Sam is the one who should have been busting his ass trying to sound like a native.)
And then Hannah Moscovitch, when asked an open-ended question about who speaks the best French, instead of using the opportunity to talk about the efforts any of them made, just gestures to them all, and says, "They fake it really well".
This would be the same Hannah Moscovitch who reacted all pearl-clutching 'OH!' when she was told that the reason Assad might present as so humble is because of the systemic racism that British Asian actors face in Britain.
But of course, what would a white Canadian know about racism? She's only a heading a show with three non-white main characters set in multiple eras where race affects them in different ways.
Really, let's focus on the important point - how important it is to represent the Quebec French experience.
SWEET NEPTUNE
School Teacher AU Loumand: Armand is a competent but strict teacher who hates being a teacher and hates his students, especially Santiago, a rowdy student who's always undermining his authority in front of the class and rallying the other kids against him. Louis is the dad of one of his students, Claudia, who absolutely hates Armand and is constantly complaining about him at home. Louis is a recently divorced businessman who's constantly busy with work and has very little time to spare. They meet because Armand has to constantly call him about Claudia's bad behavior, only for Louis to defend her every single time.
Eventually, Armand realizes that Louis is a total enabler and that he's never going to get him to properly discipline Claudia. Still, he keeps calling him anyway because he has a crush on him, and at this point it isn't even about Claudia anymore. Claudia, meanwhile, thinks the teacher has a strange and unfair vendetta against her because of all the meetings he's been calling her dad about, even though she's not even one of the worst students, which only makes her hate him even more and makes her start misbehaving for real.
Louis can tell Armand absolutely hates his job and the kids and finds it hilarious. He also thinks Armand is cute, so despite his busy schedule, he figures he can afford to waste a few afternoons on one-on-one parent-teacher meetings just to see the hot but killjoy teacher.
(In a way, this is just the Paris Loumand dynamic, am I right? lol)
are they ever going to seriously explore armand through a racial lens where it’d realistically play a big factor like living in 18th century europe and nazi-occupied france and his relationship with marius etc or is it only when he’s “comedically” mocked by beloved white characters?
Don't get me started 😞 there's no way we're getting good complex writing for Armand on how he was treated as a South Asian man, how he was a victim of racism and orientalism without that being some kind of joke. That would make him too complex and realistic and we don't want that 🙄
It does genuinely bother me as a French-Algerian (born in France, both Algerian parents) to see people undermine the sheer racism in France and Europe in general, especially in the 18th century? And even worse for a darker skinned Indian man like Armand. I might make a longer post about that topic if people are interested in how Armand might have been going around in France socially and historically until the late 1950-60s. I just need to do a bit more writing to be accurate ofc.
What I can say without going too deep into the subject, is that in the 18th century, Armand as an Indian man would've been subjected to racist ignorance, perceiving him as "effeminate" yet desirable, and likely a mix of objectification/fetishization (orientalism), as well as perceiving him as Romani, like Nicki has, as he calls him the g-slur. I wouldn't be surprised if Armand got frequently taken for Romani, as Romani people are a diasporic community more present in 18th century Europe than Indians were.
Come sail with me on Armand’s armada of failed relationships. It won’t hurt I promise…
help
This is by Maud Lewis a Folk Artist from Nova Scotia.
No but its actually so crazy how hype this fandom was for YEARS without new content, able to feast off of what we were given in season one and two seemingly endlessly producing art and gifsets and fanfics and meta, energy riding high with every new bts or clip of the new season keeping spirits up even when certain things were a little lackluster and then TVL finally comes out and the hype died within like a month maximum 😭
This quote is so embarrassing when you look at how silent and stagnant the fandom has become, like are you sure about that, buddy? You really think the fans who spent years without new content and so took it upon themselves to populate the zeitgeist with their own material for the first two seasons who have now dropped TVL after a handful of weeks are gonna come back to the show and only watch season 3? Like for realsies? Do you not see how instaneously the hype was killed by your interpretation of The Vampire Lestat? Like there truly is no way you can't not look at a fandom that has thrived on so little for so long and see just how dead it became the second season 3 was done airing and think you actually made something good unless you're so far up your own ass you don't even remember what sunlight looks like
Also, you think only a single third of your audience will fucking hate it? Well I think we're being a bit too generous with ourselves, Mr. Jones