Frank Auerbach tours The National Gallery

I went to London to see Frank Auerbach’s retrospective at the Tate. At the same time the National Gallery had this amazing show up of drawings that he made from art in their collection. I thought it would be wonderful to use the Auerbach’s as a guide through the museum, but they didn’t have a book or brochure at the museum, so I took these photos of the exhibit. www.joshuameyer.com

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Frank Auerbach, “Mornington Crescent, Early Morning,” 1991

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Frank Auerbach, after Peter Paul Rubens, “Samson and Delilah,” c. 1609-10

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Frank Auerbach, after Paolo Veronese, “The Adoration of the Kings,” 1573

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Frank Auerbach, after Philips Koninck, “An Extensive Landscape with a Road by a River,” 1655

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Frank Auerbach, after Paolo Veronese, “The Consecration of Saint Nicholas,” 1562

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Frank Auerbach, after Luca Signorelli, “The Circumcision,” c. 1490-1

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Frank Auerbach, after Hilaire-Germain-Edgar Degas, “Hélène Rouart in her Father’s Study,” c. 1886

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Frank Auerbach, after Rembrandt “Belshazzar’s Feast,” c. 1636-8

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Frank Auerbach, after Rembrandt “Portrait of Margaretha de Geer, Wife of Jacob Trip,” 1661

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Frank Auerbach, after Michelangelo Merisi da Caravaggio, “The Supper at Emmaus,” 1601

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Frank Auerbach, after Giovanni Battista Tiepolo, “An Allegory with Venus and Time,” c.1754-8

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Frank Auerbach, after Nicolas Poussin, “Landscape with a Man killed by a Snake,” c.1648

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Frank Auerbach, after Joseph Mallord William Turner, “Dido building Carthage,” 1815

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Frank Auerbach, after Honoré-Victorin Daumier, “Don Quixote and Sancho Panza,” c. 1855

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Frank Auerbach, after John Constable, “The Cornfield,” 1826

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Frank Auerbach, after Jacob van Ruisdael, “A Landscape with a Ruined Castle and a Church,” about 1665–70

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Frank Auerbach, after Rembrandt, “Self Portrait at the Age of 63,” 1669