kaveh akbar via bidoun, “fractures in the medium”
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kaveh akbar via bidoun, “fractures in the medium”
Olalekan Daniel Kehinde, "Rebirth"
babies and grandfathers share so much. drooling without reproach and mushy foods. coughing loudly in public. stained clothing. routine. thinking garfield is laugh-out-loud funny etc. essentially we let them get away with living richer lives than the rest of us do. so i drink folger’s
Amanda Ba (Chinese-American, 1999) - Lover; She is Reading (2021)
susan sontag, against interpretation
andrew tobias, the best little boy in the world
theses for life btw—extending the first beyond criticism and the second beyond homosexuality. reminders to stay gracious and willing to accept that things exist as they appear before knowing why. something like that
from carl phillips, “blow it back”
leon golub, interrogation i
leon golub, interrogation ii
leon golub, interrogation iii
leon golub says, “monsters exist because we create them through war and violence and distortion and the way we handle people and so on.” he and the rest of the monster roster draw monsters to prove how monsters are made (or, how war happens). golub’s interrogation scenes “[invite] the viewer into the space of the action” to implicate monstrosity of the viewer and subjects both. via the broad:
the nudity of the victim presents a moral dilemma, described by curators ned rifkin and lynn gumpert as creating, “the disconcerting need to align themselves with the clothed interrogators who are in control of the situation.”
you guys act like we weren’t allowed to Post about steamboat willie before
transcendentalist drag name jaunty appleseed
The Crossword Puzzle - Curt Clemens ,1942.
Swedish, 1911-1947
Oil on masonite , 66 × 88.7 cm,
i love wearing jeans. i feel so beautiful. like bruce springsteen
being as i am an idiot, and having been one my whole life, i just wanna say that i find it very easy to do nothing, and go nowhere. i eat chocolate late at night in the dark. i stand in the garden also. and i’m often waiting for something to happen. and i’m stupid.
from “starting a canvas,” golub (1988), dir. jerry blumenthal (captions mine)
from kaveh akbar, "my empire"
kaveh akbar via the new yorker poetry podcast