i love the phrase "cruel and unusual." not only is what you're doing mean but it's also quite frankly fucking bizarre

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i love the phrase "cruel and unusual." not only is what you're doing mean but it's also quite frankly fucking bizarre
Oh, this definitely belongs on Tumblr.
From the Nib, by Mattie Lubchansky
LEON S. KENNEDY in RESIDENT EVIL, dev. Capcom
we have to thank our brave soldiers in fandom who write gen fics. we have to thank our brave soldiers in fandom who write character studies and stories with no focus on romance or sex. we have to get on our knees and thank the brave soldiers in fandom who write about minor characters and friendship and family with no focus on romance or sex. i know it’s hard to care about characters in a world that seems to only revolve around ships but i see you. and i love you
month starting on a monday we have no excuse guys lets get to work and lock the fuck in
yk its actually very chic and avant garde to start on tuesday the second
many claim theres nothing more subversive and revolutionary than starting on wednesday the third
under my totalitarian regime being a housewife will not be allowed. you WILL become an accomplished scientist
SWANN ARLAUD as MAîTRE VINCENT RENZI in ANATOMIE D'UNE CHUTE (2023) dir. Justine Triet
Swann Arlaud as Vincent Renzi
ANATOMIE D'UNE CHUTE 2023 — dir. Justine Triet
ACTOR IN A LEADING ROLE: Andrew Garfield (Tick, Tick… Boom!)
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“Subverting” Catholic art? Oh, okay. I see, you think this has nothing to do with you. You log onto the internet and you post about how “Wound of Christ” from Psalter and Prayer Book of Bonne de Luxembourg, attributed to Jean le Noir, c.1349, for instance, looks like a vulva because you're trying to tell the world that you enjoy Catholic art and imagery in an alternative, queer, risqué way that challenges Christian beliefs. But what you don't know is that that stigma isn’t just a vulva. It's not just a mandorla. It's not just yonic. It's actually intentionally erotic. And you're also blithely unaware of the fact that around 1297, Saint Angela of Foligno experienced a vision of Christ himself, who called her to put her mouth to the wound in his side and lick the freshly flowing blood. And then I think it was Saint Catherine of Siena who drank blood and a clear liquid from the wound before receiving a ring made from Christ’s foreskin? And then graphically erotic encounters with the side wound of Christ quickly showed up in the writings of eight different mystics. And then the yonic interpretation of the stigmata filtered down through the illuminated manuscripts and then trickled on down into some pseudo-intellectual corner of the internet…where you, no doubt, fished it out of some Pinterest board. However, that interpretation represents hundreds of years and countless visions of religious ecstasy. And it's sort of comical how you think that you've come up with an idea that exempts you from Christian theology when, in fact…you're posting an image that was sexualized for you by the very Medieval saints you think you’re so different than…from “subverted” Catholic art.
99% of "mysterious disappearances" esp of people in their 20s who start acting weird for 48 hours and then vanish are not mysterious, thats just when a lot of reality-obliterating mental illness tends to kick in and it's pretty easy to get a short circuit in your brain that makes you go family guy death pose in joshua tree national park. it's not any less tragic, it's just a documented phenomenon and not particularly predictable. its a big reason the medical advice is for people with a family history of schizophrenia to completely avoid weed and psychedelics. "people just go crazy sometimes" is a principle of human health that used to be a lot more accepted prior to the american midcentury and to a certain extent thats a healthier way to conceptualize and prepare for the risk, as opposed to the modern assertion that anyone acting weird is dangerous and broken forever.
you should have a rough outline of a plan for if any of your loved ones experiences psychosis, it really does happen a lot. UTIs can cause psychosis. taking drugs, even safe drugs, or prescription drugs, can cause psychosis. i was once prescribed a heavy regimen of vitamin D because i was deficient, but the doctor never told me to stop taking it, so i moved to california, stopped being deficient, and developed vitamin d toxicity with downstream hyperparathyroidism which triggered significant hypomania that was undetected and uncontrolled for yeeeeeeears. i just slowly got Weird and started making impulsive decisions based on slightly out-of-gamut beliefs. i drove cross country by myself to have a love affair. the love affair was real, the series of decisions leading to burning down my life in pursuit of it were based on not great brain function however. etc. you see what i mean. churchill mentioned depression being the "black dog who stalks us" (one reason for Churchgrim's multi-referential name) but theres another, stealthier dog called Insanity and it's closer to some people than others but man it sneaks up on you. every time i see one of those "guy gets weird and drives into the wilderness forever" missing persons stories i think "yeah i could totally pull that off"
"van gogh cut off his ear what a lunatic" you are 3 nights of bad sleep, getting unexpected upsetting news and taking a substance as benign as coffee at the wrong time away from doing the same hope this helps
changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.
I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.
Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.
No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.
But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?
I'm like one hour from going to bed so my take is not going to be extensive but my guess is that the social anxiety this is reflecting is the surveillance state. And the fact that private companies (i.e. not just the state) are also doing a ton of surveillance. And even the fact that the way we often use social media -- less so Tumblr, which has some anonymity still -- is basically internalising that surveillance and performing for it at all times.
It seems like there are two modes going on here: "avoid being perceived by the horror" (Bird Box, A Quiet Place etc) and "perform correctly so that the horror can't get you" (your trashy nun example). Both of them arise from surveillance logics; one is "avoid being surveilled or it will Get you", the other is "you are being surveilled, perform correctly or it will Get you".
And with regard to the social elements it's all reflecting, I mean -- have you seen the state of things? It's extremely difficult to avoid being surveilled! A monster where you have to not look at it is fucking easy mode by comparison!
(Pretend I cited Michel Foucault and Erving Goffman; they're relevant but also it's bedtime.)
Ooh yes, and breaking it down like this made me think:
- fear of observation (surveillance state)
- fear of not performing correctly (purity culture and evangelical backlashes)
- fear of confronting existential threat (climate change)
my contribution to this extremely salient and clever discussion is to say: I think we should call this subgenre panopticonsequence horror
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I think there might be an additional element here- the fear of awareness, because if you observe something, you'll end up seeing something you don't want to. like, we live in a society where we have more access to information than ever before, and also where the supply chain of things we have no real choice but to use exploits so many people, damages so much environment, and generally relies on a wide variety of harms to get into our hands in a way we can afford. i live in a society where it's more or less generally accepted that slavery and child labour is bad, but I would say it would be a minor miracle if I haven't touched something today that used at least one of those, you know? and the thread goes beyond that in a lot of fun ways- like, who hasn't been a fan of an artist and then found out they were doing horrible things behind the scenes? hell, most people live in countries with governments that are doing awful things to people every day.
it's the narcissist cookbook's cognitive dissonance blues. it's chidi anagonye's almond milk. being aware of the state of the world is to be in some level of despair at both the situation and the fact that you kind of need to be complicit in it for anyone with half a conscience. and there's nothing any of us, as individuals or in most sizes of group people are able to amass, can really do about it because so much of this evil is baked into the way the world works at this point. everyone has a vague knowledge that the world around them can't exist without destroying people and planet, and you'll know a lot more than you ever wanted to about it if you do a few web searches, and then what? you'll stop wearing clothes, eating food, or using technology? you'll switch to ethical options that cost money you don't have and have a decent chance of maybe the closest link in the supply chain being less harmful but don't look all the way down? like, it's notable that in a lot of these movies, not looking at the thing doesn't make it go away- it just means it doesn't get YOU.
If you wanna know how I spend my free time, this is it:
I thought I'd feel relieved. It doesn't come right away.
Anatomie d’une chute (2023) dir. Justine Triet
These remind me of this drawing by Franz Kafka from the 1900s. We've been feeling this way for a long time.
prev, i'm sure you mean my guy Leonid Pasternak
MOTHER MARY (2026) dir. David Lowery costume design: Bina Daigeler