juvenile springtail
Today's Document
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Aqua Utopia|海の底で記憶を紡ぐ
occasionally subtle

if i look back, i am lost
RMH

blake kathryn

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Stranger Things
The Bowery Presents
Mike Driver
Cosmic Funnies

Product Placement
2025 on Tumblr: Trends That Defined the Year

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official daine visual archive

❣ Chile in a Photography ❣
Cosimo Galluzzi

Discoholic 🪩

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@froggymuffins
juvenile springtail
3DS found with erosion and barnacles found while diving
The Night We Used To Know
Full tutorial available on my Patreon shop https://www.patreon.com/AnasAbdin
August 24th, 2009
Now that everyone is discussing Nolan's Odyssey movie, I feel like it's a good time to let non-Italians know that the production dumped plastic props into the Italian sea. Weirdly enough I could not find any article in English about it but it's a fucking problem nonetheless.
I might translate this article later today. This one was the most complete one, even in Italian news it's not talked about that much.
Non è la prima volta che la produzione solleva un vespaio in Sicilia. A Lipari una squadra di sub sarebbe però già impegnata a bonificare i
They dumped plastic skeletons in environmentally protected areas, against the literal contracts they had to sign to get the permits to film in environmentally protected areas. Like they not only did a bad ecological thing that freaked out some divers, they literally broke environmental protection laws and their contract with the Italian government
They also filmed in illegally occupied territories in western sahara
Sahrawi filmmakers criticise Christopher Nolan for complicity in Moroccan exploitation of Sahrawi land
"Choosing to film in occupied Western Sahara was not a politically neutral production decision - it meant operating with the permission of the occupying power in a territory where the indigenous Sahrawi people have long been denied the opportunity to exercise their right to self-determination."
Werad, who gained attention with his documentary on the life of Sahrawi singer Mariem Hassan, told MEE a boycott was the only option left to viewers.
"A boycott sends a clear message that filmmakers cannot expect audiences to overlook decisions that risk legitimising an occupation," he said.
Another Sahrawi filmmaker, Abidin Mohamed Hamudi, said the whole team behind The Odyssey were "complicit" in the subjugation of the Western Sahara.
He added that Hollywood's attitude was an extension of capitalism and Western economies' attitude towards the resources of the Global South in its most "grotesque, hyper-realised form".
"Shame on them - history will put everyone in the place they deserve, and they will be in the dustbin of history, remembered as nothing but cultural parasites," he told MEE.
Into the trees
Shell, limestone, and lapis lazuli game board, city of Ur, Sumer, circa 2450 BC
from The Penn Museum
Some wide angle shots I took back in the start of May. It was the transition of seasons and introduction of new palettes.
The Taste of Tea (2004), dir. Katsuhito Ishii
Along the Promenade - Saffron Monks-Smith , 2026.
British , b. 1996 -
Gouache and oil on MDF. , 19.7 x 30.5 cm.
Floating Herbarium , Polychrome I - Julia Whitney Barnes , 2025.
American , b. 1970s
Watercolour, ink , gouache and cyanotype on watercolour paper , 30 x 23 in.
Contemporary art haters will be like "i don't get it" and then not read the title or artist statement or the medium or the year or
1970s canned goods label designs, from The Art of the Label by Robert Opie
lil dude is jamming out
Andrea Calisi (Italian b.1968), The Bridge and the Blue Knight, 2026, Illustration