Max Ernst. La mer aux oiseaux. 1925/1926
Max Ernst (German, 1891-1976), La mer aux oiseaux [The Sea Birds], 1925-26. Oil on board, 49 x 33.5 cm.
Peter Solarz
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art blog(derogatory)
Aqua Utopia|海の底で記憶を紡ぐ

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Monterey Bay Aquarium
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Max Ernst. La mer aux oiseaux. 1925/1926
Max Ernst (German, 1891-1976), La mer aux oiseaux [The Sea Birds], 1925-26. Oil on board, 49 x 33.5 cm.
David Hockney (British, 1937-2026), Mulholland Drive, June 1986. Homemade print executed on an office color copy machine on rag Arches Text paper, 10.75 x 16.75 in. Edition of 50
Nobuyoshi Araki, 1997
'Pleats Please' by Issey Miyake
plates no. 7 / thomas jackson
an interview with kazu makino
RB Kitaj, cracks and reforms and bursts in the violet air 1962
Agnes Martin, Leaf, 1977
Mary Binney Wheeler Colossal image of Gommatesvara, Sravana Belgola, Karnataka, India 1973 Hindu Kingdoms South 1 Repository South Asia Art Archive Mary Binney Wheeler Image Collection
Laura Benson (American, 1997) - Dance Remembrance (n.d.)
aquarium sleepover
death dragon
“But longing is momentum in disguise: It’s active, not passive; touched with the creative, the tender, and the divine. We long for something, or someone. We reach for it, move toward it. The word longing derives from the Old English langian, meaning ‘to grow long,’ and the German langen—to reach, to extend. The word yearning is linguistically associated with hunger and thirst, but also desire. In Hebrew, it comes from the same root as the word for passion. The place you suffer, in other words, is the same place you care profoundly—care enough to act.”
— Susan Cain, Bittersweet: How Sorrow and Longing Make Us Whole
Alice Smeets, The Ghetto Tarot.
Xingzi Gu, Untitled (moon and cherry)
French archeologist Joseph Hackin exploring The Buddhas of Bamiyan, Afghanistan, 1931.
Joseph Hackin (1886 - 1941) was an archaeologist, a true ‘artist’ in his trade, a Resistance member, and a WWII hero. He became a curator at the Musée Guimet.