[saapasjalkakissa-tg]

Ben Thouard Photography

Watersprout, Teahupo'o, Tahiti

[voskhozhdeniye]

Don Caballero - June Is Finally Here

[funstealer]

Jewelry work by Dualflow

[decanonisation]

View of Dresden by Moonlight, 1839, Johan Christian Dahl

[theclevercollectorpirateuniverse]

Playing Alone, Peru, 1996

© Nadav Kander

[miamaimania]

Steve Harries ⌇ Parking structure interior ⏢ Webber Represents

[joelpersels]

[nemfrog]

“Keep the bedroom windows open wide while sleeping.” Health habits, physiology and hygiene. 1925. 

[metmuseum]

Gauntlet for the Right Hand, Belonging to the Armor of Don Alonzo Pérez de Guzman el Bueno (1550–1619), Count of Niebla and Duke of Medina-Sidonia. ca. 1580. Credit line: Gift of Bernice and Jerome Zwanger, 2002 https://www.metmuseum.org/art/collection/search/26586

[funeral]

In today's state of hyperactivity, where boredom is not allowed to emerge, we never reach the state of deep mental relaxation. The information society is an age of heightened mental tension, because the essence of information is surprise and the stimulus it provides. The tsunami of information means that our perceptual apparatus is permanently stimulated. It can no longer enter into contemplation. The tsunami of information fragments our attention. It prevents the contemplative lingering that is essential to narrating and careful listening . . . In the process of digitalization, . . . information acquires an altogether different status. Reality itself takes on the form of information and data. For the most part, we perceive reality in terms of information or through the lens of information. Information is an idea—that is, a re-representation. When reality takes the form of information, the immediate experience of presence withers. When digitalization gives everything the form of information, reality is flattened.

Byung-Chul Han, The Crisis of Narration

[i2-xmf]

“On the Necropolis before the storm 2” (2006)

[yama-bato]

By Olivier Bekaert

[ymutate]

Maxfield Parrish

Portrait of a Tree

[smsomah]

Ndebele; South Africa, 1956. Emil Schulthess

[valentineua]

Forest Landscape in the Moonlight (1861) - Georg Eduard Otto Saal (1818–1870)

[rosieandthemoon]

Hever Castle Gardens (via)

[ivynightshade]

fatima aamer bilal, from we were put on this earth desperate, hungry and willing.

[text id: you get nervous when someone holds your hand, you wonder if they can feel the rot.]