Unique, beautiful, memorizing; just a few words to describe her imagination. Captured in the winding and twisting sculptures made from the tips of her fingers, Ellen Jewett has a fascinating and whimsical take on the anatomyof animals with a splash of fantasy. I would do alomst anything to see her work upfront. Here is her bio from her website:
Plants and animals have always been the surface on which humans have etched the foundations of culture, sustenance, and identity. For myself, natural forms are a continual source of fascination and deep aesthetic pleasure. At first glance my work explores the more modern prosaic concept of nature: a source of serene nostalgia balanced with the more visceral experience of 'wildness' as remarkably alien and indifferent. Upon closer inspection of each 'creature' the viewer may discover a frieze on which themes as familiar as domestication and as abrasive as domination fall into sharp relief. These qualities are not only present in the final work but are fleshed out in the process of building. Each sculpture is constructed using an additive technique, layered from inside to out by an accumulation of innumerable tiny components. Many of these components are microcosmic representations of plants, animals and objects. Some are beautiful, some are grotesque and, some are fantastical. The singularity of each sculpture is the sum total of its small narrative structures.
Over time I find my sculptures are evolving to be of greater emotional presence by using less physical substance: I subtract more and more to increase the negative space. The element of weight, which has always seemed so fundamentally tied to the medium of sculpture, is stripped away and the laws of gravity are no longer in full effect. In reading the stories contained in each piece we are forced to acknowledge their emotional gravity cloaked as it is in the light, the feminine, the fragile, and the unknowable.
Counter intuitively, while there is an appearance of complexity in design, there is a simplicity in execution. Each detail, down to the finest filigree, is free-modeled by hand. Within each piece precision is balanced by chaos. The overarching aesthetic knocks on the door of realism, yet the hand of the artist is never intentionally erased; brush strokes and fingerprints abound. Even the narratives themselves harbor a degree of anarchy as they are rarely formally structured. Rather, I seek to achieve flow states while working to create a fluid progression of unconscious imagery. That imagery, as manifest in tiny ephemeral shapes and beings, forms relationships and dialogues organically. In the spirit of surrealism, this psychological approach to artistic expression creates a rich network of personal archetypes and motifs that appear to occupy their own otherworldly space. Within this ethereal menagerie, anthrozoology meets psychoanalysis as themes of natural beauty, curiosity, colonialism, domestication, death, growth, visibility and wildness are explored.
