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theirins:
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Theme 103 by sistaroundpsds // amourelo.
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Traditional Philippine Games - Sungka
Sungká is a popular and traditional board game similar to Congkak and other variations of the game in South East Asia. The board is a carved length of wood called a sungkahan and the game involves moving shells or pebbles around the pits carved into the board.
The sungkáhan is a hollowed-surfaced board that has regular intervals with sixteen circular holes, with one large hole at the end of each side, called mother or “ulo” (head). It is shaped like a boat. Most sungkalan are plain, but some are meticulously crafted in a variety of designs. The large holes are five inches wide. The fourteen small holes are called bahay (houses) with a capacity of a handful tokens. They are hollowed out alongside at equal distances, seven holes in each row, approximately half an inch apart. These small holes are about two inches in diameter or big enough for a player to put five fingers at once. Shells, pebbles, or seeds are used as tokens. The board varies from 30 to 32 inches long, 7 to 9 inches wide, and 3 to 5 inches thick.
Sungka was and is still used by fortunetellers and shamanic priestesses/priests, which are called in the Philippines bailan, babaylan, catalonan, or maghuhula depending on the ethnic group, for divinatory purposes. Older people hope to find out with their help whether the journey of a youth is favorable at a certain day, and girls, whether they will marry one day, and, in case they will, when this will be. The game is usually played outdoors because there is a Filipino superstition about a house will burn down if it’s played indoors.
In order to play the game, two players sit opposite each other with the game board between them. Each player claims the row of small holes nearest to him and the big hole at his left. Each player has six or more seeds, shells or pebbles to use as tokens. To determine who goes first, each player places his tokens in his palm and tosses them in the air while flipping his hand over and attempts to catch as many tokens as possible at the back of his hand. The player who drops the lesser number of tokens gets to start the game.
A player drops the tokens into the holes one by one. He continues clockwise till he reaches his mother hole, where he drops one token too.
If he still has shells in his hand after reaching his big hole, he continues dropping them one by one into the holes of his opponent, still going clockwise, towards his opponent’s mother hole.
If the last token of one player reaches an empty hole, he is declared “dead” (patay) and he stops playing. His opponent wins the preliminaries and continues playing.
The winner of the pre-game once again picks up all the counters in any of his seven holes and sows them, one in each little hole, around the board towards the left, including, if there are enough, his own big hole and on into his opponent’s holes (but not his opponent’s big hole). If the player’s last counter lands in an empty hole on his own side, he captures all the opponent’s counters in the opposite pit and puts them in his own Mother hole, together with the capturing counter. The opponent gets a turn to play. If the player’s last counter falls in his own big hole, he gets another turn. If the last counter falls in an empty hole on his opponent’s side, the player “dies” and leaves his counter where it landed. The game is over when all seven pits or hole on one side are empty. The player with the most counters in the big hole wins.
The Bataan Death March Memorial at Veterans Memorial Park in Las Cruces, New Mexico, features American and Filipino Soldiers supporting each other during the march. Footprints leading to and from the statue “look back to what has passed, down to what is present and ahead to what might be,” according to notes by the sculptor, Kelley Hestir. “The footprints are symbolic of the many soldiers who began the march and the few who finished. The impressions were made from the feet of those who survived,” Hestir said. The only federally funded monument dedicated to the victims of the Bataan Death March during WWII.
No history, no self. Know history, know self.
Did you also know that our flag can be raised to reflect the political moment? The blue on top signifying peace, the red on top representing our country’s at war.
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The Evolution of the Foot Soldier
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“I’ve seen a ton on the facebooks about “thanking veterans for their service.” As a veteran let me just be very straightforward and honest with you. We didn’t “serve our country”; we don’t actually serve our brothers/sisters or our neighbors. We serve the interests of Capital. We never risked our lives or spent months on deployment away from our family and friends so they can have this abstract concept called “freedom”. We served big oil; big coal; Coca-Cola; Kellogg, Brown, and Root and all the other big Capital interests who don’t know a fucking thing about sacrifice. These people will never have to deal with the loss of a loved one or the physical and/or psychological scars that those who “serve”, and their families, have to deal with for the rest of their lives. The most patriotic thing someone can do is to tell truth to power and dedicate yourself to building power to overthrow these sociopathic assholes. I served with some of the most real and genuine people I’ve ever met. You’ll never see solidarity like the kind of solidarity you experience when your life depends on the person next to you. But most of us didn’t join for that; we joined because we were fucking poor and didn’t have many other options.“
— An anti-capitalist veteran
we joined because we were fucking poor and didn’t have many other options
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color palettes I made, based on the work of some artists I admire! good for reference, and also interesting to see what kind of colors they favor! feat: loish, kevindart, victongai