new bsd beast official art !!
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@fyodorsgirlfriend
new bsd beast official art !!
BSD DEAD APPLE Manga (ch.10, pt. 2)
translator: @samsa19
cleaner + typesetter: @caffeinatedseri
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Illustrations from Harukawa Sango`s and Nobuhiro Arai`s artbook for DEAD APPLE.
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━☆ Fyodor Dostoevsky requested by anon
BUNGO STRAY DOGS LIGHT NOVEL STORM BRINGER COVER ILLUSTRATION
If you ever see me reblog my own post it’s most likely due to the fact I’ve adjusted or added something so bare with me ⛓
Am I the only one who thinks the “fyodor is a vampire theory” is kind of silly?
Ok let’s start with his anemia, actually the main character in Crime and Punishment were physically sickly and frail in Fyodor’s books and I think that’s the reason asagiri incorporated that into fyodor in BSD and I actually think his blood problem comes from his ability. It has been shown many times when fyodor uses ability, there’s also blood splatter but no wound and so I think that the focus on the blood and anemia is actually because his killing method has to do with blood pressure/sin. Also, another point they brought up was that he never ages- but actually if you look at the manga during the flashbacks it’s clear he looks younger and more delicate. Also, there’s the cup of blood- that was actually representing a religious theme which you sacrifice blood for the sins of others. And then there’s the eyes they mentioned- but Fyodor’s eyes actually change a lot. When he’s lying/killing his eyes are black. When he’s talking openly his eyes are clear, for example when he’s talking to Nikolai his eyes are clear- representing his empathy. But when he talks about crime, sin, and changing the world his eyes are actually half clear/half foggy- no it’s not death eyes it’s just representing that there’s conflicting emotions/morals going on inside fyodors brain. Also, Bram was actually found and “killed” (headless state) by Fukuchi before he even met fyodor- it has said that multiple times.
Also the reason he hates abilities is most likely a reflection of hating his own ability- from what we can see in his speeches he talks about HIS OWN ABILITY as a sin, meaning he dislikes it. Fyodor purging the word of the sin of abilities is purging the world of his own sin, which also reflects in the book he’s based off of (which was a story about finding redemption after committing a great sin.) Fyodor wants empathy from others but doesn’t want to give empathy because of his blinded hate for his own ability- so no I don’t think he wants to destroy ability users bc he’s a vampire who’s lived for a long time and is tired of living. He wants to destroy abilities because he sees his own ability as a curse and sees the sin it causes (seeing his own ability as a separate entity from him as seen in Dead Apple he believes his ability is comitting the sins not him.)
This is just my opinion but I really don’t think he’s a vampire- when ace calls him emotionless as well and representing a vampire like state, it’s actually referencing fyodor Dostoyevsky’s book demons which the main character was referred to by that description. Also a plot this big would mess with all of the foreshadowing already put into place with Fyodor’s redemption arc. For example sigmas half purple half white hair (representing the clash of fyo and nikolai), the fact fyodor is based off of Crime and Punishment which is an entire story about redemption, and the fact that his speeches in the series direct his character set up and entirely different way. Also- the jail cells in the special prison nullify abilities so the theory is just not logical. So no, I don’t think he’s a vampire and the theory to me was a little silly. - also even if he was, the ability causes drastic changes (ears, mouth etc) in appearance why would he be immunine to that?
Here’s an example of his many different eye shades:
I haven’t been active in a hot minute, so take this as my apology
Since Nikolai is my favorite character in bsd, I was looking into the author's work and life and I discovered that he was actually gay!!!
There's very little information about it, but I found part of his diary in a collection of LGBTQ+ Russian short stories. Apparently, people mistook his diary for fiction and published it. But, as the editor of the collection said himself, it's obviously part of a larger, personal diary. It's very explicit and emotional so, probably, the entire thing was destroyed. However, what we have is enough to conclude that he was truly in love with this man, Vielhorsky, who died one year after they met.
I decided to transcribe it and post it here, not because I think it has anything to do with the character, but because I believe it's a important prove that gay people exist since, well... forever, and that love is real. It was back in the 1800s and it still is nowadays.
So, with no more delaying, here it goes:
NIGHTS AT THE VILLA
They were sweet and tormenting, those sleepless nights. He sat, ill, in the armchair. I was with him. Sleep dared not touch my eyes. Silently and involuntarily, it seems, it respected the sanctity of my vigil. Its was so sweet to sit near him, to look at him. For two nights already we have been saying "thou" to each other. How much closer he has become to me since then! He sat there just as before, meek, quiet, and resigned. Good God! With what joy, with what happiness I would have taken his illness upon myself! And if my death could restore him to health, with what readiness I would have rushed toward it!
* * *
I did not stay with him last night. I had finally decided to stay home and sleep. Oh, how base, how vile that night and my despicable sleep were! I slept poorly, even though I had been without sleep for almost a week. I was tormented by the thought of him. I kept imagining him, imploring and reproachful. I saw him with the eyes of my soul. I hastened to come early to him and felt like a criminal as I went. From his bed he saw me. He smiled with his usual angel's smile. He offered his hand. He pressed mine lovingly.
"Traitor." he said, "You betrayed me."
"My angel," I said, "Forgive me. I myself suffered with your suffering. I was in torment all night. My rest brought me no repose. Forgive me!"
My meek one! He pressed my hand. How fully rewarded I was for the suffering that the stupidly spent night had brought me!
"My head is weary," he said. I began to fan him with a laurel branch. "Ah, how fresh and good," he said. His words were then... what were they? What would I have not given, what earthly goods, those despicable, those vile, those disgusting goods... no, they are not worth mentioning. You into whose hands will fall -if they will fall- those incoherent, fleebe lines, pallid expressions of my emotions, you will understand me. Otherwise they will not fall into your hands. You will understand how repulsive the entire heap of treasures and honors is that attracts those wooden dolls which are called people. Oh, with what joy, with what anger I could have trampled underfoot and squashed everything that is bestowed by the mighty scepter of the Tsar of the North, if I only knew that this would buy a smile that indicated the slightest relief in his face.
"Why did you prepare such a bad month of May for me?" He said to me, awakening in his armchair and hearing the wind beyond the window-panes that wafted the aroma of the blossoming wild jasmine and white acacia, which mingled with the whirling rose petals.
* * *
At ten o'clock I went down to see him. I had left him there hours before to get some rest, to prepare [something] to him, to afford him some variety, so my arrival would give him more pleasure. I went down to him at ten o'clock. He had been alone for more than one hour. His visitors had long since left. The dejection of boredom showed on his face. He saw me. Waved his hand slightly.
"My savior." He said to me. They still sound in my ears, those words.
"My angel! Did you miss me?"
"Oh, how I missed you." He replied.
I kissed him on the shoulder. He offered his cheek. We kissed; he was still pressing my hand.
He did not like going to bed and hardly ever did. He preferred his armchair and the sitting position. That night the doctor ordered him to rest. He stood up reluctantly and, leaning on my shoulder, moved to his bed.
My darling! He weary glance, his brightly colored jacket, his slow steps- I can see it all, it is all before my eyes.
He whispered in my ear, leaning on my shoulder and glancing at the bed: "Now I'm a ruined man."
"We will remain in bed for only half an hour," I said to him, "and then we'll go back to your armchair".
I watched you, my precious, tender flower! All the time when you were sleeping or merely dozing in you bed or armchair, I followed your movements and your moments, bound to you by some incomprehensible force.
How strangely new my life was then and, at the same time, I discerned in it a repetition of something distant, something that once actually was. But it seems hard to give an idea of it: there returned to me a fresh, fleeting fragment of my youth, that time when a youthful soul seeks fraternal friendship with those of one's age, a decidedly juvenile friendship, full of sweet, almost infantile trifles and mutual show of tokens of tender attachment; the time when it is sweet to gaze into each other's eyes, when your entire being is ready to offer sacrifices, which are usually not even necessary. And all those feelings, sweet, youthful, fresh - alas! Inhabitants of a vanishing world - all these feelings returned to me. Good Lord! What for? I watched you, my precious, tender flower. Did this fresh breath of youth waft upon me only so that I might suddenly and irrevocably sink into even greater and more deadening coldness of feelings, so that I might become all at once older by a decade, so that I might see my vanishing life with even greater despair and hopelessness? Thus does a dying fire send its flames up into the air, so that it might illuminate with its flickering the somber walls and then disappear forever.
Source: Out Of The Blue, Kevin Moss.
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