most unusual december
Stranger Things
YOU ARE THE REASON

pixel skylines

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Alisa U Zemlji Chuda
trying on a metaphor

@theartofmadeline

祝日 / Permanent Vacation
Monterey Bay Aquarium
KIROKAZE
Misplaced Lens Cap
AnasAbdin

titsay
NASA
let's talk about Bridgerton tea, my ask is open

oozey mess
Jules of Nature

roma★

Janaina Medeiros

blake kathryn

seen from United Kingdom
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@gaellejoelle
most unusual december
get it done the weird way. do it in parts. do it “wrong”. do it “late”. do it scared. it’s just better to do it differently than everyone else rather than never do it.
HOUSE OF THE DRAGON 3.02 - Queen's Landing
RHAENYRA + losing her children
The Original Rainbow Pride Flag (1978) by Gilbert Baker.
Kodak Charmera
Have you ever had a dream, Neo, that you were so sure was real? What if you were unable to wake from that dream? How would you know the difference between the dream world and the real world?
Laurence Fishburne as Morpheus THE MATRIX (1999) dir. Lana Wachowski & Lilly Wachowski
Scanners, David Cronenberg, 1981
Of course it had to be this way. Of course. of course.
If Victor Frankenstein is the shitty, abusive parent, of course the Creature has to be the abused and neglected child but by God, did GdT commit.
He did not have to go this hard.
He did not have to film Jacob Elordi like that, curling in on himself, folding all his miles-long limbs up into the fetal position because no one else will hold him. Watching a leaf float away, out of his cold, dark prison, with nothing short of wonder. Gazing at the camera with his big, soulful eyes. Meeting a wild and dangerous creature and gently feeding it a berry.
Being able to speak only one word, the most important one, Victor, because this - his father - is the only thing in the world to him.
And of course Victor, tragically commonly unequipped to handle the responsibility of parenthood, resents him for it. He built the Creature from the ground, exactly as he wanted, carefully chose every bone, every muscle, every neuron in his body. And yet, when he comes to life, when he breathes, and moves, and needs, Victor recoils. All his hard work, the toiling that drove him to near insanity, was only just the beginning. But this, this slow caretaking, this is different: there's no glory in it. Not the excitement of discovery, not the grandiosity of defying God and nature. This work is repetitive, frustrating, exhausting, and Victor very quickly tires of it.
I do not need to explain the metaphor.
This is usually where the story turns around and says, well, it can't be denied that the Creature is horrible to look at. He is violent and dangerous. Victor may have failed but really, can we blame him?
Well. Yes we can.
GdT certainly thinks so, as he cradles the Creature in his arms and tells him, You're perfect, you have never done anything wrong. I have seen people say that this Creature is too sympathetic, the film lacks subtlety and nuance, but damn, don't we need this. Don't we need to fully and unequivocally sympathise with that which is labeled grotesque, and don't we need to condemn people who fail in their responsibility to those under their care.
People who say the creature is too sympathetic haven't read the book. The creature is characterised, especially early in the book, by his delight in the world around him, mixed with a deep yearning for connection and, after experiencing violence for his appearance, a great fear of rejection.
Page 105, as Victor berates the creature and the creature tries to explain himself: "'Will no entreaties cause thee to turn a favourable eye upon thy creature, who implores thy goodness and compassion? Believe me, Frankenstein, I was benevolent; my soul glowed with love and humanity; but am I not alone, miserably alone?'"
Page 109, the beginning of the creature's side of the story: "I gradually saw plainly the clear stream that supplied me with drink and the trees that shaded me with their foliage. I was delighted when I first discovered that a pleasant sound, which often saluted my ears, proceeded from the throats of the little winged animals who had often intercepted the light from my eyes. [...] Sometimes I tried to imitate the pleasant songs of the birds but was unable. Sometimes I wished to express my sensations in my own mode, but the uncouth and inarticulate sounds which broke from me frightened me into silence again."
Page 114, as the creature watches the family in the farmhouse: "The silver hair and benevolent countenance of the aged cottager won my reverence, while the gentle manners of the girl enticed my love. He played a sweet mournful air which I percieved drew tears from the eyes of his amiable companion, of which the old man took no notice, until she sobbed audibly; he then pronounced a few sounds, and the fair creature, leaving her work, knelt at his feet. He raised her and smiled with such kindness and affection that I felt sensations of a peculiar and overpowering nature; they were a mixture of pain and pleasure, such as I had never before experienced, either from hunger or cold, warmth or food; and I withdrew from the window, unable to bear these emotions."
Personally, I found that the most book faithful aspect of the adaptation was the creature's emotionality. It came through beautifully.
And the sun rises again. It rises behind the captain in the beginning, and it rises in front of the creature at the end (x)
Literally cannot stop thinking about Frankenstein
I'm sorry but everyone else can stfu because elizabeth weir is STRONG and TOUGH and KIND and BRAVE and an ADVENTURER and a LEADER I would follow her until I was DEAD and then rise again to FOLLOW HER SOME MORE.
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