Faceless man - After Dark
DEAR READER
sheepfilms
todays bird

Andulka
art blog(derogatory)
Monterey Bay Aquarium

roma★
No title available

@theartofmadeline

★
will byers stan first human second

Discoholic 🪩
dirt enthusiast
noise dept.
d e v o n
hello vonnie
RMH
Sweet Seals For You, Always
Aqua Utopia|海の底で記憶を紡ぐ
taylor price

seen from Türkiye

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from Switzerland
seen from United States

seen from United States

seen from United States
seen from United States
seen from Netherlands

seen from United States

seen from United States
seen from United States
seen from United States

seen from Czechia
seen from Germany
seen from United States

seen from Netherlands
@galanjorge
Faceless man - After Dark
Faceless Man - After Dark
Faceless man - After Dark
Singapore Landmark - People’s Park Complex
“Case n° 21”
The StairCases to Stairways to…
©PTRCMR
OASE #100: The Architecture of the Journal / Available at www.draw-down.com / The 100th issue of OASE takes the journal’s long-standing collaboration with its graphic designer #KarelMartens as a starting point to explore the relationship between #architecture journals and #graphicdesign. In doing so, it challenges the conventional idea that architecture journals are mere carriers of information, showing instead how these journals play a defining role in the message they convey. Adhering to Marshall McLuhan’s famous maxim ‘the medium is the message’, it considers the graphic space of the journal, its materiality, its production, and the physical experience of reading. The landmark issue zooms in on the relationship between architecture journals and graphic design, starting with a historical overview before considering the specific history of #OASE and the practice of its own graphic designer. The aim is to provide an insight into the close and mutually enriching relationship between the graphic design of an architecture journal and the production of architectural knowledge. Includes the articles “Magazine Architecture”; “Karel Martens and the Architecture of the Journal”; “Harvest of Oasis: Merits and Dilemmas of the Grid” by #LindavanDeursen; and “Imageless Architecture Building Metaphors for a Typographic Grid” as well as a transcribed converation between Karel Martens and the issue’s editors. (at Werkplaats)
Dreaming is Heavy Metal: Grace Ahlbom / Available at www.draw-down.com / Designed by Benjamin Ganz. “Pin-holes cut from cardboard, shining a flashlight through it for a fraction of a second. Imagery that I found from fanzines, brought into the darkroom and made into cyanotypes. Shrines, relics, and fan culture have long possessed a magnetic intrigue for me. On a trip to Norway, I happened upon a record shop that ignited my curiosity about the fanaticism of the #blackmetal scene.” —Grace Ahlbom / Published by #SoftOpening, 2018 / Printed in a #limitededition of 300 copies
(at Norway)
The Goetheanum Through the Eyes of Nicolas Coulomb
The Goetheanum Through the Eyes of Nicolas Coulomb
The Goetheanum Through the Eyes of Nicolas Coulomb
The Goetheanum Through the Eyes of Nicolas Coulomb
The Goetheanum Through the Eyes of Nicolas Coulomb