Galeria de Moda

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British Vogue, September 1994

Black Jackets

Yves Saint Laurent’s new wave tuxedo The classic tuxedo, ultra modern now with its feminine proportions, is this winter's evening essential, worn by Linda Evangelista. Grain de poudre tuxedo jacket, and matching tapered trousers. Both at Yves Saint Laurent Rive Gauche. Beaded collar necklace, by Erickson Beamon, at Liberty; Fenwick. High-heel satin court shoes, at Manolo Blahnik. Photography by Juergen Teller.

Hair, Guido Palau for Toni & Guy. Makeup, Miranda Joyce.  Fashion Editor: Tiina Laakkonen

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American Vogue, March 1974

The Touches at Night... Worn by Lois Chiles

Model Lois Chiles, wearing a black and white rayon crepe one-shouldered dress by Halston with a fresh camellia flower on the shoulder and a onyx and pearl necklace with bottle pendant by Elsa Peretti, photographed by Francesco Scavullo.

Hair, Rick Gillette. Makeup, Way Bandy.

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American Vogue, March 1999

Ravishing Couture

Photographed by Arthur Elgort, French model Audrey Marnay is the perfect Parisian bride in Jean Paul Gaultiers Haute Couture S/S 1999 light pink wedding gown. His trademark satin corset was cinched over an ostrich feather underskirt to create an extravagant and extreme silhouette.

Fashion editor, Grace Coddington

Hair by Recine. Makeup: Christy Coleman.

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American Vogue, August 2004

Senior Moment

Doll-faced model Gemma Ward is surrounded by sweetness while wearing a pale petal pink embroidered stand-up collar suit and black metallic slingbacks from Rochas F/W 04 in a shot by legendary photographer Tim Walker.

Fashion editor, Grace Coddington

Hair by Didier Malige for Frédéric Fekkai Beauté. Makeup: Gucci Westman. Set design by Mary Howard.

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Vogue Italia, October 1988

Piume

Photographer Steven Meisel shoots Linda Evangelista in vintage feather collar, Gettinger Feather Corps. 

Hair, Oribe for Parachute. Makeup, François Nars.

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American Vogue, April 1st, 1960

Women with a mirror, one applying a Max Factor lipstick, photographed by Leombruno-Bodi.

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American Vogue, March 1996

Supermodels: The Sequel

‘‘Sometimes when people walk up to me on the street and ask, ‘Are you Shalom?’, I’ll say ‘Not today’.’’ - Shalom Harlow

Almond eyes, near-translucent skin, and a gazelle-like gait (her walk is considered the best in the business) make Shalom Harlow a standout. Prada cardigan. Photographed by Irving Penn. 

Fashion Editor: Phylis Posnick. Hair, Julien d'Ys for Atlantis; makeup, Fulvia Farolfi. 

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American Vogue, April 1st, 1953

Model Evelyn Tripp on the cover of Vogue magazine holding telephones and wearing a Lilly Dache hat, photographed by Erwin Blumenfeld.

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American Vogue, September 1st, 1952

A model strikes an angular pose against a graphic background in this Clifford Coffin photograph. She wears a gray belted dress with diamond detail at the neck and chunky jewels on her wrist and collar. The daring magenta dress provides an injection of color, while the oversize stole she carries adds extra style

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American Vogue, October 15th, 1952

For The Woman Who Wants To Change Her Look

Model Victoria von Hagen wearing Superb gloves holding a cigarette holder, photographed by Erwin Blumenfeld.

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Vogue Italia, February 1996

Vision

British model Stella Tennant wears a lace shirt, Romeo Gigli. Tiara with diamonds, Fred Leighton. Photographed by Steven Meisel for Vogue Italia’s cover story.

Fashion Editor, Joe McKenna. Hair, Jimmy Paul for Garren at Henri Bendel N.Y. Makeup, Laura Mercier for Laura Mercier Classique.

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Vogue Italia, February 1996

Vision

British model Stella Tennant wears a stretch jersey mock neck sweater by Anna Molinari, photographed by Steven Meisel for Vogue Italia’s cover story. 

Fashion Editor, Joe McKenna. Hair, Jimmy Paul for Garren at Henri Bendel N.Y. Makeup, Laura Mercier for Laura Mercier Classique.

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American Vogue, July 1998

Perfectly Claire

After startlingly good performances in such films as Romeo & Juliet and Les Misérables, Claire Danes has proved herself a serious young actress - with serious style, too. Black fox shrug, Céline by Michael Kors. Photograph by Steven Meisel. Beauty Note: Tress up: Paul Mitchell Soft Spray lends gentle control and shine to Claire's curls.

Fashion Editor: Paul Cavaco.  Hair, Garren of Garren New York Salon. Makeup, Pat McGrath for Aveda.

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American Vogue, July 1968

The Magnificent Mirage

This magnificent wind-up of cloth, accessories, makeup - all from the nomadic workshop of Giorgio di Sant'Angelo's imagination. Model Veruschka wrapped in thong-swirled folds of supple jersey swaddling piles of fur by Georges Kaplan, Almanac and Paul Rotcage, in the midst of Arizona’s Painted Desert, lensed by photographer Franco Rubartelli.

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American Vogue, February 15th, 1954

Chanel Designs Again

Fashion designer Coco Chanel smoking on a chaise longue, photographer by Horst P. Horst in her own designs.

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American Vogue, October 1999

Cowgirl Hall of Fame

A domesticated, dove-white comforter skirt and paddded jacket are snug as a goose-down quilt. English model Karen Elson wearing a puffy jacket and full skirt with beige lace lining by Jean Paul Gaultier, photographed by Arthur Elgort.

Fashion Editor: Grace Coddington Hair by Laurent Phillipon. Makeup: Sonia Kashuk

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American Vogue, October 1999

Cowgirl Hall of Fame

English model Karen Elson wearing a black-and-white turtleneck sweater, Céline by Michael Kors. Photography by Arthur Elgort. Beauty Note: Drugstore cowgirl: A hot lip color for the cold months? Revlon ColorStay Liquid Lip in Cosmopolitan.

Fashion Editor: Grace Coddington Hair by Laurent Phillipon. Makeup: Sonia Kashuk