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@gcvernedbalance-archived
Hey, it’s Allison again! This is a sideblog, so I’ll be following you back from @andresdefonollosa.
This is a selective, private, mutuals only rp blog for Sergio Marquina of La Casa de Papel / Money Heist. Linked here is my google docs. Hope you enjoy!
This blog is officially archived! I decided to give Sergio his own blog ❤️❤️ follow him here! Some threads will be continued; others will not.
This blog is officially archived! I decided to give Sergio his own blog ❤️❤️ follow him here! Some threads will be continued; others will not.
This blog is officially archived! I decided to give Sergio his own blog ❤️❤️ follow him here! Some threads will be continued; others will not.
This blog is officially archived! I decided to give Sergio his own blog ❤️❤️ follow him here! Some threads will be continued; others will not.
This blog is officially archived! I decided to give Sergio his own blog ❤️❤️ follow him here! Some threads will be continued; others will not.
This blog is officially archived! I decided to give Sergio his own blog ❤️❤️ follow him here! Some threads will be continued; others will not.
gcvernedbalance:
If there was one thing Sergio wanted to say to Andrés, it was that he was sorry. He was sorry for being such a fucking burden all his life. He was sorry for forcing Andrés into a criminal lifestyle; he was sorry for forcing him to be a father figure. He was sorry for existing in the first place. But he couldn’t say that, not with Alicia listening to every word. He couldn’t show any weakness. “I need you to take care of yourself,” he said softly, lowering his own voice. “Take care of the others. Berlin… you know what to do.”
Now it’s really fucked, all of it. Martín won’t be able to focus on getting them out, not if he dies within the hours it would take to prepare everything, which seems inevitable at this point. There’s no honestly in goodbyes said at gunpoint, and it’s clear that Sergio’s hideout has been discovered. ❝ Will do. ❞ There’s no point making stupid confessions that would only disrupt his brother’s spirit – he can hold on against Sierra, she’d want him alive. The flesh might be weak but the spirit can stand tall, as long as there’s hope, or faith. Too bad he can’t have either. ❝ Tell inspectora I said hi. And one more thing. I love you, hermanito. See you on the other side. ❞
He took a shaky breath, trying to hold back the tears of pure desperation. There was nothing Sergio could do now, not with the so-called inspectora breathing down his neck. He closed his eyes as he listened to his brother’s words — potentially the last time he’d ever hear his voice. “Andrés… wait.” He couldn’t leave it like this. He didn’t give a damn about Alicia; she could go fuck herself. “I love you, too. And I’m sorry… for everything.” He lowered his head slightly. “Just stay safe for me, okay?”
SOFT ACTION PROMPTS
[ REQUEST ] sender walks into receiver’s room hoping to crawl in bed with them.
[ INVITE ] receiver walks into sender’s room hoping to crawl in bed with them.
[ SETTLE ] receiver sits in sender’s lap and proceeds to play with their hair.
[ ALLOW ] sender sits in receiver’s lap and proceeds to play with their hair.
[ REST ] sender places their head in receiver’s lap.
[ RELAX ] receiver places their head in sender’s lap.
[ EXPLORE ] sender sits in receiver’s lap and wanders their fingers across their face.
[ MAP ] receiver sits in sender’s lap and wanders their fingers across their face.
[ SIT ] sender straddles receiver while in bed and runs their fingers along their body while they talk.
[ LAY ] receiver straddles sender while in bed and runs their fingers along their body while they talks.
[ PERCH ] receiver sits on the counter while sender cooks.
[ WATCH ] sender sits on the counter while receiver cooks.
[ CARE ] receiver finds the sender has fallen asleep somewhere and places a blanket or jacket over them.
[ WARM ] sender finds the receiver has fallen asleep somewhere and places a blanket or jacket over them.
[ ESCORT ] receiver notices the sender is starting to get sleepy so they pick them up to carry them to bed.
[ CARRIED ] sender notices receiver is starting to get sleepy so they pick them up to carry them to bed.
[ COMFORT ] receiver sits sideways, cradled in sender’s lap.
[ HELD ] sender sits sideways, cradled in receiver’s lap.
[ MORNING ] receiver wakes before sender and lays on top of them.
[ RISE ] sender wakes before receiver and lays on top of them.
[ JOIN ] receiver is laying on the floor/ground for some reason and sender simply joins them.
[ SHARED ] sender is laying on the floor/ground for some reason and sender simply joins them.
[ SPLASH ] receiver purposefully runs out into the rain without an umbrella to enjoy the storm while sender watches.
[ OBSERVE ] sender purposefully runs out into the rain without an umbrella to enjoy the storm while receiver watches.
[ APPROACH ] receiver wakes to find sender is already out of bed so they come find them and sleepily embrace them, refusing to let go.
[ RESOLUTE ] sender wakes to find receiver is already out of bed so they come find them and sleepily embrace them, refusing to let go.
[ ROMANCE ] our muses kiss in the rain.
[ WALTZ ] our muses dance together in their living room.
[ WISH ] our muses stargaze.
[ SUMMER ] our muses relax on a beach.
[ WINTER ] our muses cuddle while watching a snow storm.
affectionate prompts
“ i’m happy when you’re around. ”
“ i like having you here. ”
“ i’m glad you came. ”
“ just tell me what you need. let me give it to you? ”
“ why are you smiling at me like that? ”
“ i trust you with parts of myself i’m afraid to show anyone else. ”
“ you have a good heart. ”
“ your eyes look so beautiful in this lighting. ”
“ i’m all yours. not going anywhere. ”
“ you have my full attention. ”
“ i never want you to stop looking at me the way you are right now. ”
“ follow me, i have a surprise for you. ”
“ you make me feel brave. ”
“ come walk with me. let’s get some air. ”
“ c’mere. sit down. tell me what’s going on. ”
“ i want you around. if i didn’t, i wouldn’t be here would i? ”
“ it’s okay, you can sit here with me for as long as you’d like. ”
“ here, take my hand. ”
“ stay still— i’m trying to hug you. ”
“ do you like my new dress? ”
“ do you like my new suit? ”
“ could you hug me again? i think i need it. ”
“ i like hearing your heart beating when i put my head on your chest. ”
“ i like watching you work. ”
“ just sit there. i’m going to make you something to eat. ”
“ why don’t you tell me what i can do to make your day better? ”
“ what’s on your mind? i want to listen. ”
“ i sure you hope you don’t think you’re walking out that door without giving me a kiss first. ”
“ i know i need to go but— one more kiss. ”
“ here, take my jacket. you look like you need it more. ”
“ keep the jacket, looks better on you. ”
“ you just make me feel good when you’re here. i feel better any time you’re around. ”
“ i don’t feel whole unless i’m touching you. ”
[ GRIN ] for one muse to reach out and playfully push the other’s cheeks up to make their lips curve into smile.
[ PRESS ] for one muse to poke either side of the other’s cheeks where smile dimples would be.
[ BOOP ] for one muse to playfully tap the other’s nose with their finger.
[ LIGHT ] for one muse to kiss the other’s cheek.
[ WARM ] for one muse to take off their jack and drape it around the other who is cold.
[ COMFORT ] for one muse to place a jacket or blanket around the other’s shoulders because they’re upset.
[ TEASE ] for one muse to squish the other’s face between their hands.
[ SCOLD ] for one muse to gently pinch the other’s cheek in response to something they said.
[ REST ] for one muse to rest their head against the other’s shoulder while they talk.
[ REASSURE ] for one muse to place their hand on the other’s back as a subtle comforting gesture.
[ SAFE ] for one muse to wrap their arm around the other’s shoulders and kiss their temple.
[ LEAP ] for one muse to run and jump into the other’s arms because they’re excited to see them.
[ SEEK ] for one muse to track down the other at a crowded function because they noticed they slipped away.
[ COMPANY ] for muses to sit on a balcony or roof together sharing a drink/food/joint etc.
[ HELD ] for one muse to offer their hand out to the other to hold to comfort them.
[ REACH ] for one muse to reach out and take the other’s hand to comfort them.
[ LACE ] for one muse to hook their arm around the other’s while they walk.
[ INTERTWINE ] for one muse to offer their arm to the other while they walk.
[ DIRECT ] for one muse to pull the other into that kind of hug where their hand rests against their head and they tuck them under their chin.
[ SLEEP ] one muse discovers the other napping and simply joins them.
[ EQUAL ] for a taller muse to pick up the other and place them sitting on a counter/table so they can be eye level.
[ URGE ] for one muse to move their arm to be around the other’s shoulder or over the back of a chair so the one sitting next to them can scoot closer.
“You just have to trust me.” He’d said these words a thousand times. How long until the other started to lose faith in him? It hurt to think about.
DARKER THRILLING PROMPTS
content warning for themes of violence, gore, death, horror and general dark themes as stated in title. obviously these can be used for any context but i figured i’d provide some content for spooky season. ♡
ANTAGONIST
“ did you really think you could hide from me? ”
“ no one is coming to save you. ”
“ now, i’m gonna have to kill you. but i won’t let it hurt. i promise you that much. ”
“ what? crying already? ”
“ keep your goddamn mouth shut! ”
“ oh, don’t look at me like that. surely you’re used to being hurt by now. i always pick the damaged ones. ”
“ damn— you’re a really fucking fast runner you know that? ”
“ it’s so cute that you think you’re going to survive. ”
“ you can scream all you want. no one will hear you. ”
“ i’ve been planning this for so long. ”
“ oh yes, i remember now. i had so much fun killing that one. ”
“ i really wish you hadn’t said that... ”
“ well shit. i didn’t want you to see this— blood really isn’t my color. ”
“ i’m warning you to walk away now. forget you saw this. ”
“ if i see you again, i’ll take your eyes. ”
“ don’t give up now, i’m just getting started. ”
“ i was hoping you’d put up a fight. ”
“ stop squirming— it will hurt less. ”
“ you’re not getting out of this. ”
“ i’m afraid it has to be this way. ”
“ it was always going to end like this. just accept your fate. ”
“ i really don’t like having to do this. please don’t make it harder. ”
“ just let go, feel the life draining away. it’ll be peaceful. ”
“ shh it’ll all be over soon. ”
“ oh, you’re going to be a fun one to take apart. ”
[ INTIMIDATE ] for one muse to use gentleness in a threatening manner ( stroking their face or hair etc ).
[ CRUEL ] for one muse to threaten the other by putting a hand around their throat without fully choking them.
[ TRAPPED ] for one muse to wake up bound to chair.
[ GROUP ] for both our muses to wake up, bound and about to be tortured.
[ KNIFE ] for one muse to stab the other.
[ BULLET ] for one muse to shoot the other.
[ CRACK ] for one muse to break the other’s bone ( feel free to specify location ).
[ BRUISE ] for one muse to punch the other.
[ CAUGHT ] for one muse to discover the other in the act of killing someone.
[ LATE ] for one muse to discover the other after they just killed someone.
[ QUIET ] for one muse to menacingly put a finger over their mouth to indicate the other to hush.
[ WHISPER ] for one muse to put their finger over the others mouth while intimidating them.
TARGET/WITNESS
“ why are you doing this to me? ”
“ what the fuck do you want from me?! ”
“ i swear to god i’ll shoot! ”
“ what the fuck is wrong with you? ”
“ i’ll do whatever you want, it doesn’t have to be like this. ”
“ why are you like this? what happened to you? ”
“ please— help me— ”
“ i think i’m dying— fuck i’m gonna die… ”
“ i can’t keep running. ”
“ please, stop— ”
“ go to hell you fucking bastard! ”
“ i won’t cry for you. ”
“ hurt me all you want, i won’t let you break me. ”
“ go fuck yourself. ”
“ oh, i don’t think you’re misunderstood. i just think you’re a little bitch who only gets off when they’re hurting people. ”
“ newsflash asshole, we’re all fucked up. you don’t see me going around killing anyone over it. ”
“ what did you do? what the hell did you just do? ”
“ you said you wouldn’t do this anymore. ”
“ enough! just. stop. ”
“ okay, you’re really starting to freak me out this isn’t funny anymore. ”
“ just leave me alone! ”
“ we have to keep running— ”
“ get the fuck outta here, it’s not safe! ”
“ we can’t hide here forever. ”
“ who’s after you? ”
“ don’t leave me here! ”
[ DEFEND ] for one muse to fight back against the other.
[ LOGIC ] for one muse to try and reason with an antagonist.
[ FLEE ] for one muse to witness the other do something violent and immediately run away.
[ LIVE ] for one muse to be injured by an antagonist and barely survive.
[ HELP ] for one muse to stumble upon the other after getting attacked.
[ SURVIVE ] for one muse to have to leave the other behind to run from an antagonist.
[ GRIEF ] for one muse to watch the other get hurt/killed.
[ PURSUIT ] for one muse to chase the other.
[ SURPRISE ] for one muse to grab the other from behind, hand over their mouth but with the intent to help them hide.
[ COLLIDE ] for one muse to run into the other’s arms after fleeing from an attacker.
[ AID ] for one muse to find the other in shock, hiding from something or someone.
[ RESCUE ] for one muse to just narrowly get saved by the other.
@elmatriarcado asked: ❥ “Professoooor!”
He was proud of them; he was proud of all of them. Even though this heist had gone off the rails, even though both Moscow and Oslo had died, they would finish this and become the richest criminals in the world, pulling off the biggest heist ever and getting justice for Sergio’s father. He smiled for once, wrapping his arms tightly around Berlin and resisting the urge to kiss him on the cheek. No one else could know of their relationship.
As soon as he pulled away, he felt her jump into his arms. Oh, Nairobi… she had come so far, and she had handled herself so well. Sergio smiled as he embraced her, one hand cradling her head gently while the other wrapped around her waist tightly. “Nairobi,” he murmured softly, closing his eyes for a moment and breathing in her scent. He opened them again after a moment. “I’m so proud of you.”
They were never supposed to form attachments. They were never supposed to get to know each other, share personal information… but living in a house with someone for five months required you to get to know them. He already knew her backstory — she had a son out there — and she knew his — he was doing this for his father. Hardly anyone knew that, and the fact that they were able to share these things with each other made him love her even more. God, he loved her.
“Well, it’s not quite over yet,” he reminded her, although the smile didn’t leave his face, either. In a few mere hours at the most, they’d be in the clear. But Sergio couldn’t let his guard down, not yet. As much as he wanted to, he couldn’t.
They’d come this far. They couldn’t stop now.
“How much have we printed?”
Like for a starter from this absolute baby 🥺❤️
@unsnare asked: " i never thought i'd be so happy to see your stupid face again! " / from río
A breathless laugh escaped Sergio’s lips as he wrapped his arms around the kid. He’d had his doubts — and so had Berlin — but Rio had proven to be a necessary asset to the team. In a strange way, the Professor almost felt like a proud father. He lightly ruffled Rio’s hair, then grinned widely as he pulled away, placing his hands on the boy’s shoulders. “You did so well,” he said with a wide smile. And he meant it. “But it’s not over yet.” The smile faded as quickly as it had come. “How much have we printed?”
indie , selective , and mutuals only andrés de fonollosa & martín berrote of LA CASA DE PAPEL .
─ 𝓫𝔂 𝓵𝓪𝓷𝓪 ／ 𝓷𝓪𝓼𝓼𝔂
MY NAME IS LISBOA.
