PUT YOUR BEARD IN MY MOUTH
styofa doing anything
Mike Driver
Lint Roller? I Barely Know Her
will byers stan first human second
🪼
Monterey Bay Aquarium
$LAYYYTER

if i look back, i am lost
ojovivo

Kaledo Art

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JBB: An Artblog!
Alisa U Zemlji Chuda
Show & Tell

izzy's playlists!

tannertan36
tumblr dot com

titsay

❣ Chile in a Photography ❣

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@generichauntedhouse
Anna de Rijk by Yelena Yemchuk
Eva Fuka Bílá růže , 1955 vintage gelatin silver print
Glen Coe, Black Rock Cottage. Photo - Gary Hook
Vito Acconci’s Trademark.
Wanda (1970) dir. Barbara Loden
How quiet goes away (2017) by Laura Makabresku
Mia Farrow painting her dressing room on the set of Rosemary’s Baby
Julia Soboleva, Thin Red Thread, 2022
Vengeance is Sworn (1851) by Francesco Hayez
Wouter van de Voorde
Allan Salas
“Whenever I'm asked why Southern writers particularly have a penchant for writing about freaks, I say it is because we are still able to recognize one. To be able to recognize a freak, you have to have some conception of the whole man, and in the South the general conception of man is still, in the main, theological. That is a large statement, and it is dangerous to make it, for almost anything you say about Southern belief can be denied in the next breath with equal propriety. But approaching the subject from the standpoint of the writer, I think it is safe to say that while the South is hardly Christ-centered, it is most certainly Christ-haunted. The Southerner, who isn't convinced of it, is very much afraid that he may have been formed in the image and likeness of God. Ghosts can be very fierce and instructive. They cast strange shadows, particularly in our literature. In any case, it is when the freak can be sensed as a figure for our essential displacement that he attains some depth in literature.”
~ Flannery O'Connor, Mystery and Manners: Occasional Prose
you may be losing the idgaf war but they wouldn't even let me enlist. on account of my poet's temperament.
love books. because it’s like what if something happened