i bring a "technically i could do this tomorrow" energy to things that tomorrow me really resents

No title available
ojovivo
Sweet Seals For You, Always
Lint Roller? I Barely Know Her

bliss lane
tumblr dot com
$LAYYYTER
Misplaced Lens Cap
EXPECTATIONS

Jar Jar Binks Fan Club

izzy's playlists!

blake kathryn
Not today Justin

No title available
Keni
"I'm Dorothy Gale from Kansas"

Andulka
★

shark vs the universe
almost home
seen from Iraq
seen from United Kingdom
seen from Iraq

seen from United States
seen from Canada

seen from Saudi Arabia

seen from Netherlands

seen from Brazil
seen from Philippines

seen from Indonesia

seen from Iraq
seen from United States
seen from Lebanon
seen from Moldova
seen from United States
seen from Colombia
seen from Philippines
seen from India

seen from Malaysia
seen from Thailand
@georgethetheatreghost
i bring a "technically i could do this tomorrow" energy to things that tomorrow me really resents
the curse of local theatre is that a show can change you forever and there is no recording of it anywhere at all and after a few years all you have are scattered memories and the knowledge that you were different before.
Changing of the guard. Old dusty rope clips to new Nicopress.
Anthony Rapp and Adam Pascal perform “What You Own” at the 2021 Tony Awards
Their voices haven’t changed at all in 25 years, holy shit.
My superpower is getting thirsty right before I’m put in standby
Stage Manager: Lights, go. Wait that’s me
*walks in covered in blood* Yeah, you know, it’s tech week 🤷
Do you ever leave yourself a note
And go “This is going to be very unhelpful when I read it later”
…and then do it anyway???
fix q 15
ok... anyone remember what was wrong with 15
Yes! You get it lol
Let's discuss the elephant in my head
I, like many others in the theatre world and arts industries currently, have been sending resumes to a slew of people for months (read as years) now with mixed results. I, also like many others, am at a point that some would call desperation when it comes to working in these fields. All of this to say, recently, I got a job offer from one of these random resume sends; I declined. We're not talking local theatre or regional theatre gig for a few months either. This was a big one with a two-year contract and big connections and I declined.
I can hear you now: "You have lost your fucking mind!" Most of my friends/colleagues think I'm insane too. Honestly, I don't blame them; it was an amazing opportunity that potentially could have led to some pretty big things. But I have learned a lot over the past two, heading into three, years of working in entertainment in the time of covid and I think it is time to put some of them out into the ether.
1) Just because the norm is to jump and go, doesn't mean you have to. It's become such a standard in the industry that anytime a position is offered, the expectation is that you take it regardless of the pay, or benefits, or what it might take for you to personally make it happen. The thought seems to be that you should be grateful for any job that comes along and take it. Don't get me wrong, I am always appreciative of any offer given, however, we should be realistic when it comes to all of the other factors surrounding those offers including the personal ones.
2) No job is worth your mental or physical health. Since the dawn of covid, I have worked some pretty awful jobs under some pretty awful people. I have stayed at jobs that weren't paying me well, weren't providing reasonable benefits, would put me on limited contracts, even though I was full time, so they wouldn't have to provide benefits, been pitted against other staff, patrons, board members, the list goes on and on. The majority of my days were me dragging myself out of bed, going to work, and going back to bed which is no way to live a life. There is no amount of money that can pay to replace your wellness or lack thereof. There is no amount of money that can make your toxic work environment less toxic. There is no amount of money that makes missing the birthday, the wedding, the funeral worth it. There is no amount of money that makes working from 9am - 3 am on a project, that no one in upper management is contributing to, worth it. Go to bed; take the days off.
3) If there is any doubt in your mind that you should take an offer, no matter what it is, don't take it. There will be another one to come along.
4) No one else is you. No one else has had the experiences you've had. Just because a friend, advisor, parent, sibling, colleague says you should do something doesn't mean that you should. What is the ideal situation for one person is someone else's living hell.
5) No is a complete sentence and you don't owe anyone an explanation.
6) This industry is HARD. On all sides of the proscenium, camera, computer, or frame. More often than not, I spend time thinking about what else I could do that isn't what I'm doing now. That's okay. All of us are so beyond burnt to a crisp. We have worked and worked to get to where we are and when it seems like the rest of the world couldn't care less about doing the bare minimum to make society functional again it should be expected that we're tired. And if, for you, that means you need to step away then absolutely do it. And if, for you, that means you sit and fight it out until you go down with the ship then absolutely do it. But whatever you do, just keep making art in your own form. Because we need it and we will always need it.
Here's the thing about artists: we feel. And we feel big things. And we feel small things like they're big things. And with the world and our industry being what it is now, as we continue to adapt and evolve, just as we always have, we deserve to give ourselves some grace. So I'm going to continue to feel the big things and the small things and I'm going to continue to trust my gut, no matter who may disagree. And I'm going to keep looking for the next job, but I'll be doing it with my gut, my brain, and all of their anxieties as loud as ever. Silencing them has never done me any good anyway.
Dear #SagAftraMembers:
We are thrilled & proud to tell you that today your TV/Theatrical Negotiating Committee voted unanimously to approve a tentative agreement with the AMPTP. As of 12:01 a.m. PT on Nov. 9, our strike is officially suspended & all picket locations are closed. We will be in touch in the coming days with information about celebration gatherings around the country.
In a contract valued at over one billion dollars, we have achieved a deal of extraordinary scope that includes "above-pattern" minimum compensation increases, unprecedented provisions for consent and compensation that will protect members from the threat of AI, and for the first time establishes a streaming participation bonus. Our Pension & Health caps have been substantially raised, which will bring much needed value to our plans. In addition, the deal includes numerous improvements for multiple categories including outsize compensation increases for background performers, and critical contract provisions protecting diverse communities.
We have arrived at a contract that will enable SAG-AFTRA members from every category to build sustainable careers. Many thousands of performers now and into the future will benefit from this work. Full details of the agreement will not be provided until the tentative agreement is reviewed by the SAG-AFTRA National Board.
We also thank our union siblings — the workers that power this industry — for the sacrifices they have made while supporting our strike and that of the Writers Guild of America. We stand together in solidarity and will be there for you when you need us.
Thank you all for your dedication, your commitment, your solidarity throughout this strike. It is because of you that these improvements became possible.
When the stage manager says go before the lighting designer has told you to update the changes to the cue:
Lighting Designer: …I should have said what “AF” means in my notes.
Conversations with Lighting Buddy….had to share, hope you all are doing well! ❤️