man this is not optimized for tumblr but here’s some kieran and branwen w some 100% shots
Fai_Ryy
Show & Tell
art blog(derogatory)

titsay
🩵 avery cochrane 🩵
almost home
PUT YOUR BEARD IN MY MOUTH

ellievsbear
Aqua Utopia|海の底で記憶を紡ぐ
noise dept.
Mike Driver
Game of Thrones Daily

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tannertan36
d e v o n
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let's talk about Bridgerton tea, my ask is open

❣ Chile in a Photography ❣
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Game Changer & Make Some Noise

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@geroceania
man this is not optimized for tumblr but here’s some kieran and branwen w some 100% shots
fast draw 🔫
Micah Bell [1/∞]
this man is a blursing.
Kieran Duffy
“That poor girl, she would have loved it here…”
- LISA
YOU WERE SUPPOSED TO BUY GROCERIES!!!
SO CUTE
Последняя поездка в Санта Крус Der letzte Ritt nach Santa Cruz (1964)
Этот немецкий вестерн, снятый на волне успеха Серджо Леоне оказывается весьма эффектным. Достаточно линейный сюжет уравновешивается драматизмом ситуации, точно показанной режиссером и хорошим актерским составом. Наверное, если бы автор сделал ставку на крупные портретные планы и стильно доработал детали,то ленте быть в числе шедевров.
История про то, как у шерифа бандиты похищают жену и ребенка не может не затронуть. Приставания к матери на глазах ребенка и фактическая невозможность ничего противопоставить негодяям. Раз за разом наш герой будет стараться все переломить. И ничего, что ожидания и симпатии зрителя будут на его стороне, грубая сила будет все сметать. Это противоречие здорово нервирует, придавая ленте настоящий нерв.
Дорог и финал. Герой и злодей, антагонисты вынуждены сообща спасать свою жизнь. Шанс на добрый поступок будет предоставлен и плохому. Тут, конечно нужно было сделать все эффектнее. Впрочем, если с лентами Леоне конкурировать фильм не может, то со многими американскими вестернами он вполне мог бы сразиться в условном поединке. И, даже думаю, что этот, кажущийся неприметным позабытый артефакт, может в ряде случаев оказаться куда более предпочтительным
7 из 10
Klaus Kinski, “Doctor Zhivago” (David Lean, 1965).
COBRA VERDE ‘ORIGINAL 1987 MOTION PICTURE SOUNDTRACK BY POPOL VUH'
Born as Florian Fricke’s brainchild, Popol Vuh needs little introduction, the band stayed active between the late 1960s & late 1990s (until Florian’s passing in 2001). Regarded as pioneers in avant-garde German electronic music, their early works practically laid down the foundations for ‘Kosmische Muzik’ (Space Music) with the then new sounds of the Moog synthesizer joined with ethnic percussions. Later the group evolved to include all kinds of instruments (both electric and acoustic alike) shrouding their music in a spiritual & introspective mystical aura.
Popol Vuh influenced many other European bands with their uniquely soft but elaborate instrumentation, which took inspiration from the music of Tibet, Africa and pre-Columbian America. With music sometimes described as “ethereal”, they created soundscapes through psychedelic walls of sound, and are regarded as precursors of contemporary ‘world music’, as well as of ‘new age’ and ‘ambient’. The band regularly contributed soundtracks to the films of Werner Herzog that include classics like ‘Aguirre’, ‘Nosferatu’, ‘Heart Of Glass’ & of course ‘Cobra Verde’.
Cobra Verde (featuring Klaus Kinski) was the final collaboration between Popol Vuh & director Werner Herzog. Originally released in 1987, this is the first time the soundtrack gets a vinyl release outside of Europe.
Regal chants accompanied by hand drums, guitars, piano and clavier in a sacred manner are alternated with synthesizer themes that have a tense/dramatic & haunting effect. African ceremonial music and the Choir of the Bavarian State Opera corner this as a landmark meditative & ambient piece of cosmic music.
Out of print since 1987, now back available as a gorgeously packaged deluxe vinyl edition, exclusively for Record Store Day 2017. Strictly limited to 1000 copies on green vinyl & comes with insert and extensive liner notes. A necessary purchase for both Popol Vuh fans and Herzog collectors.
Available in participating record stores worldwide, April 22 (Record Store Day)
Alternative cover for Argent Films A Bullet For the General DVD
- I remember Klaus with a butterfly. - The butterfly doesn’t want to leave. It is trustful. - I have a feeling, like Klaus himself would be transforming into one. - I’d really like to always remember him like that.la