Dan Flavin
Sans titre, 1969

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Keni
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Dan Flavin
Sans titre, 1969
L’Enigme d’Isidore Ducasse by Man Ray, 1920, remade 1972. Readymade: sewing machine, wool and string, 355 x 605 x 335 mm. Tate Gallery, London, England.
From Tate:
Man Ray’s idea of using a sewing machine was inspired by a simile used by the French writer, Isidore Ducasse (1809-87), better known as the Comte de Lautréamont, “Beautiful as the accidental encounter, on a dissecting table, of a sewing machine and an umbrella”. […] [The Surrealists] saw it as paradigmatic of a new type of surprising imagery, as well as replete with disguised sexual symbolism. […] Man Ray’s wrapped object, however, was a mystery, and suggested not so much a sewing machine as some utterly undefined, and therefore potentially more disturbing, presence.
Psychogeographies by Dustin Yellin commissioned by the New York City Ballet
Tania Mouraud, Initiation Room Graphic, Circa 1971
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Le pire c’est la nuit. Tard la nuit.
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Xiao Wen Ju, Asia Chow, Jacob K, Liu Wen, March 2012, Millinery, Tim Walker, W Magazine .