trevor brown circa 1990 (?)
Not today Justin
Mike Driver
i don't do bad sauce passes

titsay
let's talk about Bridgerton tea, my ask is open

ellievsbear
Xuebing Du

Andulka

Discoholic 🪩
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wallacepolsom

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Cosimo Galluzzi
art blog(derogatory)
Cosmic Funnies
tumblr dot com

★
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hello vonnie
Sade Olutola
seen from Singapore
seen from China

seen from United States
seen from United States
seen from Singapore
seen from Poland
seen from United States
seen from Indonesia

seen from United States
seen from United States
seen from United States

seen from T1
seen from United Kingdom
seen from Canada

seen from New Zealand

seen from United States

seen from United States

seen from Vietnam
seen from Brazil
seen from United Kingdom
@gho-ul
trevor brown circa 1990 (?)
Happy Together (1997)
dir. Wong Kar-wai
romina power
Suzan Pitt - Visitation (2013)
Russ Meyer - Motorpsycho! (1965)
have we tried sitting completely still in a dark room, my liege?
From: Phyllis Christopher, Pictures of The Lesbian Underground
mastering my environment
“There is no such thing as a liberal media bias because liberals don’t own broadcast licenses,” observed Frank Zappa. “All media in the United States - and I would presume in the rest of the world too - is basically controlled by people who are of the right-wing persuasion. And I think that the concept of liberal media bias was a convenient fiction manufactured during the Reagan administration … “Basically, media in all of its forms is controlled by people who are not liberal. So, if you raise this bogeyman of liberal media bias, it gives you the license under the idea of American fairness to give the people on the other side a little bit more time … please give more time to the conservative point of view. And what that did was it just swamped the country with conservative propaganda. Except that it wasn’t conservative propaganda - it was bordering on fascist propaganda.”
Isabelle Adjani in possession 1981
Josef Hník
DÁŠA I. 1970's
Children in the Wind (Hiroshi Shimizu, 1937)
These mountains we eat on
Maria Denise Dessimoz, The Inevitable Anguish of Desire