祝日 / Permanent Vacation
he wasn't even looking at me and he found me
tumblr dot com
🪼
Monterey Bay Aquarium
YOU ARE THE REASON
@theartofmadeline
ojovivo
Sweet Seals For You, Always
Aqua Utopia｜海の底で記憶を紡ぐ
❣ Chile in a Photography ❣
Janaina Medeiros
almost home
Mike Driver
Peter Solarz
if i look back, i am lost
Origami Around
ellievsbear
Game of Thrones Daily
we're not kids anymore.
seen from United Kingdom
seen from United States
seen from Thailand
seen from Malaysia
seen from United States
seen from Paraguay
seen from Paraguay
seen from United Kingdom
seen from United States
seen from Malaysia
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from India
@ghostexpressions
Day 1-"Sky"
It is a sea of blue and pink. Feathers touch and move along with the wind, the sound of soaring, the rush of ascent. Soft like floating through airy cotton and morning sighs or dark where things hide like the sun, resting in the night.
--May 2023
rapidpunches:
SHORT STORY/ONE-SHOT/ONE CHAPTER/COMICS 101 CRASH COURSE RAPIDPUNCHES’ STYLE
I’m NOT an expert but I have some working experience I can share. You need experience to become great. Here is my set of instructions, tips, and notes towards making a 12-page comic.
My method is to work backwards. Personally I work “backwards” because the end is the only wholly necessary page or set of panels in the story. Everything in between is open to editing and hacking as the most important moments are emphasized and chosen.
I even plan/draw the end page first. The end is the last page a reader sees- so spend your freshest energies on making it as epic, memorable, poignant, and beautiful as #$%^&.
If you draw the pages from 1 to 12 sequentially you run the risk of fresh to burnt out- an uneven distribution of drawing skill. (treat the first page and the 2-page splash as you would the last).
Roughly… the steps to making your comic is
WRITE
PLAN THUMBNAILS
DRAW
…BEGIN THE WRITING (DO NOT SKIP NO MATTER WHAT) like this, in this order:
How does it end?
Does the protag succeed or fail?
What is the turning point of their story?
What the protag do that led them there?
Where does it start?
Who is this protag?
EXAMPLE:
Guy gets mauled by a bear.
This is a fail on the guy’s half.
The bear must eat something or he’ll starve to death.
It’s the guy’s fault the bear can’t find other food. He caused the avalanche that buried all the cabins.
The guy is yodeling in an avalanche zone.
The guy is some guy.
CREATING “THE BEAT SHEET” Take the above stuff and reorder it to make sense.
This guy yodels.
Echoes roll.
Snow slides down.
Avalanche buries the mountain.
Cabins are engulfed.
This bear has no access to cabin food and garbage.
Bear eats this guy.
Expand. Blow up important beats for emphasis. Keep less important beats brief.
This guy is hiking in the snowy mountains.
He comes across an avalanche warning sign.
There is nobody around but him.
A dumb expression forms over his face and he yodels.
Echoes roll but nothing nearby is moved.
At the top of the mountain the snow drifts twitch.
Guy, satisfied, hikes away from there still yodeling.
Frozen snow cracks.
Snow puffs billow and great slabs of ice crash down the mountain side.
Guy sees this and hightails it to safer ground.
Animals, people, are all panicking and getting pushed over by the rushing snow.
Cabins are destroyed.
The guy takes cover by an outcropping of rocks, fastens himself securely to the rock face, and waits for the avalanche to die down.
Avalanche dies down.
A lone bear shambles over from the other side of the mountain.
The bear goes to where a cabin used to be (only roof tiles are left). Bear sniffs a dish satellite.
Bear forlornly eats a food wrapper.
Bear tries to dig.
Guy comes down from the rocks he as climbing and sees bear.
Bear stops digging and sees him.
Guy runs.
Bear chases him down.
Bear eats the guy.
BEAT SHEET COMPLETED!!!
After the beat sheet, write up all the sound effects and speech bubbles and conversation/dialogue you want to be in your comic.
Since comics are a visual medium, highest priority is given to the beats. If a story can’t be told with the art without the dialogue– you messed up and it’s time to rethink your life choices.
Try to keep all your text chunks as short as a tweet. Professionally you don’t want more than 25 words per speech bubble and no more than 250 words per page.
Next is translating the beats to pages…
STRUCTURE OVERVIEW:
[1] point of entry, in media res, hero intro
[2][3] conflict. establish conflict, setting, and mood by the third page. [4][5] rising action/false resolution to conflict/investigation
[6][7] turning point/plot twist/epiphany (this one epic image, to page spread is pivotal, spend a lot of effort into creating this)
[8][9] aftermath/“darkness before dawn”/struggle [10][11] recovery/“rise and conquer”/“fall”
[12] resolution/final end/cliffhanger
[front cover][interior] [interior][back cover]
——————–
My maximum per page is nine panels but I’ve seen pages that have way more. I like to have about 3 to 4 panels per row or less but I’ve seen the “rules” broken before. Advanced comic book artists manipulate time with the number of panels and the size of each panel.
remember, DIAGONALS!!! open up an issue of batman, superman, spider man, deadpool or whatever youre reading theyre everywhere.
———-
…DRAW IN THIS ORDER:
Page 12,
Page 6 and 7 (this is typically one large image that takes up the space of two pages),
Page 1,
and then the rest.
ONLY “DEVIATION” ALLOWED:
Page 12 and 1*
Page 6 and 7,
and then the rest.
*Draw the first and last page as a spread in situations where the beginning of the story mirrors the end of the story.
Cover is dead last.
———-
(If at the very end you find out you need more pages and it’s absolutely unavoidable and totally necessary you have to add them in fours. Try to stick to 12 pages for this crash course.)
——————–
FURTHER NOTES:
Plan and draw the pages in spreads (the twos) since this is how it will appear in print and when you submit them to an editor for review guess what, the pages with an exception to the first and last will be reviewed as spreads.
You at most only need one establishing panel of the setting and environment (scene) per page.
Forget “true to life” perspective outside of the establishing panel). Practice diagonal composition of objects and subjects within panels. For dynamism.
You don’t have to present the text all in one go (one paragraph or bubble). You can and should break up paragraphs, sentences, and if you need to single out words– to make smaller, more easily managed bubbles to scatter through the panel.
Less important moments have smaller panels and or lesser detail. More details (or more word bubbles) slow down time. More drawn detail also creates a concentration of values (it’s darker and sometimes combines together as one shape or mass)
Know your light sources. Control the blacks. Control the values.
TIPS | COFFEE? :3 | dA | IG | ♡ | ❤ | ⋆
(more coming soon 11/22/2016)
While I'm talking about writing I do want to rec two INCREDIBLE writing apps that have helped me immensely as a writer with ADHD
Stimuwrite is a little program that you can customize with all sorts of really rewarding instant tactile feedback, for example sound effects every time you hit a key, emoji notifications and balloons when you hit your custom goal (which can be as low as you want for low energy days), and neat animated backgrounds.
4thewords turns writing into an RPG and you can kill monsters via word count in order to complete quests and progress through what I personally find to be an interesting and fun storyline. It comes with all the RPG trappings like loot, gear, even custom housing (win more stuff for your house by writing).
I cannot stress ENOUGH how amazing both of these have been in terms of my writing productivity as someone with pretty severe executive dysfunction issues. Usually I use Stimuwrite for the instant feedback and then copy and paste those over into 4thewords for the gamification.
Both are small indie projects, Stimuwrite is pay-what-you-can-afford and 4thewords is $4/month but they are very good about helping people who genuinely can't afford it.
and AS THE CHERRY ON TOP, Stimuwrite's programmer is a trans woman, and while I'm not sure about the 4thewords team in specific, the game is FILLED with really great rep, they are literally having a lesbian wedding global event going on right now as I type this. So like. I like giving money to them more than giving money to a lot of other projects lol.
Anyway no neither of these projects have told me to write about them or anything I just want to spread the love. Go check them out!!
Stimuwrite
4thwords
Scary Short Stories
Here are some of our favorite classic short horror stories. Feel free to suggest any of your own in the comments!
The Whole Town’s Sleeping by Ray Bradbury
The Veldt by Ray Bradbury
The Yellow Wallpaper by Charlotte Perkins Gilman
A Good Man Is Hard To Find by Flannery O’ Connor
The Lottery by Shirley Jackson
The Masque of the Red Death by Edgar Allen Poe
The Monkey’s Paw by W.W. Jacobs
Where Are You Going, Where Have You Been? by Joyce Carol Oates
A Collapse of Horses by Brian Evenson
Premium Harmony by Stephen King
Since other King short stories are hard to find, here are a few favorite short stories/novellas if you can find them: Children of the Corn, Apt Pupil, The Body, Graveyard Shift, The Road Virus Heads North
in the latest cyber-news: the internet archive has lost their case against 4 major publishing houses (verge article). they’re going to appeal, but this is still a bad outcome. the fate of the internet is currently hanging in the balance because 4 multibillionare publishing groups missed out on like $15 of combined revenue during the pandemic because of the archive’s online library service. it’s so fucking stupid.
for those who don’t know what the internet archive is, it’s a virtual library full of media. books, magazines, recordings, visuals, flash games, websites - a lot of these things either don’t exist anymore or cannot be found & bought. heard of the wayback machine? that’s part of the internet archive. it is the most important website to exist, and i don’t say that lightly. if the internet archive goes down, the cultural loss will be immeasurable.
so how can you help?
boycott the publishing companies involved in this. they’re absolute ghouls, frankly, and don’t deserve a penny. the companies involved are harpercollins (imprints), wiley (imprints), penguin random house llc (imprints), and hachette book group (imprints). make sure the websites are set to your location as it may differ worldwide.
learn to torrent. download a torrent client (i recommend transmission), a vpn (i recommend protonvpn - sign up and choose the area that’s closest to your continent/country), and hit up /r/piracy on reddit for websites. with torrenting, you can get (almost) any media you want for free in high quality, with add-ons such as subtitles, and with no risks of loss. i would also recommend getting into the habit of watching stuff online for free. the less you can pay to a giant corporation, the better.
get into the habit of downloading and archiving materials. find a TB external hard drive, ideally the higher the better. it’ll probably cost around $60 for 1TB and continue to go up, but they’re so so useful. if you can’t afford a drive, look for any GB harddrives or memory sticks you have lying around and just fill them up. videos, pdfs, magazines, songs, movies, games - anything you can rip and download and fit on there, do it, because nothing is permanent.
donate to the internet archive. this is the most important option on the list. the IA relies entirely on funding, and it’s going to need more to fight this case. whatever you can donate, do it. i promise it’s helpful.
and finally…
idk im really tired of 15-17 year olds who have never interacted with the gay community irl and spend too much time on tiktok trying to act like the authority on all that is lgbt+
mean this in the kindest possible way. if you are too young and unsafe to go to your gay community center or pride here’s some ways you can connect to gay history.
the oral history project from act up
the lesbian herstory archives
the transgender archives of the university of victoria
the digital transgender archives
glbt historical society (digital)
lgbtq digital collaboratory
since it was suggested in the tags
anything that moves
the bisexual manifesto
the Samuel Proctor oral history project
a masterpost of lesile feinberg’s works by @genderoutlaws
more to come
the queer zine archive
the dyke march compilation
paris is burning
how to survive a plague
united in anger: a history of ACT UP
one archives
new york public library lgbtq archives
for today’s update:
screaming queens
a collection of audre lorde’s poetry
the arquives
dykes to watch out for
the bi woman’s quarterly (1/2)
“He believed that he was right in saying that the lower animals on Animal Farm did more work and received less food than any animals in the county. Indeed, he and his fellow-visitors today had observed many features which they intended to introduce on their own farms immediately.”
-Animal Farm by George Orwell
“Thenceforward she remained in her little room on the thirty-seventh floor of Bernard's apartment house, in bed, with the radio and television always on, and the patchouli tap just dripping, and the soma tablets within reach of her hand--there she remained; and yet wasn't there at all, was all the time away, infinitely far away, on holiday; on holiday in some other world, where the music of the radio was a labyrinth of sonorous colours, a sliding, palpitating labyrinth, that led (by what beautifully inevitable windings) to a bright centre of absolute conviction; where the dancing images of the television box were the performers in some indescribably delicious all-singing feely; where the dripping patchouli was more than scent--was the sun, was a million sexophones, was Popé making love, only much more so, incomparably more, and without end.”
-Brave New World by Aldous Huxley
“do you still perform autopsies on conversations you’ve had lives ago? are you still wondering what gen-der the voice in your head is?”
- Thirteen Ways of Looking at Thirteen by Donte Collins
“somewhere living is white america. laughing. licking spoons in their living room unbothered. breathing. the news cheerleading their silence.”
-The Orphan Dines with Ghosts by Donte Collins
“I say I matter & a ghost white hand appears over my mouth.”
What the Dead Know by Heart by Donte Collins
“When you get older, you realize that the world is really happening around you.” She looks me square in the eyes. “But I feel alive and clear on what I want. I don’t have the energy to create a filter anymore.”
-SZA
“[...]fiction is like a spider’s web, attached ever so lightly perhaps, but still attached to life at all four corners.”
-A Room of One’s Own by Virginia Woolf
“...the tom-tom of revolt against weariness in a white world, a world of subway trains, and work, work, work; the tom-tom of joy and laughter, and pain swallowed in a smile.”
-“The Negro Artist and the Racial Mountain” by Langston Hughes.
“I am not old, he cried, and marched up Whitehall, as if there rolled down to him, vigorous, unending, his future.”
-Mrs. Dalloway by Virginia Woolf
“But nothing is so strange when one is in love (and what was this except being in love?)...”
-Mrs. Dalloway by Virginia Woolf
“I want to think calmly, spaciously, never to be interrupted, never to have to rise from my chair, to slip easily from one thing to another, without any sense of hostility, or obstacle”
-“The Mark on the Wall” by Virginia Woolf.
