The moon is loved, in her marked & scarred beauty, & you deserve the same.
EXPECTATIONS
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PUT YOUR BEARD IN MY MOUTH
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๐ฉต avery cochrane ๐ฉต

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@ghostlybex
The moon is loved, in her marked & scarred beauty, & you deserve the same.
โThere is nothing else to me but the hollow spaces Iโve carved out for you. I knew Iโd cut myself to pieces on you if we ever had the chance to touch, but I wanted to.โ His voice unravels, massacred on yearning. โLet me ruin myself on you.โ
C.G. Drews, Hazelthorn
the worst thing about all those dracula adaptations that recast mina as a pure wilting heroine caught in a dark romance with the sexy evil vampire who's obsessed with her, is that that story already exists. my girl my queen the sexy evil obsessive vampire of all of our dreams carmilla karnstein is RIGHT THERE!! laura, the pure sweet heroine who cannot resist the dark sexyevil allure of the vampire who won't leave her alone is RIGHT THERE. the people do not want dracula. the people yearn for carmilla.
the fact that tangled has a perfect set-up for major miscommunication between rapunzel and eugene to be the final emotional climax of the movie (โwhyโd you leave meโ) but instead sidesteps that in favor of a beautiful battle between the two of them in which they try to out-sacrifice each other because they love and understand each other that much. the fact that they each try to save the other using the best means theyโve got at their disposal, the ones theyโve used their whole lives: rapunzel bargaining with mother gothel and promising away pieces of herself- this time all of herself- in exchange for his safety, Eugene pulling one final scam and trick when he feigns tenderly touching her face so he can actually cut off all her hair and set her free. the fact that Eugeneโs plan works but as a result he dies, Flynn dies. (he told us this at the beginning, โthis is the story of how I diedโ but remember- itโs a fun story.) The fact that the swashbuckling rogue and trickster and thief Flynn DIES so that rapunzel, the girl who never got to have a life, can LIVE. The fact that after one final successful trick Flynn dies so Eugene, little lost orphan boy, can rise again in his final and only role as a good man and as rapunzelโs husband- all of these make tangled the masterpiece it is. in this essay I will
this scene is my FAVORITE, not only for the reasons stated by OP but can we also dissect the hair cut a TINY bit more?
i see a lot of hate from people about how short Eugene cuts Rapunzelโs hair & i just wanna talk about how the haters are missing the point
the hair cut is supposed to be a juxtaposition!! her hair throughout the entire movie is supposed to be a symbol!! when we first meet grown up Rapunzel, her hair is long & all over the place, thrown across the tower in a way that itโs hard to keep track of places where thereโs NOT hair. this is a symbol of the tower being the only place Rapunzel understands how to be herself. the tower is her comfort zone, she feels free to โlet looseโ so to speak - even though she desperately wants to leave. the tower is all she knows. at this point, her hair also is a symbol of her just being stuck. the only time sheโs seen as useful is when her hair is being put to use (i.e. making Mother Gothel young again, or pulling Gothel up with her hair).
fast foward to the escape from the guards & Maximus. suddenly Punzieโs hair is useful for more than just serving her mother!! she uses it to help Flynn escape, it helps them when they get stuck in the cave, & it heals Flynnโs hand!! sheโs finally seen! but sheโs still cautious. multiple times in the duration of these scenes, and in the scene when they finally make it into the kingdom, sheโs holding onto her hair like itโs her life line. sheโs no longer in her comfort zone (aka the tower) and itโs a little bit harder for her to just โlet looseโ again, for a lack of a better term.
but then Eugene comes up with the FANTASTIC idea to get her hair braided by some of the townsgirls, and suddenly Punzie is no longer being defined by the usefulness of her hair! sheโs an artist, she brings people together, she dances with new people sheโs never met before - sheโs the one that Eugene falls in love with. THIS version of Rapunzel is the one that Eugene falls for, not the one who had to prove herself worthy by using her hairโs magical powers/super cool tricks she can do with it. unlike Mother Gothel, Eugene sees her.
cut to the scene where Gothel drags her back to the tower. she undoes the braid, takes out the flowers, and suddenly Rapunzel is being reduced back to โthe girl with magic hairโ. sheโs a servant - nay, a slave - again.
fast forward once again to the scene OP describes above: the hair cut. yes, partially the hair cut is due to the fact that Eugene is literally dying on the floor, so you know, a perfect cut was nothing to be expected anyways, but itโs just another extension of the symbolism. itโs the second part of an amazing juxtaposition. no longer is her hair long & blonde, the way Gothel wants/needs it to be. itโs short & brunette, the way Rapunzel needs it to be, bc now sheโs FREE, sheโs no longer a slave! sheโs grown up, & has seen the world & has fallen in love and the hair cut is literally her cutting ties with the past that enslaved her for her entire life.
thatโs why this scene is so fuckin awesome. thatโs why the hair cut is more than just to please an small portion of the audienceโs aesthetic.
Tangled is the best Disney Princess movie in existence & donโt DARE try to change my mind!!!!
oh man, this is truly one of my most favorite additions ever made to this post.
you PERFECTLY explainedย
a) why I love the scene when the little girls braid up her hair. in addition to being so pretty and practical, it FREES her. She can be herself! She can dance and twirl and explore and invite others to do the same without being weighed down in a way she has not been able to. For the first time, it truly isnโt about her hair.
andย
b) why Iโve always loved when Eugene saysย โdid I ever tell you I have a thing for brunettes?โย
Iโve always loved it but I never thought of it as more than a light-hearted joke and sweet moment of him being a goofball and it iS but also. Itโs important. Bc. Haircuts are dramatic, they just are, and hers is about as dramatic as it gets. Sheโs been tied to her hair for so long, she has seen it as the most valuable thing about her (because thatโs how she was treated), and even independent of all her magic it is beautiful and striking and heโs just right away, like.ย โI donโt care. Iโve never cared about your hair. I like YOU.โ and so she never has to go through this period of mourning for it or feel like she isnโt lovable because sheโs lost herย โone beautyโ. Because he never saw her that way or treated her that way and right away, in the most lighthearted way imaginable, he reminds her of that.
Also youโre so right!!!! the haircut is such a beautiful dramatic marking of her newfound freedom but also of crossing over into adulthood. Itโs irrevocable and dramatic for that reason--she will never look the same again--and heโs right there for her the whole time. First to free her from it, from the chain that it had become, to help her fully cross over into womanhood and then to love her on the other side of it the same way he always has!!!!!!! with no difference!!!!!!
iโm going to have a breakdown!!!!!!!
Tangled hot take butย โand the thing isโฆ Iโm not scared anymore. Yโknow what I mean?โย โIโm starting toโ is one of the most important, telling, and overlooked lines when it comes to Eugene and Iโm not over it ten years later.ย
@runningracingdancingchasingโ and @rohirric-recorderโ asked for the essay so here you go.
Rapunzelโs line here is in reference to giving Eugene the satchel with the crown back, in which she saysย โI should have given it to you before, but I was just scared. And the thing isโฆ Iโm not scared anymore. You know what I mean?โ. And to understand her fear about returning the satchel back, itโs important to remember that she only has the satchel because Gothel threw it at her feet and effectively told her that giving him the satchel meant that he would abandon her. The satchel is, in some ways, a symbolic message ofย โreasons Flynn can runโ [and I useย โflynnโ here intentionally].
For Eugene, that satchel and the treasure within it is a signal of the life he had been living. The impression that Eugene has been on his own for quite some time and has dedicated his life to the accumulation of wealth as a means of safety and security is suggested to readers during the campfire scene (โ[Flynnigan Rider] had enough money that he could do anything he wanted to do. He could go anywhere he wanted to go. And-and-and for a kid, with nothingโฆ Iโฆ I donโt know, it just seemed like the better optionโ). I think much of Eugeneโs life has been spent in fear perhaps to the point that he hasnโt known, for quite some time, what itโs like to not have that fear. Because he turned to a life of thievery and crime out of fear of not having enough to get by, and that turned his life into one constantly on the run out of fear of being caught. Eugene hasnโt known, for basically his entire life, what it means to find safety and security even though heโs devoted so much of his life trying to find it.ย
And the crown is worth a lot. I donโt think it was hyperbole when the Stabbington Brothers told himย โwe do this job, you can buy your own castleโ when talking about stealing the crown. But by the time Rapunzel gives him that option againโฆ Eugene has learned what it could mean to not be living in a life of constant fear. Heโs gotten a glimpse of what it might mean to find safety and security with another person (Rapunzel), and I think he realizes just how much he craves that.ย
And I think that becomes clear in his response in the boat to Rapunzelโs comment about not being afraid. Because he pushes the satchel down in favor of looking at Rapunzelโs face:
And then says,ย โIโm starting to.โย
Because you donโt unlearn a lifetime of habits and deeply-ingrained motivation of fear overnight, but he is starting to. Later in the film, when Eugene saysย โyou were my new dreamโ, that is only a confession of what was already admitted right here in this moment. Eugene quite literally pushes away his lifetime of learned habits because Rapunzel has helped show him, even in the little time theyโve had together, what it might be like to not be so afraid all the time.ย
And Eugene spends the rest of the film (and the tv series) developing the new outlook from this point on. It is here that Eugene first chooses love and hope as a way to find safety with someone else, and itโs a choice he continues to make again and again and again as his character arc progresses.ย
romanticizing vampirism again. you know, the type of desire that goes beyond simple mortal pleasures of the body. the deeper form of love that is stored within, the carnal wanting of the red essence that brings life into the flesh. it is to want the very thing that makes you. it is to want you entirely.
๐๐ ๐กโ๐ ๐๐๐๐๐๐ ๐คโ๐ ๐๐๐๐ ๐๐ก ๐กโ๐ ๐ ๐ก๐๐๐ ๐๐๐ ๐ค๐๐ โ โ.ห
I walk with the ghosts of everyone I've ever been, and I don't know which I am, or if I'm one of the dead that haunts me.
Kiersten White, Lucy Undying
I felt like the burning sun at the heart of the universe, the white-hot center of gravity, and Carmilla was every orbiting star. She was the velvety expanse of space wrapping around me, the kiss of asteroid dust against my exposed skin.
S.T. Gibson, An Education in Malice
The Lamb and The Goat โค๏ธ๐
"I have been in love with no one, and never shall unless it should be with you."
- Carmilla, J. Sheridan Le Fanu
the one who waits
โWhat is more lovely, after all, than a monster undone with wanting?โ
- A Dowry of Blood by S. T. Gibson
Come see me and let's cuddleeeee๐ค
I would love to and I plan to do so soon babyyy ๐ฉท
Do you know that I think you are the most gorgeous being I've ever laid eyes on!!
Awww, my love! You're so incredibly sweet and I love you so much!! ๐ฉท๐ฉท
"In the darkness, we found each other, and in each other, we found the light that illuminated our souls."
How blessed are some people, whose lives have no fears, no dreads; to whom sleep is a blessing that comes nightly, and brings nothing but sweet dreams.
Lucy Westenra's Diary, 12 September (excerpt from Bram Stoker's Dracula)