tinsel matrix @gilliflower - Tumblr Blog

thatsbutterbaby

Ivan Serpa

#ivan serpa

c86

Chafed Elbows and Scorpio Rising double bill, 1967

#film poster

dappledwithshadow

Hilma af Klint (Swedish, 1862-1944)

gilliflower

so happy to have seen this in london earlier this year.

pdxmoma

Ray Johnson

#ray johnson #bridget riley #mail art

an image from a new companion book to the japanese animated film, belladonna of sadness, via hat & beard press.

#belladonna of sadness #japan #animation

ingevandormael

#tbt #abcdefghijklm…

#inge vandormael

socialclaustrophobia

Chin Hsiao (Chinese, b. 1935), Vibration in blue + red. New York, 1966. Acrylic on canvas, 147 × 86 cm. via

electripipedream

Wilfred Sätty Wild West Show 1969

#satty #collage

dollkraut

#superstudio #architecture

anticipatedstranger-deactivated

Marcel Dzama and Raymond Pettibon collaboration.

#marcel dzama #raymond pettibon #eyes #hands

transparentoctopus

Ara Derderian, Architectural Record 1970

#architecture

blejz

Hugh Davies (1943—2005) was a British composer, performer, inventor, and musicologist. Davies developed an interest in electronic music early: in January 1962, at 18, he visited Daphne Oram’s Tower Folly studio to further his knowledge on the subject. Davies studied music at Oxford University between 1961 and 1964; shortly after completing his degree, he travelled to Cologne, Germany, where he worked as Karlheinz Stockhausen’s personal assistant until 1966. Davies then lived in Paris and New York working on compiling the Répertoire international des musiques électroacoustiques (RIME) or, International Electronic Music Catalog – a survey of electronic music studios, compositions, and techniques published by M.I.T. Press in 1968. On his return to England in 1967, Davies founded the Electronic Music Studio at Goldsmiths College; Davies was the studio director until 1986 and then a consultant researcher until 1991. One of the main activities in Davies’s own work, which spanned over 40 years, was building and discovering new musical instruments, often consisting of salvaged materials, usually electronically amplified, and on which he improvised solo or as part of a group.

#hugh davies #photos of musicians #electronic musicians