Ivan Serpa
YOU ARE THE REASON

祝日 / Permanent Vacation
Show & Tell
No title available
PUT YOUR BEARD IN MY MOUTH
I'd rather be in outer space 🛸
TVSTRANGERTHINGS

Origami Around
No title available

No title available

roma★

izzy's playlists!
One Nice Bug Per Day
taylor price
2025 on Tumblr: Trends That Defined the Year
trying on a metaphor
Lint Roller? I Barely Know Her

Discoholic 🪩
Game of Thrones Daily

@theartofmadeline
seen from Australia

seen from United States
seen from United States
seen from Portugal
seen from United States

seen from Malaysia
seen from United States

seen from China
seen from United States
seen from Italy
seen from United States
seen from United States
seen from United States
seen from South Korea
seen from Spain

seen from Malaysia
seen from Malaysia
seen from United States
seen from United Kingdom

seen from Malaysia
@gilliflower
Ivan Serpa
Chafed Elbows and Scorpio Rising double bill, 1967
Hilma af Klint (Swedish, 1862-1944)
so happy to have seen this in london earlier this year.
Ray Johnson
an image from a new companion book to the japanese animated film, belladonna of sadness, via hat & beard press.
#tbt #abcdefghijklm…
Chin Hsiao (Chinese, b. 1935), Vibration in blue + red. New York, 1966. Acrylic on canvas, 147 × 86 cm. via
Wilfred Sätty Wild West Show 1969
Marcel Dzama and Raymond Pettibon collaboration.
Ara Derderian, Architectural Record 1970
Hugh Davies (1943—2005) was a British composer, performer, inventor, and musicologist. Davies developed an interest in electronic music early: in January 1962, at 18, he visited Daphne Oram’s Tower Folly studio to further his knowledge on the subject. Davies studied music at Oxford University between 1961 and 1964; shortly after completing his degree, he travelled to Cologne, Germany, where he worked as Karlheinz Stockhausen’s personal assistant until 1966. Davies then lived in Paris and New York working on compiling the Répertoire international des musiques électroacoustiques (RIME) or, International Electronic Music Catalog – a survey of electronic music studios, compositions, and techniques published by M.I.T. Press in 1968. On his return to England in 1967, Davies founded the Electronic Music Studio at Goldsmiths College; Davies was the studio director until 1986 and then a consultant researcher until 1991. One of the main activities in Davies’s own work, which spanned over 40 years, was building and discovering new musical instruments, often consisting of salvaged materials, usually electronically amplified, and on which he improvised solo or as part of a group.
helen lundeborg, untitled (forms in space), 1970
Linder
back cover of beatitude anthology (1960)
Hans Bellmer
from process #5 (1969), design/layout most likely by timothy wyllie