this was supposed to be an art sideblog

oops i forgot how to draw

[pakchoys]

there's going to be a doctor who renaissance someday soon and when you finally give 12 a chance you will come crawling to my door and say i was right all along. that weird old man does fuck so hard after all

[congratulationsonstayingalive]

OP, you are so right. You cannot not love the egg.

[aq2003]

ten is aroace for this one sorry society

[ashenberry]

the thing about aa4 is that it’s so blantantly about facades that it hurts when someone misses that completely

[prezaki]

One core trait of Phoenix Wright as a character that I rarely see discussed is how utterly evasive he is about his private affairs. It sticks out the most in AA4 when we see Phoenix from the outside, but "Phoenix won't tell anyone anything important unless he absolutely has to (and even then, he probably won't)" is by no means a new development for him.

From AA1 onwards, we see Phoenix dodge people's questions about his personal life time and time again. In part, this is by narrative necessity - Phoenix knows more than the player is meant to know in order to achieve the optimal tension curve. But AA takes his narrative shortcut and turns it into a real character beat.

Phoenix Wright is the most cagey fucker on the planet.

At the end of 1-1 Mia asks him how he came to befriend Larry and Phoenix dodges the question with a vague promise to tell her later - this also means that in all of his time working with Mia, he's never actually disclosed his full motivation for becoming a lawyer to her.

In 1-2, Maya asks him how he knows Edgeworth and he dodges, because of course he does. The same song and dance repeats at the end of 1-3. And despite Maya's repeated prodding by 1-4, Phoenix still has not told her a thing about his past. That's from October until December that Maya is left going ??? and her questions go nowhere.

Then, between AA1 and AA2, Edgeworth is presumed dead by suicide. Does Phoenix tell Maya about this? Absolutely not. He does not tell her in letters nor is he clear about it when they see each other again in person, months later.

What Maya gets once it's inevitable to talk is a vague 'he's gone' and no elaboration other than the request to not speak about him again.

This is Phoenix's default coping mechanism.

In AA3, there are numerous instances where he mentions forgetting Dahlia, not speaking her name again, etc. Edgeworth is 100% getting the 'person who hurt me too deeply to think about' treatment here.

But to not even tell Maya a vague overview on the matter, when Maya knew him too? Rough. And it just keeps going.

It's six months between telling Maya that Edgeworth is 'gone' in 2-2 and her finding out that 'gone' seemingly means' dead' in 2-3.

Maya complains about it, too. This isn't a matter of 'she never asked again', it's a matter of 'Phoenix is dodging all questions'. Gumshoe has to intervene in order for Maya to finally find out.

And finally in 3-5, does he tell anybody why he's going to Hazakura temple and why he seems interested in Iris? Absolutely not!

At this point we get Edgeworth openly acknowledging that Phoenix keeps his emotional cards extremely closely to the chest. When he states that he wants confirmation on whether or not he has met Iris before, this exchange happens:

Even as Edgeworth directly calls him out on being evasive and never actually speaking to people, all Phoenix can do is acknowledge that this is how he is by apologizing - but he won't change his ways.

AA4 Phoenix is really just a natural evolution of Trilogy Phoenix - Trilogy Phoenix is already evasive, already hates telling people about his struggles or accepting help... It's really no wonder that he'd isolate himself instead of reaching out once he gets disbarred.

[surkeart]

be free!!

[rotttencandies]

meow redesigns of my favorite goirls :3

[arkadyaaa]

google en passant

[oasisofgalaxies]

@ind1c0lite

[etymology-of-etymology]

Lately, I've been thinking about the tenses that are commonly used in writing. I often see the past tense used in published stories but I rarely seem to encounter the present tense except in fanfic. In the right hands, both can be used to create incredible stories.

Which tense do you prefer?

past

present

present, but only in certain cases (explain)

past, but only in certain cases (explain)

meh, depends on the length

one of these makes my brain scream (explain)

I just like answering polls

give me a sec, I'm going to write an entire paragraph minimum about my thoughts

you shall never have my secrets, you vile wench (tell me you secrets)

it depends on whether I'm reading or writing (explain)

Voting ended onAug 21, 2023

[gingermutineer]

not barbie and not ken, but a secret third thing (allan)

[hopeinart]

THATS WHAT IVE BEEN SAYING THE WHOLE TIME

The point of Allan is being someone who exists out of a binary system (Barbie or Ken, Male or Female) and how no matter what as long as that system relies on the binary existing, you won't be able to be comfortable!

Allan wasn't happy under either of the two groups, whether being considered a Barbie or a Ken when he's something fundamentally different. Even if he was more comfortable with Barbies, at the end of the day he was not a Barbie.

Being an Allan is what it's like existing outside of the gender binary in a society that insists you have to fall on one side of said binary.

[marinetteplztakeabreak]

Félix

1) know Ladybug’s identity. because Kagami told him

2) has known Monarch’s identity since at least season 4.

3) tried to flirt with/free Kagami by thanos-snapping away her mom when they first met

4) definitely heard very quickly that both monarch and gabriel agreste had been killed and ladybug was the only witness

5) is on team ladybug now. Marinette (who knows that he knows her identity) let him keep his miraculous and has invited him to group meetings

6) definitely cares about adrien at least a little bit despite being an idiot who has no idea how to show it

And i just. Cannot stop imagining him making an honest attempt to help ladybug decide how to ethically handle the Secrets she is keeping. But being significantly worse at it than she is.

[marinetteplztakeabreak]

Marinette breaks down crying from guilt about not being able to save Gabriel but also not being brave enough to tell Adrien his father sucked. And Félix pats her on the head and is like “i’m so sorry. do you want to kill kagami’s mom next? would that make you feel better? she’ll be cool with it so that one will be less morally dubious” and marinette’s like “what the fuck is wrong with you.”

And then she complains to kagami and gets halfway through a sentence about feeling guilty before kagami’s like “oh. do you want to kill my mother? i was saving that for me and felix, but you can do it instead. i think you need it more.” And marinette just lays down on the floor and kagami pats her arm

[animentality]

[aaaa-aaaaaaaaaaaaaa]

As someone who identifies as nonbinary, Allan was my favorite character. He was described as how I see my gender. He's not Barbie, nor is he Ken. Allan is just Allan, and there's only one of him. I always describe my gender as "I'm not a boy or a girl, I am me, and there's only one me. I'm one of a kind." Allan just gets me fr.

[gingermutineer]

not barbie and not ken, but a secret third thing (allan)

[drenched-in-sunlight]

He was a punk she did ballet: ❌

He and she are both punks and have a crush on a same art baby: ✅

[castletemprwine]

i'm so fascinated by the "just ken." in the context of the tagline (she's everything, he's just ken) it makes it sound like ken is just an accessory to barbie and is nothing without her, but in the actual movie in the speech barbie gives, she turns the phrase on its head. ken isn't an accessory to barbie, he isn't the attention barbie gives him, he's just ken. and that's not even mentioning the "she's everything" part of the tagline and how it goes with gloria's speech of women having to fulfill the impossible task of fitting into every box and juggle conflicting expectations and roles just to be liked by society. the tagline represents opposite ends of a spectrum but by the end of the movie barbie and ken meet in the middle, where they're each allowed to be their own person independent of the expectations and insecurities they've been operating on. this movie, man

[ghost-in-the-corner]

Also, props to Allan???

He's a doll most people have never heard of. He got discontinued forever ago cause he was perceived as gay by consumers and they didn't like that.

But I love that he had an actual role in Barbie. He was very queer coded, yeah, but he didn't like when all the Kens turned to Patriarchy. He was so uncomfortable that he wanted to abandon Barbieland all together. He knew it was wrong.

And then he helped the Barbies get themselves back. He had a pink jumpsuit and sunglasses and went out all stealthy to get the Barbies in the van. He even voted at the end to keep the constitution the way it was.

Big Allan fan over here.

[journal-number-3]

The Barbie movie: The Ken's need to find who they are outside of pursuing Barbies, a clear allegory for how real life men should not define themselves by trying to attract a partner and building their personality around that, something that would be healthier and better for them overall

Misogynists: barbie movie is so anti-men :(( how could they do this :((((