The Smithsonian’s National Portrait Gallery recognizes the life of Henrietta Lacks with the installation of a 2017 portrait by Kadir Nelson.
Peter Solarz
KIROKAZE
tumblr dot com

@theartofmadeline

No title available

blake kathryn
Xuebing Du
cherry valley forever
Mike Driver
RMH

PR's Tumblrdome
Alisa U Zemlji Chuda
Sade Olutola

pixel skylines
Lint Roller? I Barely Know Her
wallacepolsom

Product Placement
hello vonnie
trying on a metaphor
Misplaced Lens Cap
seen from United States
seen from United States
seen from Romania
seen from Denmark

seen from Mexico

seen from Finland

seen from Malaysia
seen from United States
seen from United Kingdom
seen from Singapore

seen from Malaysia

seen from Malaysia
seen from United States
seen from United States
seen from Peru

seen from United States
seen from United Kingdom
seen from United States

seen from Malaysia
seen from Türkiye
@globalwarmist
The Smithsonian’s National Portrait Gallery recognizes the life of Henrietta Lacks with the installation of a 2017 portrait by Kadir Nelson.
Al-Jawad Pike, Peckham House Extension, London, 2018
www.aljawadpike.com/
I made the mistake of watching Blackkklansman at a screening filled overwhelmingly with white people who laughed at scenes not meant to be ‘funny’.
Incendies (2010) | dir. Denis Villeneuve
“If you give children a vocabulary that’s large enough and complex enough to express their emotions and their ideas, you give them access to complex feelings and emotions in themselves. So that if you talk to a teenager and all they can say about how they feel is BAD, and they haven’t got, you know, a larger vocabulary for lonely, abused, insecure, frightened…I mean there’s this huge panoply which…I remember when my daughter was just telling me that she just felt bad, I bought her a thesaurus. I said, “Look up, is it sort of over lonely, or is it insecure…and look up under lonely, you’ll find two hundred words for lonely. Which one?” But what that does is that it makes you feel that there’s this huge complexity of emotions and there are words for all of them. If you want children to feel less frustrated and less disenfranchised and less unable to even feel comfortable with their own emotions, you’ll have to give them a vocabulary that’s as complicated as their inner lives. And one of the things we see in children is this incredibly reduced capacity for reporting their inner lives to the exterior world. One of the things is just teaching them poems, just teaching them to memorize poems in school, they don’t have to interpret them, if they just internalize the language of the poem, the complexity of the emotion in the poems…” -Jorie Graham, in a conversation
Despite knowing the journey and where it leads… I embrace it. And I welcome every moment of it.
Arrival (2016) dir. Denis Villeneuve
What Is An “Aryan”? (1941)
10 years ago at the 50th annual Grammy Awards, Amy Winehouse won five awards out of the six she was nominated for. She tied the record of achieving the most wins by a female artist in one year.
having cousins ranging from 42 to 3 years old in age is a Mood of Colour
Americans love Mexican food. We consume nachos, tacos, burritos, tortas, enchiladas, tamales and anything resembling Mexican in enormous quantities. We love Mexican beverages, happily knocking back huge amounts of tequila, mezcal and Mexican beer every year. We love Mexican people — as we sure employ a lot of them. Despite our ridiculously hypocritical attitudes towards immigration, we demand that Mexicans cook a large percentage of the food we eat, grow the ingredients we need to make that food, clean our houses, mow our lawns, wash our dishes, look after our children. As any chef will tell you, our entire service economy — the restaurant business as we know it — in most American cities, would collapse overnight without Mexican workers. Some, of course, like to claim that Mexicans are “stealing American jobs.” But in two decades as a chef and employer, I never had ONE American kid walk in my door and apply for a dishwashing job, a porter’s position — or even a job as prep cook. Mexicans do much of the work in this country that Americans, provably, simply won’t do. We love Mexican drugs. Maybe not you personally, but “we,” as a nation, certainly consume titanic amounts of them — and go to extraordinary lengths and expense to acquire them. We love Mexican music, Mexican beaches, Mexican architecture, interior design, Mexican films. So, why don’t we love Mexico? We throw up our hands and shrug at what happens and what is happening just across the border. Maybe we are embarrassed. Mexico, after all, has always been there for us, to service our darkest needs and desires. Whether it’s dress up like fools and get pass-out drunk and sun burned on Spring break in Cancun, throw pesos at strippers in Tijuana, or get toasted on Mexican drugs, we are seldom on our best behavior in Mexico. They have seen many of us at our worst. They know our darkest desires. In the service of our appetites, we spend billions and billions of dollars each year on Mexican drugs — while at the same time spending billions and billions more trying to prevent those drugs from reaching us. The effect on our society is everywhere to be seen. Whether it’s kids nodding off and overdosing in small town Vermont, gang violence in LA, burned out neighborhoods in Detroit — it’s there to see. What we don’t see, however, haven’t really noticed, and don’t seem to much care about, is the 80,000 dead — mostly innocent victims in Mexico, just in the past few years. 80,000 dead. 80,000 families who’ve been touched directly by the so-called ‘War On Drugs.’
Anthony Bourdain: Under the Volcano (via mizoguchi)
Abdel Kader Haidara, the librarian who saved Timbuktu´s ancient cultural treasures from al-qaeda
“People don’t have any mercy. They tear you limb from limb, in the name of love. Then, when you’re dead, when they’ve killed you by what they made you go through, they say you didn’t have any character. They weep big, bitter tears - not for you. For themselves, because they’ve lost their toy.” James Baldwin, Another Country
The bogus religiosity which now surrounds original works of art, and which is ultimately dependent upon their market value, has become the substitute for what paintings lost when the camera made them reproducible. Its function is nostalgic. It is the final empty claim for the continuing values of an oligarchic, undemocratic culture. If the image is no longer unique and exclusive, the art object, the thing, must be made mysteriously so.
John Berger in Ways of Seeing (via spoutziki-art)
COPTIC CHRISTIAN MOURNERS BY THE AMERICAN PASTEL ARTIST, DONNA YEAGER
Donna Yeager is an American pastel painter. One of her pieces of art, “Coptic Christian Mourners,” is dedicated to the mourning families of the 21 Coptic martyrs who were slain by the Islamists of ISIS in Libya on February 12, 2015.
Rare photos for the Palestinian journalist, artist, novelist, and short story writer Ghassan Kanafani.