Bronzino, Laura Battiferri (detail)
1550-55
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Bronzino, Laura Battiferri (detail)
1550-55
Howls room is serious goblincore/mothcore aesthetic
“in front of my mother and my sisters, i pretend love is cheap and vulgar. i act like it’s a sin– i pretend that love is for women on a dark path. but at night i dream of a love so heavy it makes my spine throb– i dream up a lover who makes love like he is separating salt from water.”
— Salma Deera, “salt” (via virgoassbitch)
Elaine ~ Toby Edward Rosenthal, 1917
Lover’s Eyes (ca. 1840), brooch with miniature portrait (watercolor on ivory) and a lock of hair.
“I have phases, like the moon. Phases to hide myself,”
— Cecília Meireles, tr. by Natalie d’Arbeloff, from Poems; “Contrary Moon,”
Fendi | Fall/Winter 2019 Couture
Claude Cahun. La Chambre du Chat, 1940.
Elaine (detail, 1870) Sophie Anderson
“Madness of a restless night, alone with a few books; moments reappearing from another life; memories, prophecies,”
— Valery Larbaud, tr. by William Jay Smith, from “Alma Perdida,” (edited)
Marion Ash, an employee at the Wall Court Floral Library in Corfe Castle, Dorset, at work in the drying room, 1 October 1963, John Drysdale/Keystone Features/Getty Images ..
pov: you’re a small woodland creature sitting on a moss-covered rock, listening to the stream without a worry in the world
Maternal Solicitude, 1873. Arthur Fitzwilliam Tait. Oil on wood
Frederick Leighton, Light of the Harem (details)
c.1880