[humanoidhistory]

Munich, 2002. Photo by Bernd Becher and Hilla Becher.

[lorrore-blog]

[testure-1988]

Skinny Puppy show from 1988 (Malmoe Sweden)

Photos by Daniel Wikstrand

[reassurance]

Prometheus. Peter de Rome. 1972. USA.

[oniri-que]

La Ricotta (1963)

Pier Paolo Pasolini

[isab3llashysteria]

[photoarchive]

Albert Fennar, Untitled, 1964

[fungusamongusblg2]

[dropdome]

@dyke-husband

[kissmeimemo]

[lacedxdollie]

[trashchurch]

[majordelilah]

from “Deep South” by Sally Mann (1976)

[heartcountry]

love is real i saw it once outside my window and it stopped to look at me but kept on walking and i thought it’d come back but in the end maybe it was just passing through

[horrorlesbians]

when gillian flynn said “I’ve grown quite weary of the spunky heroines, brave rape victims, soul-searching fashionistas that stock so many books. I particularly mourn the lack of female villains — good, potent female villains. Not ill-tempered women who scheme about landing good men and better shoes (as if we had nothing more interesting to war over), not chilly WASP mothers (emotionally distant isn’t necessarily evil), not soapy vixens (merely bitchy doesn’t qualify either). I’m talking violent, wicked women. Scary women. Don’t tell me you don’t know some. The point is, women have spent so many years girl-powering ourselves — to the point of almost parodic encouragement — we’ve left no room to acknowledge our dark side. Dark sides are important. They should be nurtured like nasty black orchids.”

[evahdestrvction]

POSSESSION (1981)

[floralportals-deactivated202605]

[rigorwhoretis]