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Game of Thrones Daily
PUT YOUR BEARD IN MY MOUTH
trying on a metaphor
Jules of Nature
cherry valley forever
d e v o n
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will byers stan first human second
One Nice Bug Per Day
Aqua Utopia|海の底で記憶を紡ぐ

bliss lane
almost home
EXPECTATIONS
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@oniri-que
Agnès Varda behind the scenes of Documenteur, 1981
Polaroid by Andrei Tarkovsky Lot 12 - Polaroid 5
Cristina García Rodero. Duelo (Mourning) , Canosa di Puglia, Italy (2000)
Old Women in Rome
Ruth Orkin, 1951
Negative Hands (1978), dir. Marguerite Duras
« Il n’y a qu’un problème, un seul de par le monde. Rendre aux hommes une signification spirituelle, des inquiétudes spirituelles. Faire pleuvoir sur eux quelque chose qui ressemble à un chant grégorien. Si j’avais la foi, il est bien certain que, passé cette époque de « job nécessaire et ingrat », je ne supporterais plus que Solesmes. On ne peut plus vivre de frigidaires, de politique, de bilans et de mots croisés, voyez-vous ! On ne peut plus. » Antoine de Saint-Exupéry, Un sens à la vie.
Theorem (1968), dir. Pier Paolo Pasolini
Labyrinth of the Minotaur, Lambertus a S. Audomaro, Saint-Omer, c. 1121
Telegram / Facebook / Sacred Ibis fb group
Carlo Cafferini, The almost full moon slowly rising between the cathedral and the leaning tower in Piazza dei Miracoli, Pisa, Italy.
La route de Chartres, Photo by René-Jacques, c. 1951
Louis Stettner (1922-2016)
Saint-Lazare train station. Paris, c. 1951
Salò o le 120 giornate di Sodoma (1975) // dir. Pier Paolo Pasolini
“The State is a cold concern which cannot inspire love, but itself kills, suppresses everything that might be loved; so one is forced to love it, because there is nothing else. That is the moral torment to which all of us today are exposed.”
— Simone Weil, The Need for Roots
“Our eyes are full of terrible confessions.”
— Anne Sexton, from The Black Art (via violentwavesofemotion)
Throne room at the Palace of Knossos, Crete
« Rien ne vaut d’être dit en poésie que l’indicible, c’est pourquoi l’on compte beaucoup sur ce qui se passe entre les lignes. » Pierre Reverdy