2025 on Tumblr: Trends That Defined the Year
Show & Tell

izzy's playlists!
I'd rather be in outer space 🛸
Jules of Nature
"I'm Dorothy Gale from Kansas"

❣ Chile in a Photography ❣
Cosimo Galluzzi
Sweet Seals For You, Always
Mike Driver

pixel skylines

祝日 / Permanent Vacation
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Not today Justin
Claire Keane
h

titsay

Origami Around
Sade Olutola
hello vonnie

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seen from United States
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@goldenagecomics
Will Eisner
You said it, Mary.
—Mary Marvel #5 (1946)
Mary Marvel Month, Day 20!
“There sure are some queer dangers in Flower Land!”
Desperate Dan - 1938
high-res
Dudley Watkins
“I’m through with men …. forever!”
—All-American Comics #45 (1942) by Bill Finger & Irwin Hasen
In 1936, when comic books were mostly collections of familiar newspaper strips and the company that became DC Comics was the only company publishing solely original material, that company tried to coin the term “AOC” for “all original comics”. It didn’t work.
#WomensHistoryMonth ProFile Friday
Joy Seligsohn (born 1927) was a writer of romance comics for the American Comics Group in the late 1940s and early 1950s.
Seligsohn was born in New York City and graduated from New York University in 1948 with a degree in radio and television, and a minor in philosophy. After acting for a few years in summer stock in Sturbridge, Massachusetts, she transitioned to freelance writing, including for comic books. She met her husband, Zeke Seligsohn, when he was an editor at ACG and writer of Buck Rogers comics.
After the Wertham era, she and her husband left comics and she continued writing “true story” and “confessional” stories for magazines, as well as romance novels. She also became a copywriter for a New York radio station, and due to her radio training, she was first given the female voice roles for the commercials, and then was given her own one-hour call-in show for four years.
She continued in community theater in Fresh Meadows, New York and worked in public relations and advertising. Â She did not become a professional actress until 2001 when she was 74 and she was approached on a bus by someone looking for women with grey hair for a commercial. Since then, she has appeared in commercials, off-Broadway shows, and bit parts in movies, including as a Little Old Lady in the 2005 film production of The Producers.
She currently lives on the Upper West Side of Manhattan with her husband. She has two children and four grandchildren.
Interviews:
(Take the time to listen to/watch these, she is a magnificent lady)
With NYUAlumni (video)
With The New York Times (audio+slideshow)
Filmography:
National Lampoon’s Dirty Movie (2011): Candy LadyÂ
The British Jew with the Loose Screw (short) (2010):Â Customer in Luggage StoreÂ
Divergence (2007): GertrudeÂ
The Producers (2005):Â Little Old LadyÂ
Nikos the Impaler (video) (2003): Reba
YES!
—Miss America #56 (1953)
dailywonderwoman:
Rosie the Riveter as seen in War Victory Adventures from Harvey Comics.
Fun fact: Rosie the Riveter majored in jiu-jitsu in college. ;-)
10 Golden Age Heroes James Gunn's DCU Needs to Introduce by Timothy Blake Donohoo
Would have been nice if they use all golden age art for the article...I would love to see these guys tho! Wildcat is criminality ignored
Wasn't Margaret Brundage an inspiration for one of several manifestations of Alan Moore's "Promethea?"
According to Wikipedia, yes.
More about Margaret Brundage the 1930s pulp illustrator here!
The Blonde Bomber is having 0% of your nonsense!
R.I.P. Barbara Hall, who died last week at the age of 94.
—”The Blonde Bomber” in Green Hornet Comics #8 (1942) by Barbara Hall
Starting in August, superstar artists celebrate Marvel's 85th Anniversary with five Homage Variant Covers.
When I think of Superman, I think of Joe Shuster’s version. There’s something wonderful in his simplicity and knack for brilliant faces.
Here’s a wonderful little interview with Trina about her Lily Renée graphic biography that came out last year, as well as some information about the collection of Lily’s work that Trina is editing (forthcoming from IDW!)
It is a good read.Â
ProFile Friday
Dorothy Woolfolk née Roubicek (October 11, 1913 - November 27, 2000) was a pioneering woman in the American comic book industry. The first female editor at DC Comics, she is credited with helping to create the fictional metal kryptonite in the Superman mythos.
Dorothy Woolfolk, a New York City high school graduate who never attended college, was an editor at DC Comics during the of Comics. She served from 1942 to 1944 as an editor at All-American Publications, one of the three companies that would merge to form the present-day DC, then spent the next two years at Timely Comics, the 1940s predecessor to Marvel Comics, and in 1948 was an editor at EC Comics (before its metamorphosis into “Entertaining Comics”) . She also occasionally scripted comics, including an unknown number of Wonder Woman stories in the 1940s — making Woolfolk one of the first female writers of that series.
She met her husband, novelist William Woolfolk, during her stint at DC, when she rejected a script he had submitted for a Superman comic book. Woolfolk told the Florida newspaper Today in August 1993 that she had found Superman’s invulnerability dull, and that DC’s flagship hero might be more interesting with an Achilles’ heel such as adverse reactions to a fragment of his home planet. This gave rise to the famous fictional metal kryptonite.
After raising children Donald and Donna, the latter of whom would become an author, Woolfolk briefly returned to comics in the 1970s, editing Wonder Woman, Supergirl, Superman’s Girl Friend, Lois Lane, Young Romance, and other DC superhero and romance titles from 1971 to 1974. Woolfolk also wrote for the science fiction magazine Orbit during the 1950s, and in the 1970s and early 1980s was the author of the 10-book Scholastic Press young-adult novel series about teen detective Donna Rockford. Woolfolk’s daughter, Donna Woolfolk Cross, is also an author; her work includes the historical novel Pope Joan.
Comics artist Alan Kupperberg (who drew the above panel), who worked with her at DC Comics in the 1970s, said in 2001, “Dorothy Woolfolk really was something… Tallulah Bankhead, the Auntie Mame of comics. I thought her books looked good and she got them out on time. People like Liz Safian got breaks through Dorothy. Not to mention Sal Amendola, Howard Chaykin, Mary Skrenes, and Alan Weiss.”  She was nominated every year from 2001-2004 for induction into the Women Cartoonists Hall of Fame. Woolfolk, who lived on the Upper West Side of Manhattan while working in comics and as an author, moved to Norfolk, Virginia, in 1996. Two years later, she began to reside at the St. Francis Nursing Center in Newport News, Virginia, where she died in 2000.