dolce far niente - the sweetness of doing nothing
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dolce far niente - the sweetness of doing nothing
Split , Croatiađđđ·
Why does the echo of war drums never fall silent? Why has the ceaseless extinguishing of human lives become a tragic constant of our time?
We are witnessing an era in which fundamental human values have been deeply corrupted and devalued. The question inevitably arises: is there a path back to those primordial, traditional principles that once preserved the balance and dignity of human existence?
In what kind of world do we dwell, and who, in truth, are our companions on this planet? Who are the architects of this earthly hellâare these ruthless leaders merely a minority, or rather a dark reflection of the majority? Who are the true masters of illusion so skillfully pulling the strings and manipulating the slumbering masses?
What does this theater of the absurd in which we live truly represent? Is a final epilogue to this global agony in sight? Why and how have we been pushed to the brink, and does there exist any meaning or rational explanation within this cosmic chaos?
I cast these questions into the void, though in the depths of my soul I already bear their agonizing echo. For in the face of such an abyss, realization brings no solace, and the answers themselves become achingly in vain.
somewhere in italy
"I am almost convinced that I am never awake. I do not know if I am dreaming while living, or living while dreaming."
~ Pessoa
Where's the feta
29 May, 1926 The Letters of Vita Sackville-West to Virginia Woolf (1924-1941)
Tell me everything, so I can learn to love you better.
budapest / hungarian parliament đđșđ
Imre Steindl (full name: Imre Ferenc KĂĄroly Steindl, sometimes in German Emerich Steindl or Emmerich Steindl),[1] (Pest, October 29, 1839 â Budapest, August 31, 1902)[2] was a Hungarian architect, designer of the Hungarian Parliament Building, professor at the University of Applied Sciences, and corresponding member of the Hungarian Academy of Sciences. He is the most significant architect of the second half of the 19th century, but especially of the end of the century, along with MiklĂłs Ybl and Frigyes Schulek. He is a follower of the style of his time, of historicism rooted in the romantic outlook on life. His best-known work, the Parliament Building, is considered by many to be the symbol of the capital, although the architect was also criticized for his designs.
Steindl Imre (teljes nevĂ©n: Steindl Imre Ferenc KĂĄroly, nĂ©metĂŒl nĂ©hol Emerich Steindl vagy Emmerich Steindl),[1] (Pest, 1839. oktĂłber 29. â Budapest, 1902. augusztus 31.)[2] magyar Ă©pĂtĂ©sz, a magyar OrszĂĄghĂĄz tervezĆje, mƱegyetemi tanĂĄr, a Magyar TudomĂĄnyos AkadĂ©mia levelezĆ tagja.
A 19. szĂĄzad mĂĄsodik felĂ©nek, de kĂŒlönösen a szĂĄzadvĂ©gnek Ybl MiklĂłs és Schulek Frigyes mellett legjelentĆsebb Ă©pĂtĂ©sze. KövetĆje kora stĂlusĂĄnak, a romantikus Ă©letszemlĂ©letben gyökerezĆ historizmusnak. Legismertebb mƱvĂ©t, az OrszĂĄghĂĄzat sokan a fĆvĂĄros szimbĂłlumĂĄnak tekintik, bĂĄr a tervek miatt sok bĂrĂĄlat is Ă©rte az Ă©pĂtĂ©szt.Â
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