1980s Fisherman Garfield
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@got-frogs
1980s Fisherman Garfield
What a fun movie
you mean that you show that the church that we enter is devoid of faith by having the cross (the cross that grace destroyed) (the woman controlled by her father that still believed in her father's word) (because he was a man of faith) (and was betrayed in the end because dressing provocatively is a sin not as easily forgiven as is lying) (and so faith is long gone from that church because grace is gone) (that poor girl) be empty and the shadow of it clearly visible in the wall that has to bear it?
you mean that you show when a character is showing grace (like the name of the character that was wronged and why this all happens in the first place) (that not once is shone with that light because she was forgotten by the very god that her father worshipped) (that poor girl) light shines upon them like god themselves is guiding the shone-upon character?
and that this is the only moment that benoit doesn't solve a case, at least officially, because having grace (the sun dims every time benoit talks) (only shining when he realizes he's being selfish) (when he understand that this is bigger than himself) (that this is not a game) is more important than being right.
you mean to tell me that when father jud carves a new cross (bringing faith back into the church) he carves the figure on it in a way that can be understood both as jesus and as grace (a woman he has never met) (but a woman that looks so much like himself) (pointed at as a sinner just for being human) and that in the heart of the statue he puts eve's apple (returning it back to grace) (the rightful owner) (the only way he can) (righting a wrong he didn't cause) bringing grace finally into the church as a revered and not a hated figure (because his purpose is not to fight the wicked) (but to serve them and bring them to christ) (and where finally, finally, the light of the sun shines upon her)?
yeah i guess you could say i thoroughly enjoyed the imagery of wake up dead man. it was pretty neat.
"what do i do?" "what you were born to do, be her priest." telling an ex boxer junkie street kid that actually he was born to be a guide for people he was BORN to be the good priest he is he doesn't have to strive for it he already IS that priest and jud only proves that by listening to martha w no judgement by saying "that poor girl" and MEANING IT by getting martha to forgive grace and let her hatred go in her last moments by crying when she passed fuckkkk
I understand the need for the BBU (Benoit Blanc Universe) to remain focused on solving murders and not on Benoit’s personal life, but a Phillip-centric film would truly contain the most beautiful domestic hijinks because Benoit thinks he’s living in Sherlock Holmes but Phillip thinks they’re living in Frog and Toad
I just wanna say also that, especially as an atheist, I love that Wake Up Dead Man was not Christian versus atheist. It was weaponizer of power Christian versus faith and kindness Christian.
Not to get on my soap box but I have a lot more in common with a Christian of my own values than a fellow atheist without. And a good-faith Christian has a lot more in common with a good-faith person of any other religion or lack-there-of than they ever could a manipulative, power-hungry, fear-mongering Christian.
I think the story often told doesn't draw those lines where they should be drawn, and it was something lovely to see. That Jud is in the same category as "proud heretic" Benoit. Wicks the same as Miles Bron.
oh, Wake Up Dead Man the messages you carry. "Religion is used to radicalize spread hate by preying on the vulnerable" and "religion can be used to uplift others by giving them a community and offering them acceptance and a second chance if they're willing to take it." and "it doesn't matter if your belief is no belief you should still love others" and "those puritanical women you see where raised in an environment where they were told to hate others and that they had to follow and serve a man for their entire lives"
"Wake Up Dead Man", and the thankless labor of women
One of the things that stayed with me the most, was reflecting on traditional gender roles in the Our Lady of Perpetual Fortitude congregation and how it relates to religion in general.
Vera halts her life to raise a child she has no moral obligations towards. Simone is the church's biggest donor, keeping it operable basically by herself. Martha is the only employee handling administrative work in the church, keeping the treasure a secret her whole life. They are all endlessly devoted. They are all meant to be contrasts of Grace, the real "women of God," and in the end, it's thankless labor from all of them.
Vera's adopted brother is a selfish jackass who appreciates nothing about what she did for him. He saw her as just a free nanny to be "dumped" once his real father showed up.
Simone is being prayed on at her weakest and used as a cash cow, only to be told she can't be healed because she's a faithless woman.
And Martha only realises at the tail end of her life that her selfless devotion to a man and his teachings meant nothing to him. That he betrayed her the first chance he gets.
Wicks sees himself as blameless, has no standard for his own behavior. He's a disgusting, horrible man, who deserves none of their devotion.
When Vera and Martha realize that their whole life they trusted the story of the "harlot whore", only to experience the exact same treatment even after doing everything in their power not to be like her, that's the first time they can reflect on her, and when they finally realize:
"That poor girl."
Knives Out Trio
The Sister | The Nurse | The Priest
aka Helen Brand, Marta Cabrera, & Father Jud...aka Benoit Blanc's little Watsons lol!!!
blood under fingernails
insane parallels between vera and grace. while grace was a rebel, vera obeyed what her father told her for YEARS because she knew the story of the "harlot whore" and her shame and the disdain the church had for her. but after vera learns of the monsignor's aop, she's the first one to extend any sort of sympathy to grace, being the first one truly recognize "that poor girl" (which father jud later echoes in remembrance after the reveal) because vera realizes she's been trapped between her dead father and her "son" just like grace...incredible. and when the monsignor calls vera "her father's worst nightmare," it hits doubly hard bc that's exactly what the church viewed grace as. oh rian johnson the writer you are...
spoilers for wake up dead man!!
having wicks symbolise jesus, comparing himself to jesus in that big speech, implying that his father was god and that he was preparing to fall and rise again, having him be the one that was leading the flock, etc, and then actually have him 'rise' from the dead on the third day and 'die' again after having been betrayed by someone close to him - already fantastic, i was totally on board
having the plot twist be that samson, the one that was probably the most separated from wicks' church, the one who was said to truly love and care for others the most, the one willing to sacrifice for those he loved, the CARPENTER (who uses nails on good friday to essentially make his own coffin), actually ends up as the one rising from the dead on the third day to be killed by someone close to him - also fantastic
one thing i have loved from the knives out movies is the way benoit blanc visually changes to fit each narrative. classic noir in the first, beach vacation in the second, and new england gothic in the third. his taste remains consistent across movies, but he makes enough adjustments to his style to blend into each story. i just find it such a nice detail that works so well with the anthology aspect of the series
...forgive me, Grace.
the mortifying ordeal of committing to the bit
Thicc crocodile passing on your timeline🐊