im back again
occasionally subtle
Cosimo Galluzzi
Peter Solarz

Origami Around
let's talk about Bridgerton tea, my ask is open
No title available

JVL

izzy's playlists!
Misplaced Lens Cap
🪼
Mike Driver
Aqua Utopia|海の底で記憶を紡ぐ
Not today Justin
taylor price

Discoholic 🪩

@theartofmadeline
styofa doing anything

blake kathryn

No title available
Alisa U Zemlji Chuda

seen from Malaysia
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@gothboyz
im back again
im back who wants to see what i look like now
take it all in and let it out
it will only matters if you allow it to
dont do this to yourself
think about it
why hide, nothing gets seen in the dark
why smile when your gonna die anyway
just be thankful youre alive i guess
or not
it doesnt matter
they wont appreciate you
they only use you
ah dont you just love it
Sans Soleil (Chris Marker, 1983)
Hieronymus Bosch, Hell. This is the whole vertical panel (one of four of Paradise and Hell), of one of Bosch’s exceptional luminous scenes. Fire may have had a special intensity for Bosch due to a catastrophic fire in his town of ‘s-Hertogenbosch that set thousands of homes ablaze, which Bosch likely witnessed at the young age of thirteen. One can compare the fire-lit darkness in this panel to the burning city in the right panel of Bosch’s Garden of Earthly Delights. Here he achieved this using a wet-on-wet technique to paint the light over a layer of black, illuminating the tortured souls below.
Luigi Premazzi
MARR, CARL VON, 1858 Milwaukee - 1936 Munich-The Walk of Children to Bethlehem.
I wish we still talked but I hope you're happy.
st.valentine’s