Radio/Video and the Power of Clocks and Fences
Grant B. the station AV Nerd here. Last weekend I was invited to help judge the South Carolina News Photographer's Association Contest at the venerable State newspaper in Columbia. Being asked to judge anything was brand new to me. Having video in the mix of entrants was, too.
Watching the video work of newspaper shooters reminded me of an epiphany I had when I was still at the paper and was just starting to figure out video. Every timeline in Final Cut was for all intents and purposes an infinite news hole. I was free to tell stories they way I wanted to. Let's do this!
There's a problem though. With infinite space, hard choices about narrative remain unmade. Some of the pieces we saw in the SCNPA contest were longer than they needed to be even if the subjects were compelling. Most of that was due to interviews where great quotes kept coming, or where emotions were running high and the shooter didn't want to stop the flow. Of course, sometimes there were images that just had to get out there, too.
But you have to control the flow and turn it into rhythm.
Problem is, photo editors, much less video editors, are non-existent at papers these days. It's one thing to work with the idea that something's got to give in the back of your head, quite another to have someone look dispassionately at what you have and lop off a tear streaked quote you were so attached to.
This is where the clock becomes your friend. In filing radio features, the general rule for us at GPB, and for filing with is NPR, is to keep it to about three and a half minutes. Not four minutes and twenty seconds, not five minutes. Three and a half minutes. 'How stifling!' you may be saying. Nope.
The clock puts a fence around what you are trying to do. At three and half minutes, you are forced to cut it down to THE essential moments, quotes, and scenes in the story. Natural sound by default becomes more densely packed and rich. The clock becomes the editor you don't have.
It's like when you were given a whole page (never happened for me) for a photo package. You still had to keep it to five frames. Light and tight.
So my tip for newspaper shooters who have been told to "do video" by the home office in Sacramento? Embrace the clock. Make your piece either a minute and a half or three and a half if you really have something to say. Stick to it. I think your work will improve.