I'm not special like you

yes, I'm hearing voices too

[partialrefund]

scanned my flowers

[farmwitch]

Mary Delany, Sea daffodil (1778)

[389]

1. After The Pale, The World Again 2. All Distances Are Insurmountable 3. Here We Go Mother On The Shipless Ocean 4. After The World, The Pale

Mia Novakova, Porch Collapse

[expressions-of-nature]

by Samuel Millan Jimenez

[vjeranski]

Carlijn Mens Preserved Places: Nollenbos, 2015

[the-night-picture-collector]

Yoshinori Mitzutani, Birds

[eirene]

Nocturnal Marshland, 1918 Józef Rapacki

[itscolossal]

Rachel Mentzer Transforms Discarded Cartons into Dusky Collagraphs

[trophobolene]

Silence of a winter storm

Kalamazoo, Michigan

Canon Rebel T3, 18-135mm

[mournfulroses]

Yosano Akiko, quoted "Embracing the Firebird: Yosano Akiko and the Rebirth of the Female Voice in Modern Japanese Poetry,"

[random-brushstrokes]

Lionello Balestrieri - Deux amants dans un jardin au dessus de Paris (1933)

[grainelevator]

Faraway views (right lens of my binoculars)

[monster2001]

[1dietcokeinacan]

Sammi Quinn (@ sammi.quinn on ig)

[philomena-famulok]

©Philomena Famulok

.

[redlipstickresurrected]

Andrew Wyeth aka Andrew Newell Wyeth (American, 1917-2009, b. Chadds Ford, PA, USA, d. Ibid) - Crescent Moon, 1982, Painting

[worldsandemanations]

TAKAHASHI Hisachika（高橋尚愛 Japanese, based in NY and Paris 1940-2025）Untitled 1964

[rudygodinez]

The Sun in Total Eclipse, From Fanny Dickerson Chase’s “In Starland”, (1922)