A solo version of Leaving the City, from Joanna’s performance on Jools Holland.

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A solo version of Leaving the City, from Joanna’s performance on Jools Holland.
On the silver globe, Andrzej Zulawski (1988)
Praying Mantis costume by Imile Wepener
Sinéad O'Dwyer spring 2027
from a beanie baby catalogue I found
In ‘KAUANI,’ Indigenous Mexican Flora Flourishes in Glowing Lanterns
Fourth Round of Saturday Panels!
Starting at 2:30 pm:
Wynford Room: Snapewives: The Contemporary Religious Mystics
Starting at 3 pm:
Shokokai Court Stage: Dr. Miku's SCP Entity Auction
Starting at 3:30 pm:
Multipurpose Room A+: AMV Contest
Multipurpose Room D: Birds and Symbolism: What the Bird Doing?
Not in Toronto or don't have a ticket and don't want to miss out on the fun? Get a virtual ticket here!
My attacks on artfight so far! I'm not as active as I wish I could, because too many things are happening in my life at once but I hope I will be able to draw more! Characters belong to their respective owners:
@exotonplanet
GgalpalB
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@t34-mt
Jurger
Alternate timeline in which all Greek and Latin roots are swapped:
catastrophe -> contraverse cephalopod -> capitoped chlorophyll -> viridofolia democracy -> populimpery homicide -> anthropoctony homosexual -> equigamic kilometer -> millimensure interregnum -> mesarchy magnanimous -> megapsychic manuscript -> chirography motorcycle -> ergatorote microscope -> parvovisor oxygen -> acidofex polyamory -> multierasty television -> remotoscopy universe -> monostrophe
Generic Grottan #2 Gelfling Puppet - Jim Henson Company 70th Anniversary Auction on Julien's Auctions, sold for $8,960 - Lot 187
"A Grottan Gelfling puppet from the prequel series The Dark Crystal: Age of Resistance (Netflix, 2019). She is seen in the final episode of the series, "A Single Piece Was Lost," alongside the other members of the Grottan Clan who arrive in support of the rest of the Gelfling during the Second Battle of Stone-in-the-Wood. She was used as a background puppet as well, with a puppet in her style seen in the first episode, "End. Begin. All the Same," acting as a shepherd to the Nurlocs. Puppet sculpted by Chad Waters.
The puppet's head is made of sculpted and hand-painted foam latex in the same style as the Grottan Gelfling in the show, "Deet," and with wig hair punched into it. Her costume is comprised of a linen dress, a silk and linen jacket with capulet sleeves, braided elements, metallic embroidery, and beadwork. Her headpiece is a cotton open-headed thick circle with linen chinstrap and tassels.
Built inside of the puppet's head is a metal plate with two screws backed with magnets and affixed to the glass taxidermy eyes to allow the puppeteer to control the puppet's eyes. This metal plate also served as a resting place for the puppeteer's hand. A protective covering of either leather or another material was also built into the inner mouthpiece so the puppeteer's hand wouldn't sweat through. The body of the puppet is an articulated pod with foam arms with inner wooden dowels to create bone structures. The arms of the puppets were created to be foam latex up to the elbow and then have the ability to be Velcro'd on and off for easy replacement, as damage was a regular occurrence because of prop usage or rod replacement.
Dimensions: Overall: 36 x 11 x 13 inches"
Friendship, Love and Truth hand-colored lithograph by Currier & Ives (ca. 1874)
Top photo: Artist Betye Saar in her Los Angeles studio, 1970. She is pictured holding Black Girl's Window (1969), an autobiographical collage shown below in more detail.