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Hi everyone, I'm the Grunge Exeđ« and this is my blog, about music from Hard Rock to Grunge to Darkwave and GothRock / Pop / Punk whatever. I hope you like itâ„ïžđ€
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In Utero is the third and final studio album by the American grunge band Nirvana and was released on September 21, 1993 by DGC Records. The album's abrasive and aggressive sound was a departure from the polished production of the band's breakthrough second album, Nevermind (1991), due in part to the selection of recording engineer Steve Albini. The subject matters of the songs included dysfunctional family, cancer, issues of privacy, and abortion.
The music was recorded quickly (two weeks) with very few studio embellishments, and the song lyrics and album packaging incorporated medical imagery that conveyed frontman Kurt Cobain's outlook on his publicized personal life and his band's newfound fame. In fact, soon after the recording was completed, rumors circulated in the press that DGC might not release the album in its original state, as the record label felt that it would not be a commercial success. Nirvana publicly denied the statement, instaed stating that they were not fully satisfied with the sound Albini had captured. But, Albini declined to alter the album any further so Nirvana hired Scott Litt to make minor changes to the album's sound and remix the singles "Heart-Shaped Box" and "All Apologies".
Upon release, In Utero entered the Billboard 200 chart at #1 and received critical acclaim as a drastic departure from Nevermind. The record has been certified five times platinum by the RIAA, and has sold more than four million copies in the United States alone.
The art director for In Utero was Robert Fisher, who had designed all of Nirvana's releases on DGC Records. Most of the ideas for the artwork for the album and related singles came from Cobain.
Fisher stated that "[Cobain] would just give me some loose odds and ends and say 'Do something with it.'
The cover of the album is an image of a Transparent Anatomical Mannikin, with angel wings superimposed. Cobain created the collage on the back cover, referred to as "Sex and woman and In Utero and vaginas and birth and death," which includes fetuses and body parts lying in a bed of orchids and lilies. The collage had been set up on the floor of Cobain's living room and was photographed by Charles Peterson after an unexpected call from Cobain. According to Peterson, "one Sunday afternoon, Kurt calls me up, and is like 'Hey, I want you to take that picture now.' I rummaged for whatever film I had in the fridge, and went over." The album's track listing and re-illustrated symbols from Barbara G. Walker's The Woman's Dictionary of Symbols and Sacred Objects were then positioned around the edge of the collage.
Retail chain stores Wal-Mart and Kmart refused to sell the album. The New York Times reported that Wal-Mart claimed it did not carry the album due to lack of consumer demand, while Kmart representatives explained that the album "didn't fit within our merchandise mix". Truth be told, both the retail giants feared that customers would be offended by the artwork on the album's back cover. DGC issued a new version of the album with reworked packaging to the stores in March 1994. This version featured edited album artwork, and listed the name of "Rape Me" as "Waif Me."
Notes:
Interestingly, the original title for "In Utero" was supposed to be "I Hate Myself And Want to Die," sharing its title with a song that was planned for the album. The phrase had originated in mid-1992 from one of Cobain's journal entries, and was meant as humor. It was Cobain's response whenever someone would ask him "how are you?" The tentative album title would be changed after band mate Novoselic convinced Cobain that "I Hate Myself And Want to Die" could potentially result in a lawsuit. The band considered the title "Verse Chorus Verse," a title shared with "Verse Chorus Verse" and an earlier working title of "Sappy". The final title was taken from one of Courtney Love's poems and is a Latin term meaning "in the uterus." Nice one Courtney.
After the recording sessions were completed, Nirvana sent unmastered tapes of the album to several individuals, including the president of DGC's parent company Geffen Records Ed Rosenblatt and the group's management company Gold Mountain. When asked about the feedback he received, Cobain told Michael Azerrad, "The grown-ups don't like it." He said he was told his songwriting was "not up to par", the sound was "unlistenable" and that there was uncertainty that mainstream radio would welcome the sound of Albini's production.
In Utero was released on September 13, 1993 in the United Kingdom, and on September 14 in the United States; it was initially only available in vinyl record and cassette tape formats, with the American vinyl pressing limited to 25,000 copies
Time's Christopher John Farley stated in his review of the album, "Despite the fears of some alternative-music fans, Nirvana hasn't gone mainstream, though this potent new album may once again force the mainstream to go Nirvana."
Rolling Stone reviewer David Fricke wrote, "In Utero is a lot of things â brilliant, corrosive, enraged and thoughtful, most of them all at once. But more than anything, it's a triumph of the will."
Ben Thompson of The Independent commented that in spite of the album's more abrasive songs, "In Utero is beautiful far more often than it is ugly", and added, "Nirvana have wisely neglected to make the unlistenable punk-rock nightmare they threatened us with"
Rolling Stone ranked it at number 439 on its list "The 500 Greatest Albums of All Time."
The album was nominated for Best Alternative Music Album at the 1994 Grammy Awards.
Nirvana In Utero In Utero is the third and final studio album by the American grunge band Nirvana and was released on September 21, 199
Grunge (sometimes referred to as the Seattle sound) is an alternative rock genre and subculture that emerged during the mid-1980s in the American Pacific Northwest state of Washington, particularly in Seattle and nearby towns. Grunge fuses elements of punk rock and heavy metal, but without punk's structure and speed. The genre featured the distorted electric guitar sound used in both genres, although some bands performed with more emphasis on one or the other. Like these genres, grunge typically uses electric guitar, bass guitar, drums and vocals. Grunge also incorporates influences from indie rock bands such as Sonic Youth. Lyrics are typically angst-filled and introspective, often addressing themes such as social alienation, self-doubt, abuse, neglect, betrayal, social and emotional isolation, psychological trauma and a desire for freedom.
Some best Grunge Musicans btwđ€
The early grunge movement revolved around Seattle's independent record label Sub Pop and the region's underground music scene. The owners of Sub Pop marketed the style shrewdly, encouraging the media to describe it as "grunge"; the style became known as a hybrid of punk and metal.
By the early 1990s, its popularity had spread, with grunge bands appearing in California, then emerging in other parts of the United States and in Australia, building strong followings and signing major record deals. Grunge was commercially successful in the early-to-mid-1990s due to releases such as Nirvana's Nevermind, Pearl Jam's Ten, Soundgarden's Superunknown, Alice in Chains' Dirt, and Stone Temple Pilots' Core. The success of these bands boosted the popularity of alternative rock and made grunge the most popular form of rock music at the time.
Several factors contributed to grunge's decline in prominence. During the mid-to-late 1990s, many grunge bands broke up or became less visible. Nirvana's Kurt Cobain, labeled by Time as "the John Lennon of the swinging Northwest", struggled with an addiction to heroin before his death at the age of 27 in 1994. Although most grunge bands had disbanded or faded from view by the late 1990s, they influenced modern rock music, as their lyrics brought socially conscious issues into pop culture and added introspection and an exploration of what it means to be true to oneself. Grunge was also an influence on later genres such as post-grunge (such as Creed and Nickelback).