GTRUK

DOOM HOP soundcloud.com/grumptruck

[gtruk]

Footage from the first ever GTRUK live performance has reached YouTube.

Leaky Sockets 2015 in Chattanooga, TN, day 1.  My set starts at 1:16:20.

[gtruk]

I do a lot more than just really murky depressive tape resin.

[karborn-deactivated20191114]

www.evidenceoftimetravel.com

The Alleys of Your Mind.

[originalgiantcontent]

The planet is fine. The people are fucked.

George Carlin (via originalgiantcontent)

[originalgiantcontent]

The next time you lose heart and you can’t bear to experience what you’re feeling, you might recall this instruction: change the way you see it and lean in. Instead of blaming our discomfort on outer circumstances or on our own weakness, we can choose to stay present and awake to our experience, not rejecting it, not grasping it, not buying the stories that we relentlessly tell ourselves. This is priceless advice that addresses the true cause of suffering—yours, mine, and that of all living beings.

Pema Chodron (via originalgiantcontent)

[gtruk]

A recent recording from one of my other aliases...

[tarotartemisia]

[a-t-m-o-s-p-h-e-re]

[tfa95dbs]

Arkhip Ivanovich Kuindzhi, Moonlight Night on the Dnieper, (oil on canvas) c. 1880.

[pixography]

R.S. Connett ~ “Sea Fauna”

[Artists on Tumblr]

[magictransistor]

Paul Gustave Doré, The Raven (Edgar Allan Poe), 1884.

[songesoleil]

Mesmerized by the moon.1904. Chalk and pastel on paper. 33.5 x 48 cm

Art by Jan Bogaerts.(1878-1962).

[forest-faerie-spirit]

{Dialog Without Words} by {Janek-Sedlar}

[gimagez]

[pixography]

Jason Levesque

[pixography]

Salvador Dali ~ “The Invisible Man”, 1929

Though begun in 1929, The Invisible Man was not completed until 1932. It was the first painting in which Dali began to use the double images that were to flood his work over the next decade, during his “paranoia-critical” period. The double images used here are not as successful as the later painting, Swans Reflecting Elephants (1937). The viewer is aware of the illusions that Dali is creating before they are aware of what the overall form is meant to be.

The yellow clouds become the man’s hair; his lace and upper torso are formed by ruined architecture that is scattered in the landscape and a waterfall creates the vague outline of his legs. As with almost all Dali’s work in 1929, this painting deals with his fear of sex. The recurring image of the “jug woman” appears on the left of the picture. To the right of her is an object with a womb shape, part of which delineates the right arm of the man. The dark shape outlining the fingers and legs of the man suggests the female form. Beneath the man a wild beast is prowling - another of Dali’s recurring sexual symbols. [source]

[greggorysshocktheater]

Publicity photos of Christopher Lee in Dracula Prince Of Darkness (1966)