âI do not want to see what is shown, I want to see what is secret. What is hidden amongst the visible. I want to see the skin of light.â
â HĂ©lĂšne Cixous, from Stigamata.
tumblr dot com
YOU ARE THE REASON
we're not kids anymore.
Show & Tell

Discoholic đȘ©

Love Begins
Misplaced Lens Cap
AnasAbdin
No title available
đȘŒ
Mike Driver
Sade Olutola

PR's Tumblrdome
No title available

Origami Around

blake kathryn

izzy's playlists!
i don't do bad sauce passes

titsay
taylor price
seen from Australia
seen from Sri Lanka
seen from Tunisia

seen from United States

seen from Germany
seen from Colombia

seen from TĂŒrkiye

seen from Singapore

seen from Germany

seen from Singapore
seen from United Kingdom

seen from United Kingdom

seen from Poland
seen from United States

seen from United Kingdom

seen from Sweden
seen from United Kingdom

seen from Singapore
seen from Singapore

seen from Norway
@tarotartemisia
âI do not want to see what is shown, I want to see what is secret. What is hidden amongst the visible. I want to see the skin of light.â
â HĂ©lĂšne Cixous, from Stigamata.
Decaying
Lotus buds at the flower market | Syam
my spirit animal
Whimsical switch plates by Leandra Drumm
I see sometimes people say "tiktok has some useful stuff, but there's a lot of misinfo!" Like literally no. TikTok is not a resource for magic. It just isn't. I have not once seen anything on that app that is useful or good info. The format of that platform is entirely incapable of giving information that isn't incredibly condensed and without any nuance.
villa of livia's garden room fresco, from palazzo massimo
known as ad gallinas albas (of the white hen) because of pliny the elder's tale in his naturalis historia, recounting the myth of livia, newly bethroted to octavian augustus, having a white hen holding a laurel branch in its beak dropped into her lap by an eagle, interpreted as an omen of good fortune.
full view on tiktok
I have one of these on my bedroom wall
vivienne westwood âsun-wheelâ gown, from âdressing upâ collection, autumn 1991-92, âvoluminous cut, the white muslin stencilled and printed in red and silver with cherubs, with ruffle to neck edge, full sleeves, tie beltâ .
it must be said the ancient greeks got a little funny with it
Parry this, you filthy Macedonian.
I am the angel who dwells in the point where lines fork. Whoever retraces the way of divided things encounters me, whoever descends to the bottom of contradictions runs into me, whoever mingles again what was separated feels my membraned wing brush his cheek!
Italo Calvino, The Castle of Crossed Destinies; from 'The Waverer's Tale', tr. William Weaver
Kore 670 from the Acropolis Museum in Athens
Faience ushabti of Painedjem II. Artist unknown; ca. 1070-664 BCE (21st-25th Dynasty, Third Intermediate Period). Now in the Metropolitan Museum of Art.
Terpsichore / Thalia
Sarcophagus of the Muses, detail: Terpsichore and Thalia, Rome, 180/200 AD, white marble
Vienna, Museum of Art History
Manuel Orazi, October spread from the Calendrier Magique, text by Austin de Croze, 1895.
Morgan Pendragon's black dress in Camelot
Can't even move