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artverso

Jerome Opena - Fantastic Four

#GOAT

browsethestacks

Thor #06 (2018)

Art by Esad Ribic

ungoliantschilde

“Men and Hats”, by Barry Windsor-Smith.

This is yet another example of why I revere BWS. It is more of a sequential meditation than anything. It is figure work, conflict, and a work based more on feeling than on direct narrative. This is a piece of artwork in the form of a 5 page comic book. Interpretation is left up to the viewer. Barry has never explained it, and it does not need an explanation. Barry is a fine artist who used comic books as his chosen medium off and on for about 25-30 years.

muaddibjihad

Hi-res artwork from the Polish Chaterhouse: Dune book by the artist Wojciech Siudmak.

fuforthought

A great look at the practical effects that went into making what most people assume was a largely CGI T-1000 from “Terminator 2″.

vlc-maps

THE ISLAND IN THE FAMOUS & MYSTERIOUS ‘LOST’ TV-SERIES

An so upon browsing these maps, you will hopefully no longer be ‘lost’.

russelldauterman

THOR CHARACTER MODELS, part four Art by Russell Dauterman

Here are more character designs I’ve done for the series, including the Odinson’s new look from #700! 💪

We’ve also got my designs for the the Norns, Phoenix Quentin, the War Thor, the new Kurse, Titanya the mountain giant, Ro Bloodroot, and the Shi’ar gods. Plus my model sheet for Mangog.

Part one

Part two

Part three

zzpsiconautazz

“Rise to the call” by Salviadroid.

thebristolboard

Original hand-painted color guide by Stan Goldberg from Jack Kirby and Joe Sinnott’s cover to Fantastic Four #82, published by Marvel Comics, January 1969.

sarapichelli

Saturday morning WIP #sarapichelli #watercolor #mystique

mapsontheweb

Map of the Alpha and Beta quadrants from Star Trek.

comicartistevolution-deactivate

Fantastic Four Annual #19 inked by Joe Sinnott Avengers Annual #14 inked by Kyle Baker

In 1985, John Byrne pencilled two annuals that were released in the same month. While Roger Stern wrote the Avengers story and Byrne wrote the FF story, the two storylines converged in a truly unique crossover that uses the same breakdowns for both stories, albeit with different letterers, colorists, and most notably, inkers.

One may be hard-pressed to find two inkers with more contrasting styles: Joe Sinnott, one of Marvel’s all-time greats who gave a gorgeous polish to Kirby’s FF, provides classic, crisp, and clean lines; while then-newcomer Kyle Baker brings more texture and expression to his faces.

When I these books came out, I remember laying the two books open to the same pages, examining how much an inker contributes to the process.

In retrospect, it reminds me of this page from Comics Scene magazine in which they showed how four different inkers can affect the same pencils (by Mike Zeck).