うつわのようなもの 2015.8.30
#ハタノワタル

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うつわのようなもの 2015.8.30
#ハタノワタル
Forme D'Expression
Margiela (F/W 1997)
Yuko Kimura Sample book III, 2015 Etching, indigo dye, persimmon dye on handmade paper (abaca, cotton, kozo) and old bookpages 6 x 4.75 x .25 inches 15.2 x 12.1 x .6 cm YuK 37 http://www.cavinmorris.com
…The body changed over time, becoming a gallery of scars, a canvas of experience, a testament to life and one’s capacity to endure it.
Janet Fitch, Paint It Black (via wordsnquotes)
(via / | 染縫繕)
unknown source
Cosmic Wonder Bingo-Kasuri Dress in Indigo
Issey Miyake men Fall/Winter 1999 Advertisement
‘Flatness’
“It is probably not wrong to assume that deep in the mind of every Japanese person lies the culture of the kimono. In the making of a kimono, an uncut length of fabric is put on the human body, resulting in an excess of fabric that creates drapes. The Japanese see this excess as ma (roughly translated as ‘space’) and never consider it illegitimate. The Japanese designers’ baggy, shapeless dresses were also, in many cases, asymmetric - another core element of Japanese aesthetics. Their designs demonstrated a universal approach to clothing, breaking down the barriers of gender, age and body shape just as a kimono does.” -Future Beauty: 30 Years of Japanese Fashion
photographs - Naoya Hatakeyama
garments - Rei Kawakubo/Comme Des Garcon
collections in order of appearance - Autumn/Winter ‘92-‘93 Spring/Summer ‘98 Autumn/Winter ‘83-‘84 Autumn/Winter ‘83-‘84 Autumn/Winter ‘83-‘84 Spring/Summer ‘84
“I am not what I am, I am what I do with my hands.” Louise Bourgeois-
Yann Charbonnier
Shohei Yamashita in Solid Colour, photographed Shunsuke Maezawa and styled by Soichiro Kobayashi for Chasseur Magazine
caramariepiazza | handmade fiber necklace by @cavecollective @catrinajosephina
lbf
Clear as crystal: Natural gold-edged crystal by ArrowAndEra.