[yesterdaysprint]

Evansville Press, Indiana, January 29, 1909

[shazadlatifgf-deactivated202301]

MLM films + shots of hands touching

[victorfrankensteinsuggestion]

Fuck you guys *gets very cold and then dies*

[retroactivebakeries]

#my tea when i forget about it on the counter

[gxldsworths]

Ricky: Yes I have deadly water powers and what about it? >:((

Tinsley: RICKY YOU’RE LITERALLY DROWNING THE TOWNSFOLK

Once again inspired by btsie because Ricky’s tattoos are wayyyyy too fun to draw. I really gotta start drawin’ Tinsley like this but he’s always in his little fancy chastity get-up 😔 Sympathies to Ricky and also @icantwritegood who will be hearing me scream about these bastards for the forseeable future.

[cinemaspam]

Suspicion (1941) dir. Alfred Hitchcock

[cinemaspam]

She was afraid, but she had no regrets.

The Lovers / Les Amants (1958) dir. Louis Malle

[vampiremech]

Rita Hayworth in Gilda (1946)

[dialnfornoir]

All About Eve (1950)

[norrmajeane]

“Isn’t that what love is? Using people? And maybe that’s what hate is — not being able to use people.“

Elizabeth Taylor as Catherine Holly in Suddenly, Last Summer (1959), dir. Joseph L. Mankiewicz

[norrmajeane]

Bette Davis in Dark Victory (1939), dir. Edmund Goulding

[norrmajeane]

Barbara Stanwyck in Sorry, Wrong Number (1948), dir. Anatole Litvak

[norrmajeane]

“In the tangled networks of a great city, the telephone is the unseen link between a million lives… it is the servant of our common needs — the confidante of our inmost secrets… life and happiness wait upon it’s ring… and horror… and loneliness… and… death!”

Sorry, Wrong Number (1948), dir. Anatole Litvak

[ethanhunt-deactivated20230911]

Spellbound (1945) dir. Alfred Hitchcock

[osmosis-art]

[connerys]

This Gun for Hire (1942) dir. Frank Tuttle

[terrysmalloy]

[aintthatakick]