Evansville Press, Indiana, January 29, 1909
Jules of Nature
$LAYYYTER
Alisa U Zemlji Chuda
PUT YOUR BEARD IN MY MOUTH
styofa doing anything
Mike Driver
Not today Justin
RMH
Today's Document
i don't do bad sauce passes
wallacepolsom
will byers stan first human second
"I'm Dorothy Gale from Kansas"
let's talk about Bridgerton tea, my ask is open
trying on a metaphor
AnasAbdin
Keni

Product Placement

shark vs the universe
Peter Solarz

seen from Türkiye

seen from Greece
seen from United States

seen from Malaysia
seen from Vietnam

seen from Germany

seen from Türkiye
seen from United States
seen from Germany

seen from Malaysia

seen from Malaysia

seen from Yemen

seen from Canada

seen from United States
seen from Argentina
seen from United States
seen from United States

seen from United States

seen from Romania

seen from Malaysia
@gxldsworths
Evansville Press, Indiana, January 29, 1909
MLM films + shots of hands touching
Fuck you guys *gets very cold and then dies*
#my tea when i forget about it on the counter
Ricky: Yes I have deadly water powers and what about it? >:((
Tinsley: RICKY YOU’RE LITERALLY DROWNING THE TOWNSFOLK
Once again inspired by btsie because Ricky’s tattoos are wayyyyy too fun to draw. I really gotta start drawin’ Tinsley like this but he’s always in his little fancy chastity get-up 😔 Sympathies to Ricky and also @icantwritegood who will be hearing me scream about these bastards for the forseeable future.
Suspicion (1941) dir. Alfred Hitchcock
She was afraid, but she had no regrets.
The Lovers / Les Amants (1958) dir. Louis Malle
Rita Hayworth in Gilda (1946)
All About Eve (1950)
“Isn’t that what love is? Using people? And maybe that’s what hate is — not being able to use people.“
Elizabeth Taylor as Catherine Holly in Suddenly, Last Summer (1959), dir. Joseph L. Mankiewicz
Bette Davis in Dark Victory (1939), dir. Edmund Goulding
Barbara Stanwyck in Sorry, Wrong Number (1948), dir. Anatole Litvak
“In the tangled networks of a great city, the telephone is the unseen link between a million lives… it is the servant of our common needs — the confidante of our inmost secrets… life and happiness wait upon it’s ring… and horror… and loneliness… and… death!”
Sorry, Wrong Number (1948), dir. Anatole Litvak
Spellbound (1945) dir. Alfred Hitchcock
This Gun for Hire (1942) dir. Frank Tuttle