Deftones - Digital Bath
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Deftones - Digital Bath
T shirt that says “I ❤️ getting laid” & then on the back it says “to REST” with a photo of a coffin + the name & phone number for a local cemetery. Please follow for more advertising ideas
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So no one told you life was gonna be this way *Phantom of the Opera overture*
"I think Lottie and Nat have a deep understanding of each other." — Courtney Eaton
COURTNEY EATON for POLYESTER MAGAZINE shot by Sarah Pardini and styled by Erik Ziemba
I don't know I just think that *puts teen lottie and teen nat in my pocket and runs away*
She’s like this because of us.
YELLOWJACKETS
Prison was not good to Team Cap.
But prison was absolute hell for Wanda Maximoff.
Sam, Clint, and Scott were all a little beat up. A few cuts and bruises, a lot of anger. Some of that's the battle. Some of that's them being arrested and thrown into maximum security cells.
But Wanda?
Wanda’s in a straight jacket and a shock collar. Wanda’s collapsed on the floor, leaning against the wall, silent, white as a sheet, and barely moving.
Wanda wasn’t just arrested. Wanda was tortured by the government.
Because how do you get an all-powerful and uncooperative young woman into a straight jacket? You knock her out, probably shoot her full of tranquilizers until she stops struggling.
Because why put her in a shock collar if she’s already restrained? To keep her quiet and docile. Because they don’t understand her or her powers, what they do or how they work, so they’ve tried to cover all the bases.
Because why wouldn’t Wanda speak to Tony; why wouldn’t she snark and quip like Clint and Scott and Sam; why wouldn’t she spit and curse and scream? The last time she tried, she got shocked. The last time and every time before that, they shocked her. She was in constant pain from moving or speaking - because every time she did something, anything the guards thought she was trying to use her powers, trying to attack them - so she decided the best option was to sit still, keep quiet, and stop fighting. Don’t make any sudden movements; don’t make any movements at all.
She’s been in this situation before, with HYDRA. But even they didn’t restrain her. At least they let her move, let her speak, let her use her powers. At least they let her throw herself against the walls, let her scream, let her manipulate the fabric of the universe. (At least she still had her brother.) She knows what prison feels like - knows confinement and pain by heart - but this is worse.
When Steve comes to break her out, how much do you want to bet that she flinched at the sight of him? Moved into the corner when the door opened? Cringed when he tried to unbind her? Whined when he got close to the collar because she was afraid it would hurt him or her or both?
How screwed up do you think Wanda is after being tortured by people who say they’re doing it to protect the greater good?
How long before she tries to speak again? Is it just a whisper at first? Is she quieter than she used to be? Does it take her days before she’s willing to speak above a mumble, weeks before she shouts to be heard, months before she screams of her own volition?
How long does it take Wanda to let people touch her again? Does she throw Clint across the room the first time he places a hand on her shoulder to comfort her? Does she flinch at loud noises? Stops wearing necklaces because they make her feel collared? Refuses hugs because they make her feel restrained?
How much time goes by before Wanda dares to use her powers again? How long before she lets go of the fear of being shocked for something that’s a fundamental part of her? How long before she embraces the energy again?
How long before she stops being scared and starts being angry?
Fun Fact if you like niche films and/or electronic music: this month The Criterion Channel is streaming 13 films about the Black electronic music underground. The collection is curated in collaboration with Dweller, a music festival and platform centering Black voices in dance music.
Jenna Ortega as Wednesday Addams
Wednesday (2022) - season one
THE LAST OF US #1.09 ‘Look for the Light’
WEDNESDAY ADDAMS + smiles
my favorite part of tlou so far has to be ellie's viciousness. her rage. her fury. a 14 year old girl with no one. with no future. with no prospects. except for the fact that the universe randomly decided to spare her instead of millions of others. the grief of that. the indignation of that. when you're born and raised and trained to kill infected that were once, are still ostensibly, people. to kill fireflies, who are wholly people. who are your best friend. your first love. when you expect to die again and again and have to live. are punished with living. "no one who's infected fights this hard to stay alive." she's stark raving bullshit mad from the beginning. fighting against her chains. count to ten slowly and clearly. flinging herself at joel with her knife raised at the slightest provocation. stab the guard in the neck before he can raise alarm. slice the cheek of an infected to watch the strands of fungus open the wound. shoot a boy not much older than you before you have to watch someone else you care about die. carve your own palm open because your blood is medicine. scream and destroy the room with a bat at the injustice. rip apart a kitchen for a cure. raise your rifle high and scowl down the barrel before they can reach for theirs. bite and claw and kick and break his finger and give them a cleaver to the neck, the face. burn the building down. refuse to let this be the best it gets. fight and rip and scream and howl at the audacity of the universe to fuck you like this. put your head down and keep walking because fuck no is this not gonna be how it ends.
THERE SHE IS!!!!!
EXPECTATIONS VS. REALITY Wednesday Bloopers Edition
“Really? That fast?”