Mikhail Bulgakov, A Dead Man’s Memoir.
let's talk about Bridgerton tea, my ask is open
will byers stan first human second
Aqua Utopia|海の底で記憶を紡ぐ
No title available

Discoholic 🪩

No title available
wallacepolsom
"I'm Dorothy Gale from Kansas"
Today's Document

#extradirty
Alisa U Zemlji Chuda

❣ Chile in a Photography ❣

PR's Tumblrdome

ellievsbear

Andulka

@theartofmadeline
Show & Tell
Cosmic Funnies
i don't do bad sauce passes

Origami Around

seen from United States

seen from Germany
seen from Argentina

seen from Spain
seen from United States
seen from United States
seen from United States

seen from Malaysia

seen from United States
seen from United States
seen from United States

seen from Singapore

seen from Germany
seen from United States

seen from Hungary

seen from United States

seen from United States

seen from Malaysia
seen from China

seen from Russia
@hardtobeagod
Mikhail Bulgakov, A Dead Man’s Memoir.
Edwin Smith (English, 1912-1971). The Garden of Schloss Benrath, Near Dusseldorf, Germany, 1961. Silver gelatin print.
“True myth may serve for thousands of years as an inexhaustible source of intellectual speculation, religious joy, ethical inquiry, and artistic renewal. The real mystery is not destroyed by reason. The fake one is. You look at it and it vanishes. You look at the Blond Hero — really look — and he turns into a gerbil. But you look at Apollo, and he looks back at you. The poet Rilke looked at a statue of Apollo about fifty years ago, and Apollo spoke to him. ‘You must change your life,’ he said. When true myth rises into consciousness, that is always its message. You must change your life.”
— Ursula K. Le Guin, “Myth and Archetype in Science Fiction”, PARABOLA, Vol. 1 No. 4: Rites of Passage, Fall 1976
Malcolm T. Liepke
Sun Rays, 1889
Alfred Stieglitz
Menerva Tau
05:00
Irithyll of the Boreal Valley
Detail of a Roman statue of Aphrodite (or Venus), 2nd century CE. Marble.
“Our memory is a more perfect world than the universe: it gives back life to those who no longer exist.”
— Guy de Maupassant, from “Suicides,” Le Gaulois (29 August 1880)
Riz Ahmed photographed by Lorenzo Agius for Telegraph Magazine UK, February 2010
The Shape of Water (Guillermo del Toro, 2017).
The wolf finally frees itself,
which is to say the body is not a body & simply an-
other curvature. It is acceptable to grieve, but only when the vessel
is found anomalous. Lacking.
— Brianna Albers, from “The Wolf Finally Frees Itself” published in The Offing
▪ Heath Ledger photographed by Greg Gorman as Casanova, in Venice, 2004.
Bram Stoker’s Dracula (1992)