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2025 on Tumblr: Trends That Defined the Year
The Stonewall Inn
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if i look back, i am lost
I'd rather be in outer space 🛸
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Love Begins

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@harry-stedman
Just utter the words “male style icon” and images inevitably form of celestial beings like Cary Grant, Paul Newman or Steve McQueen.
Not only were Steve McQueen, Paul Newman and Cary Grant uncommonly handsome humans, they were also possessed of that certain ineffable quality we categorise as cool. They looked great in clothes seemingly no matter what they wore. In part, this was because they looked as if they gave clothes and fashion not a moment’s thought.
The Italians have a handy term — sprezzatura — for sartorial gracefulness achieved through artful nonchalance. The concept behind sprezzatura was first codified by Baldessare Castiglione in his 1528 treatise, “The Book of the Courtier.” In it he steered young Renaissance gentlemen away from dangerous shoals of artifice and affectation, guiding them toward the safe haven of a public comportment predicated on making all a man does or wears “seem uncontrived and effortless.”
Naturally, sprezzatura is abused all the time in modern practice.
Think of a necktie deliberately knotted that slight bit wrong. Think of the absurdity of a half-tucked T-shirt. Think of shoes without laces or sneakers with suits. Think of the overwrought pocket square. The great cinematic icons would never have been caught dead betraying the amount of care that went into transforming, Paul Newman — a middle-class kid from suburban Shaker Heights, Ohio — into the quintessential sexy rebel or the archetypal cowboy of “Hud.”
Paul McCartney in a Mercury Space Suit by Richard Avedon, 1965.
Happy Cosmonautics Day!
Rebecca Lepkoff 14th Street, New York City, 1948
Foggy bridge (by Evgen Andruschenko)
Avancer, coûte que coûte, car derrière les nuages le ciel est toujours bleu…
if traveling were free you’d never see me again
Yes!