Shield
Nikola Emma Ryšavá
2022
Polyester resin, fiberglass, nails
63x41x13cm
Alisa U Zemlji Chuda

Product Placement
cherry valley forever
Sweet Seals For You, Always
will byers stan first human second

❣ Chile in a Photography ❣
Cosmic Funnies
noise dept.

if i look back, i am lost
almost home
Today's Document
No title available
Jules of Nature
2025 on Tumblr: Trends That Defined the Year
occasionally subtle
No title available
Cosimo Galluzzi
Keni
Three Goblin Art

pixel skylines
seen from India
seen from Norway

seen from Netherlands
seen from Canada

seen from Malaysia
seen from United States

seen from United States

seen from Sri Lanka

seen from Malaysia
seen from Brazil
seen from United States

seen from Italy

seen from United Kingdom

seen from Belgium
seen from United States

seen from United States
seen from India
seen from Sri Lanka

seen from Malaysia

seen from Singapore
@hausinvenus
Shield
Nikola Emma Ryšavá
2022
Polyester resin, fiberglass, nails
63x41x13cm
Jenny Whiteside
Miiyu, circa 2016
Liu Bolin — Boy and Girl with Line of Internet (fiberglass, 2012)
Strike
Nikola Emma Ryšavá
2024
Concrete, glitter
53x30x15cm
Jenny Holzer (b. 1950)
"Selection from Survival: Die Fast and Quiet...", 2006
Danby Imperial white marble footstool engraved with text.
17 x 23 x 15.7 in.
SPACES FINAL INDEX
QCQ #3: Structural Tension
A Structure Within a Structure: Research
A Structure Within a Structure: Materials in the World
A Structure Within a Structure: Final
QCQ #4: Concrete Blonde
Memory of Spaces (Negative Impressions)
Memory of Spaces: Research
Memory of Spaces: Final
planning to use this found fence i picked up a month ago.
Structure within a structure idea
Materials in the world: grandmas backyard/Husband's work space
Negligence, 2025.
Found wooden fence, lace curtain, craved plaster imprints, dog scratches.
For this piece, I chose to represent a part of my childhood home that for me represents an urgency to escape, move on, or forget. I use the memory of our first family dog to do so. He was never in the best condition, kept outside and always ignored. He often ran away when he found a way, but always came back home to us. I often think about how much we as people can tolerate in respect to our families; and much the phrase "blood is thicker than water" replays in our heads when considering cutting ties. How much do we forgive and how much effort is too much? How much is too little? How do i make peace with the part of my life that has shaped me into who I am, for better or for worse?
Negative impressions of a ruler, chain, garage door crank, and breaker box
Imposed, 2025.
Performance and objects. Duration: undefined.
Solid steel cross, car parts, rusty tools, rose petals, the body.
Imposed is a work created in response to the growing power and control Christian/Evangelical right wing politicians are obtaining within the last decade. The ideals of tradition, piety, and gender roles held by the religious right have been continuously enforced upon the United States, hitting especially hard on those that do not practice religious dogma. To me the overbearing load translates to what it feels like to be a woman in this climate. Force to submit to an ideology I do not agree with in a body I cant technically call mine.
Curb Bit. mid-16th century. Credit line: Gift of William H. Riggs, 1913 https://www.metmuseum.org/art/collection/search/33544
Spaces Midterm Index
1. A Room: Research
2. A Room: Final
3. Artist Presentation: Research
4. QCQ #1: Dependent Participation
5. A Room Within A Room: Research
6. A Room Within A Room: Final
7. Museum Visit
8. QCQ #2: Anarchitecture
9. Shelter / Dwell: Research
10. Shelter / Dwell: Final
At 15, 2025.
67in x 38in
mold resistant drywall, joint compound, house paint, killz primer, flex seal, exposed screws, insulation, wood frame, ceramic tile, bathroom grade caulking, water syphon.
At 15 was the result of the material exploration that reminded me of water damaged walls of my family home. The original structure came from a different idea of shelter in the form of a bathroom but I then began to think about structure and the deterioration of stability not only in the physical realm but between people. This piece reflects a glimpse into my personal life and the brokenness of the family unit that lead to growing up too fast. A repeated swell after a storm, the intention of repair, and the scars left behind.
Moooola!
This is cosmic horror. To me.
Horrifying. Give me 20.
Vision 1
Title 29 version 2
Taking the concept of false privacy within the public realm and applying that to women's health and the false sense of security legislation provides them.