a frame from Jia Zhangke's A Touch of Sin, which is quite the spectacular movie. this image of a small resin Buddha under the rain calls for a pause.
Show & Tell
Noah Kahan
No title available
ojovivo

Product Placement
Monterey Bay Aquarium
YOU ARE THE REASON
official daine visual archive
Game of Thrones Daily
DEAR READER
Jules of Nature
RMH
PUT YOUR BEARD IN MY MOUTH
Lint Roller? I Barely Know Her
Sade Olutola
"I'm Dorothy Gale from Kansas"

oozey mess

⁂
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Janaina Medeiros

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@haze
a frame from Jia Zhangke's A Touch of Sin, which is quite the spectacular movie. this image of a small resin Buddha under the rain calls for a pause.
Margaret Atwood, One More Garden, from her (1981) True Stories. the last stanza is tattoo material. fuck the future indeed.
Denise Duhamel, A Nap On The Afternoon of My 39th Birthday. i wasn't able to trace where this text first appeared. the scan up above is from David Lehman's anthology Great American Prose Poems.
Linda Pastan, from An Early Afterlife, as photographed by Peege
Ada Limón, from Sharks in the Rivers
i don't remember where i did read about this poem. maybe it was Rachel Zucker teaching it in one of hers? anyway: there's a nice piece by Denise Duhamel here; of course, I still had a long way to go
Bianca Stone from her latest What Is Otherwise Infinite. Bianca just won the Vermont Book Award
Old Flame by Lewis Warsh from Elixir. somehow, because there's only the present / like a movie played backwards / with a cast of thousands / hanging on for dear life is one of the most poignant images ever
a frame from Paul Kalkbrenner playing his version of Feed your head at Tomorrowland in 2018
Carrie Shipers, MANAGEMENT RESCINDS A SHORT-LIVED POLICY
CA Conrad, from Ecodeviance - Somatics for the future wilderness
and also: this is time. life passing
Reversible Poem in Dishwater, by Emily Lee Luan (picture by Megan Pinto). see also: Notes On Reversing