Nayyirah Waheed
DEAR READER
Three Goblin Art
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I'd rather be in outer space 🛸
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PUT YOUR BEARD IN MY MOUTH
styofa doing anything

#extradirty
he wasn't even looking at me and he found me

Janaina Medeiros
cherry valley forever
AnasAbdin

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JVL
dirt enthusiast
Claire Keane

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❣ Chile in a Photography ❣
TVSTRANGERTHINGS
macklin celebrini has autism
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@hellofuckallyall-blog
Nayyirah Waheed
We never cease to be amazed with Swoon whose large-scale works we most often find hiding in obscure alleyways and street-sides worldwide. The most recent series of work featuring young Mexican women are scattered all over the streets of San Francisco. One piece in particular, an instillation at the Yerba Buena Center for the Arts sits as a life size shrine, commenting on the disappearance of young Mexican women ages 16 – 24; whose disappearances have not only been neglected, but disregarded by Mexican government officials.
A similar piece lives in the Mission district of San Francisco. Untouched and undisturbed, this piece resides majestically between 24th and Hampshire. Extremely detailed and thoughtfully placed, the carefully stenciled piece appears to be a large orb of light emanating from a young woman. The girl’s eyes are innocent and tender, nervous and unsure, looking up from her traditional quincinera attire symbolizing her recent initiation into womanhood and an age of coming.
As the piece draws you in, one recognizes the elaborately carved skulls hiding in the orb, a representation of mortality often seen in religious artwork. There are many skulls, which may comment on the vast amount of girls who have gone missing and whose families await the day they can put them to rest. Also hiding in the orb are monarch butterflies and feathers, symbols of flight. According to Mexican folklore, the butterflies are said to present themselves as family members who have passed on.
Swoon modestly states that it is her sales from private collectors that fund her public works which remain art the heart of her process. These public works are what made her popular with urban art lovers across the globe. Her mission in making art available to the public sits at the heart of the Curbs & Stoops mission and for this we are elated to share this piece with you.
my heart is always on the line
ive traveled all kinds of places
the song is always the same
got lonesome fuel for fire
thousands of songs and interviews recorded by alan lomax are now online and FREE for the first time. word.
nina simone on how it feels to be free.
tupac shakur on inner-city education.
tupac shakur on inner-city education
absorbed in inner-city street life by night and reading shakespeare with rich kids by day proved to be an uncomfortable balancing act. tupac was bothered that the education system ignored real-life issues to focus on traditional subjects that he often found pointless. he later said, "i think there should be a drug class. a class on police brutality. there should be a class on apartheid. there should be a class on why poor people are hungry, but there are not. there are classes on...gym. physical education. lets learn volleyball."
if youre a latin american politician, take the train.
a dark quote from "apology of an economic hitman."
from democracy now: Opening today, the new documentary "American Teacher" follows the lives of four teachers who struggle to remain in a profession they love, despite the heavy toll exacted on their lives by the grueling hours and low-salaries. The documentary is a rebuttal of sorts to pundits who portray public school educators as cushioned recipients of tax-payer supported benefits, extended summer vacations and low accountability. We speak with the film’s Academy Award-winning director, Vanessa Roth, and with Brooklyn first-grade public school teacher, Jamie Fidler, who is featured in the film.
georgia on my mind
i am at my wits end. i was shocked, then angry, and now really sad. i keep thinking that this isnt fair. we have a community that is grieving many losses right now; an amazing woman killed by a loved one and the suicide of a wonderful young girl are among some of the tragedies that this community is facing. people are of course asking the "why"s, the "how"s, and the like.
when someone has a mental illness, they need help. they are not bad people. they are struggling with issues that are beyong their control. the young lady that took her life recently needed help. she was not a bad person and was also struggling with issues that were beyong her control.
im exhausted from hearing the "good vs. bad" argument. lets put that aside and use our brains to think about these issues we are having to deal with. they are much more complex than that. i understand that this way of thinking is part of some peoples grieving process; that it makes it easier for them to live in a world of absolutes but if we continue to think like that, then we will be facing these same problems over and over again instead of tackling them.
do your part to be there for yourself and/or for a loved one. become aware of and support mental health issues and suicide prevention. i am begging. i am asking for help; put aside the hate and let us grieve. let yourself grieve. we wont be able to heal with all this hate, ignorance, and retributive-style of thinking. i am sorry for everyones loss.
fun with ferrofluids. one of the comments mentions that dubstep would go well with this. flying lotus or ratatat might do a better job in my opinion. enjoy the visual party.
this is a revision of suheir hammad's "first writing since" and is essential to read or listen to any time 9/11, bin laden, the war on terror, etc are mentioned. it is through an american-palestinian's perspective; through the perspective of a woman from brooklyn who has a brother in the navy. a woman dedicated to social justice and human rights. she helps to put things in perspective. it is worth checking out in written form (in a post prior to saul williams' song "not in our name"). if you enjoy this revision, it is also worth checking out emmanuel ortiz' poem in my ramblings as well. here are a couple of lines that move me everytime i read them. love and light:
i cried when i saw those buildings collapse on themselves like a broken heart
i have never known pain that needs to spread like that
not in our name
first writing since (revision)
There have been no words. No poetry in ashes south of Canal. No prose in trucks driving debris and DNA. Evident out my window an abstract reality. Sky where once was steel. Smoke where once was flesh. Please God, let it be a mistake, the pilot's heart, the plane's engine. God, please, don’t let it be anyone who looks like my brothers. I don’t know how bad a life has to break in order to kill. I’ve never been so hungry that I willed hunger. Never so angry as to want a gun over a pen. Not really. Even as a woman, a Palestinian. Never this broken. Ricardo on radio said in his accent as thick as yuca, "I will feel so much better when the first bombs drop over there.” A woman crying in a car parked and stranded in hurt. I offered comfort, a hand she did not see before she said, "we’re gonna burn them so bad." My hand went to my head and my head to the dead Iraqi children, the dead in Nicaragua, in Rwanda, who vie with fake sport wrestling for America's attention. People saying, this was bound to happen, let’s not forget U.S. transgressions. Hold up. I live here, these are my friends and fam, me in those buildings, and we’re not bad people, do not support America's bullying. Can I just have half a second to feel bad? Thank you, woman, who saw me brinking cool and blinking tears. Opened her arms before she asked, "do you want a hug?" Big white woman, in her embrace only people with flesh can offer. "My brother's in the navy," I said. "And we’re Arabs.” "Wow, you got double trouble." Word. One more person ask me if I knew the hijackers. One more motherfucker ask me what navy my brother is in. One more person assume no Arabs or Muslims were killed, assume they know me, or that I represent a people, or that a people represent an evil. Or that evil is as simple as a flag and words on a page. We did not vilify white men when McVeigh bombed Oklahoma. Give out his family's address or church, or blame the bible or Pat fucking Robertson. Networks air footage of Palestinians dancing in the street, no apology that hungry children are bribed with sweets that turn their teeth brown. Correspondents edit images, archives facilitate lazy journalism. And when we talk about holy books, hooded men, and death, why never mention the KKK? If there are any people on earth who understand how New York is feeling right now, they are in the West Bank and the Gaza Strip. Bush has waged war on a man once openly funded by the CIA. I’ve read too many books to believe what I’m told. I don't give a fuck about Bin Laden. His vision of the world don’t represent me or those I love, but I’ve signed petitions for years to out the U.S. sponsored Taliban. Shit is complicated, and I don't know what to think, but I know who will pay. Women, mostly colored and poor, will have to bury children, support themselves through grief. In America, it will be those amongst us who refuse blanket attacks on the shivering, who work toward social justice, and opposing hateful foreign policies. "Either you are with us, or with the terrorists,” meaning, “keep your people under control and resistance censored.” Meaning, “we got the loot and the nukes.” Never felt less American and more Brooklyn than these days. These stars and stripes represent the dead as citizens first, not family, not lovers. My skin is real thin, my eyes are darker. The future holds little light. My baby brother is a man now, on alert, praying five times a day the orders he will take are righteous and not weigh his soul down from the afterlife. Both my brothers - my heart stops, not a beat disturbs my fear. Muslim, gentle men. Born in Brooklyn, and their faces are of the Arab man, all eyelashes and nose and beautiful color and stubborn hair. What will their lives be like now? Over there is over here. Across the river, burning rubber and limbs. Rescuers traumatized. Skyline brought back to human size, no longer taunting Gods. I cried when I saw those buildings collapse on themselves like a broken heart. I have never owned pain that needs to spread like that. There is no poetry in this. Causes and effects, symbols and ideologies, mad conspiracy here, information we’ll never know. There is death here, and promises of more. There is life here. Anyone hearing this is breathing, maybe hurting, but breathing for sure. If there is any light to come, it will shine from the eyes of those who look for peace and justice after the rubble and rhetoric are cleared and the phoenix has risen. Affirm life. Affirm life. We got to carry each other now. You are either with life, or against it. Affirm life.
-Suheir Hammad
http://www.youtube.com/watch?v=0fhWX2F6G7Y (video)