you’re lucky if your memory remains
↳ therapy by all time low
trying on a metaphor

roma★
No title available
tumblr dot com
Xuebing Du
Lint Roller? I Barely Know Her

Origami Around
Jules of Nature
I'd rather be in outer space 🛸
Sweet Seals For You, Always

No title available

Jar Jar Binks Fan Club
$LAYYYTER
todays bird
TVSTRANGERTHINGS

#extradirty
No title available
2025 on Tumblr: Trends That Defined the Year

titsay
cherry valley forever

seen from Türkiye
seen from Malaysia
seen from United States

seen from Indonesia

seen from United States
seen from Belarus

seen from United States

seen from Malaysia
seen from United States

seen from Malaysia
seen from United States
seen from United States

seen from United States

seen from Singapore

seen from Canada

seen from Türkiye
seen from T1
seen from United States
seen from T1

seen from Malaysia
@hermiione
you’re lucky if your memory remains
↳ therapy by all time low
Alice… Alice… will you kindly pay attention and recite your lesson?
“Did you love Annie right away, Finnick?” I ask. “No.” A long time passes before he adds, “She crept up on me.”
Finnick and Annie for anonymous
What a strange constellation they all were.
without you, camelot’s nothing.
There are those who say fate is something beyond our command. That destiny is not our own, but I know better. Our fate lives within us, you only have to be brave enough to see it.
Oh, well. What’s a royal ball? After all, I suppose it would be frightfully dull, and boring, and completely … completely wonderful.
Spring has sprung
INEJ GHAFA Shadow and Bone, ‘Like Calls to Like’
Buck’s first two memories being eddie and chris…your honour, this fella is married af
Mischief managed.
No mourners. No funerals. Among them, it passed for ‘good luck.’
the golden trio + the seven deadly sins/ heavenly virtues (x)
bbc merlin + MAMA
CHRIS EVANS Knives Out (2019) dir. Rian Johnson
Emilia Clarke photographed for Vanity Fair magazine, Italy — December 2019
Daniel Craig as Benoit Blanc in GLASS ONION: A KNIVES OUT MYSTERY (2022) dir. Rian Johnson