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almost home
noise dept.
Jules of Nature
hello vonnie
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Lint Roller? I Barely Know Her
Peter Solarz
Today's Document
cherry valley forever
Xuebing Du
shark vs the universe
Not today Justin
tumblr dot com
Andulka
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Love Begins
tannertan36
Product Placement
$LAYYYTER
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@hermits-that-craft
Pinned Post [Final_Final]
Intro Post
Arti | Alistair
They/them/he/him
Adult.
All of my aus are open. Feel free to add on.
Active Aus:
Whitepine X Vampires
Ghost Luigi AU
The Unstable Archives
Orphaned to a good home Aus:
Admin Meetup Au.
guy working on an artwork they knew would push them technically: what the hell why do i keep doing this wrong. am i haunted by malevolent spirits and such
Repost because Tumblr marked it as mature content for some reason
Stop the wheel
Just for a moment
“The dog days are over” by Florence and the Machine can actually be something that is so Last Life/Third Life. In this essay I will-
WHO LIKED THIS POST SHES NEARLY 5 YEARS OLD.
i dont think i ever wrote that essay come to think of it
batz
Commander and Son
Videos: "Minecraft Players Simulate a Cursed Desert Civilization", "I Created an Underworld Prison in Minecraft", "Youtubers Escape a Horrific War in Minecraft"
Song: Sometimes by Nick Lutsko
there are too many damn CRTs on my screen!! get 'em outta here!!! >:( /j
this is lowkey what i imagine comms look like in minecraft, specifically hermitcraft or the life series
Owen: Uhh—this one will be an interesting one. Um. You can see it really (4c ducks his head, adjusts his hat as he stares at the ground)—it really ramps up (audience laughs) towards the end. Nom: I hate this guy. (elbows 4c, who is still staring at the ground) Owen: Uh. Let's-let's see who, uh—this is most attempted, I think, so not successful— Apo: Now— Owen: Now what a surprise— Apo: —what I find very interesting is Cherri— Nom: I— Apo: —and Nom only had it for one day. Owen: Yeah. Nom: Yeah... Luanne: I'm not even on here! Nom: This doesn't surprise me— Apo: Because of the— Owen: Yeah, it's crazy that Cherri clocked in— Luanne: I did nothing! (everyone laughs) Nom: (overlapping) Can you tell I really— Apo: How did you do third place? Cherri: (in the audience, anguished) I don't know!
sometimes artists worry if their art is actually capable of making the world a better place, or if its all just wasted effort. what you need to remember is: all art is evil, and the sole aspiration of the artist should be to maim as many onlookers as possible.
dance with me
stop letting miserable people on the internet convince you that you must have a concrete, well-constructed opinion on everything that has ever existed.
everybody say thank you Marcus Aurelius
“What’s with all the bandages?”
“I’m trying to stop you from bleeding out, as per usual.”
“Don’t seem to be doing that good of a job.”
“Well aware”
Something something 'imitation is flattery so drift hasnt showered in eight billion years to be just like aj'
gentle psa to new comic artists about a problem i also suffered from: slow quiet pacing is totally fine BUT if that's not what you're deliberately going for, you CAN fit more Story Progression on the page. no, more than that. more than that even. i promise if you don't want it to a single action doesn't need to take a whole page to illustrate each of its steps, a lot of connecting magic happens in the gutters i /promise/ if you draw someone pulling up in a car then skip to them walking in the door with groceries we will Understand that they unloaded the car and unlocked the house you feel me
#I am not a comic artist#but I had a similar problem when I was in film school#I call it “the door problem”#in my thesis film I had written that two characters walk out the back of the club into the alley behind the club#and my club location did not have a back alley but did have a side room that we used as the door#but that door opened in#and the location I used for the alley had a back door but that door opened outwards#and I knew it looked weird#I struggled framing the shots#and blocking the actors#and I got really really caught in my own head about how to make this door work#because to me it was really important that you saw every step from club to outside#because even though we had learned in school that you could transition it didn't feel right because it didn't feel like a new scene to me#(this being one of the struggles with a short film. It can all feel like one scene if your script is short!)#AND THEN#when we got into the editing room we just...cut the door transition entirely#initially not on purpose#what happened was that we decided to tighten up the timing by cutting non-linearly to the custom music I had commissioned#which made it much more experimental especially in comparison to my fellow classmates#however it showed me that the story still absolutely worked without needing to show how they got into the alley#the audience can infer the door#so now anytime I can feel myself getting stuck on something when I'm filming I think#“Is this a Door Problem?”#as a storyteller it's always a question of what is the absolute bare minimum you need to convey what you're trying to say#and sometimes that means you just need to already be outside the club
(via @currentlycreating )
Exactly! Film and comics are VERY similar mediums in this way, I love this. We should always be considering Door Problems
Hurts pt. 2
Pt. 1 here
Hey everyone!! Thanks so much for the support and bearing with me through the angst! I think I may have gone overboard with this, but I spent too much time on it to go back now and I really like the sunset gradient! I don't know if it was worth trading the simplicity/original grey vibe but I think it still looks pretty.
I read all reblogs/hashtags/comments and asks, and I really appreciate all the interactions 🥹
Love you all! But after this, it's completely within your right to hate me đź‘Ť
