One Hundred Years of Solitude (2024)
Cosimo Galluzzi

titsay

oozey mess
Misplaced Lens Cap
YOU ARE THE REASON

JBB: An Artblog!

No title available
i don't do bad sauce passes

Discoholic đȘ©

No title available
Show & Tell
I'd rather be in outer space đž
hello vonnie
Sweet Seals For You, Always

â

pixel skylines
Cosmic Funnies

#extradirty
RMH
Alisa U Zemlji Chuda

seen from Mexico
seen from Malaysia

seen from Malaysia

seen from Malaysia

seen from Switzerland

seen from Malaysia

seen from United States
seen from United States
seen from Israel

seen from Belgium
seen from United States

seen from United States

seen from United States
seen from United States

seen from Malaysia
seen from United States

seen from United States

seen from Malaysia
seen from United States

seen from Belgium
@hieroglyphichustle
One Hundred Years of Solitude (2024)
Cultural Appropriation in Modern Witchcraft
Cultural appropriation occurs when cultural practices are taken out of their original context and misused by outsiders. Cultural appropriation is different from cultural sharing, which occurs naturally in any multicultural society. Eating at an Indian restaurant is not cultural appropriation. Wearing a bindi when you donât understand its significance in Indian culture is.
Cultural appropriation is a huge issue in modern witchcraft. When you have witches using white sage to âsmudgeâ their altars, doing meditations to balance their chakras, and calling on Santa Muerte in spells, all without making any effort to understand the cultural roots of those practices, you have a serious problem.
When trying to understand cultural appropriation in witchcraft, itâs important to understand the difference between open and closed magic systems. An open system is one that is open to exchange with outsiders â both sharing ideas/practices and taking in new ones. In terms of religion, spirituality, and witchcraft, a completely open system has no restrictions on who can practice its teachings. A closed system is one that is isolated from outside influences â usually, there is some kind of restriction on who can practice within these systems.
There are different reasons a system might be closed. Some systems require a formal training and/or initiation, but there is no restriction on who can be initiated. Reiki and some forms of Wicca operate this way. (All other forms of Wicca are completely open.) Some systems are closely tied to a complex set of cultural beliefs that may not be fully understood by outsiders, so they are closed to people outside of that culture. Kabbalah (Jewish mysticism) is an example of this. Some systems require a family lineage, so you must have been born into the system to practice within it. Zoroastrianism and some forms of traditional witchcraft fall into this category. And finally, some systems are closed as a kind of self defense, usually because they have been the target of persecution from outsiders â keeping the system closed is a way to preserve beliefs and practices that might otherwise be lost. African Diaspora Religions fall into this last category.
If a belief or practice is part of a closed system, outsiders should not take part in it. It really is that simple. If you arenât Native American, you should not be performing smudging ceremonies. If you arenât Jewish, you should not be practicing Kabbalah or working with Lilith as your âgoddess.â If you arenât Black, you should not be practicing Hoodoo. You get the idea.
On a similar note, just because a system is open does not mean you can do whatever you want with its teachings. You should still make a point of educating yourself on the system you are practicing and take care not to take things out of their original context. Some forms of Shinto are open, but you wouldnât involve the kami in a Wiccan- or pagan-style ritual â Shinto has its own rules for ritual, which are very different from Western paganism. If you feel called to work with a cultural system you are not already part of, you need to be willing to put in the work of respectfully learning about and preserving that system.
It is impossible to appropriate a dominant culture. For example, in the United States, white American culture is treated as the default. There is tremendous pressure on all other cultural groups to speak English, dress like white Americans, and act like white Americans. White American culture has deep roots in Protestant Christianity, and these religious influences are enforced through social norms and sometimes through laws. Many businesses are closed on Christmas and Easter, and I live in an area where it is illegal to sell alcohol on Sunday mornings. White (Christian) American culture is literally being shoved down everyoneâs throats all the time. A non-Christian immigrant wearing a cable-knit sweater, taking Sundays off work, or celebrating Christmas isnât cultural appropriation, because they are expected to adopt these elements of the dominant culture.
It is also impossible to appropriate your own culture, even if you werenât raised in it. For example, a Latinx person who decides to learn brujeria does not need anyoneâs permission to do so. That practice is a part of their cultural heritage.
Dead cultures are a gray area, but the general consensus is that you cannot appropriate a system that isnât connected to a living culture. For example, Hellenic polytheism is very different from modern Greek culture. A non-Greek person practicing Hellenic polytheism isnât appropriating Greek culture, because that religion hasnât been openly practiced in Greece for thousands of years. The same goes for many other types of reconstructionist paganism (paganism based on recreating ancient beliefs and practices) such as Kemetic (Egyptian) polytheism, Celtic paganism, Norse paganism, etc.
This isnât to say that you shouldnât still make an effort to be respectful of the cultural origins of these religions. If you worship the Kemetic gods, you should probably educate yourself on at least the basic history and philosophy of Ancient Egypt. You should probably try to be faithful to the ancient beliefs in your practice. But you donât need any sort of initiation, because there is no direct connection between the ancient religion and modern reconstruction.
So How Do We Avoid Appropriation?
Know the difference between open and closed systems, and respect if a system is closed.
If a system is open or only partially closed, try to find a teacher or mentor who is already a part of that system. If an in-person mentor isnât possible, try to find books and other resources created by people who are actually part of that culture.
Only use items or practices in your witchcraft if you have a good understanding of their cultural, religious, and/or spiritual significance.
If a member of a culture or magic system tells you their system is closed and asks you to stop using it, listen to them.
Educate yourself on how cultural appropriation contributes to systemic racism and other social issues.
Donât try to sneak around culture appropriation. If you burn white sage to cleanse your space, you are still appropriating Native American spiritual practices (and contributing to the overharvesting of an endangered plant), even if you donât use the term âsmudgingâ or appropriate the entire smudge ceremony. If something is not yours to practice, leave it alone.
Learning about other cultures is not the same as cultural appropriation. Hereâs a personal example: I live fairly close to New Orleans, and I think New Orleans Voodoo is a fascinating tradition. When I visit, I like to speak to local Voodoo practitioners and learn from them about their practice. That being said, I recognize that I am not a part of that practice, and Iâm not about to start incorporating elements of Voodoo into my personal practice.
As a white woman, my track record is not perfect when it comes to cultural appropriation. When I first started my witchcraft journey, I burned white sage and worked with the chakra system. I didnât know any better, and these things were presented to me as if they were open to anyone. But now I do know better, and Iâm making a conscious effort to avoid appropriation in my practice.
Iâm also trying to do better for new witches just entering the world of alternative spirituality. Itâs important for us to talk about things like cultural appropriation so that baby witches know from the beginning what the issues are and why they matter.
T8
https://www.instagram.com/stfeyes/
Spider-Man: Into the Spider-Verse (2018), dir. Bob Persichetti, Peter Ramsey & Rodney Rothman
1 Week ONLY: +5,000 Tutorials in Adobe Software: Lifetime Access 97% off.
Train Simple have an amazing portfolio of more than 5,000 tutorials where you can completely learn  Adobeâs design and Web development software including Acrobat, Photoshop, Illustrator, InDesign, Flash, Fireworks, Dreamweaver, Edge Animate, Muse, Fireworks and more.You can even take lessons on Web technology like HTML5, CSS3, JavaScript, WordPress and more.
Now with this huge discount you can have access to all of this courses which includes interactive files to download, and the best part is that you have access to the updates too.
The lifetime license normally cost $2,500 which is a lot of money but now you can have it for $79. Thatâs a massive direct discount of 97% and a lot of savings on future investments in education.
In case you decide life time access is too much for you, you can grab a 50% discount for a full year access, thatâs: $47.
Check all the details and grab your discount
Download it here: bit.ly/designclasses
I used to think about your life in New York. I tried to imagine your room. I kept track of the time difference. So I knew when you were awake and when you were asleep.
Disobedience (2018) dir. SebastiĂĄn Lelio
We are alone. No matter what they tell you. Women⊠we always are alone. Roma (2018) dir. Alfonso Cuarón
âI want you to be the very best version of yourself that you can be.â
âWhat if this is the best version?â
Lady Bird (2017) dir. Greta Gerwig
Joan Didion: The Center Will Not Hold (Griffin Dunne, 2017)
Forest love.
On the Beach at Night Alone (Hong Sang-soo, 2017)
ââIn every work of genius we recognize our own rejected thoughts: they come back to us with a certain alienated majesty,â wrote Emerson, providing a memorable phrase for the grand, surprising pleasure we feel when a work of art returns or restates our own thoughts and feelings to us, however obliquely. At other times, however, the news arrives more alien than majestic, generating the perpetual undergraduate grievance, âI just canât relate.â It behooves us, I think, to develop an openness to this latter feeling as well as the former. If weâre lucky, this openness may eventually grow into a hunger.â
- Maggie Nelson, âThe Brutality of Factâ, The Art of Cruelty: A Reckoning, p. 144
It is simply this: do not tire, never lose interest, never grow indifferentâlose your invaluable curiosity and you let yourself die. Itâs as simple as that.
Tove Jannson (born on this day in 1914)
Night Sky Star Chart Stemless Wine Glasses Printed In Metallic Gold By CognitiveSurplus On Etsy
*More Things & Stuff
Yukai Du, GIFs.
Marvelous and brilliantly colorful animated GIFs by British artist Yukai Du.
Donât miss Supersonic Art on Instagram!
Whatever can happen to a garden can happen to soul and psycheâtoo much water, too little water, infestations, heat, storm, flood, invasion, miracles, dying back, coming back, boon, healing, blossoming, bounty, beauty.
Clarissa Pinkola Estés (Women Who Run With the Wolves)