This will come as no surprise to my friends and those who have followed me for a long time, or maybe it will, but either way, my BL blog is moving.
If you care to, and I hope you do, you can follow me at blnokimi. If you are not so inclined, then this is where we part ways, so I’d like to say thanx for keeping company with me until now.
The basics. COM801.com is going away. himisbooks (formerly com801 [books.com801.com]) is going away. himitsuhitori [hh.com801.com] is going away. By “going away” I mean like when one moves out of their parents’ house (at least in family movies); I’ll be taking my favorite and most important things to the new place and the old rooms will remain something of a shrine to my youth, as it were (though they may end up really going away at some point). In short, most of the initial posts on blnokimi will be reposts or re-thought posts, so a bit of memory lane, yeah?
What else? Oh, the new blog is still a secondary blog, so I will not be following anyone with it. If you want to know if I follow you, look for greighish. Also of note, I’ll actually have anonymous questions enabled for the first time ever on my main BL blog, so we’ll see how that goes. And yes, I will continue to answer to “Himi.”
That’s about it. If you have any questions about this or anything, feel free to drop me a line.
This will be queued for a bit, so please forgive the echo.
requierobl replied to your photo: “Kobato Mebaru: Ijiwaru na Kuchizuke [3.3]”:
I think I liked this one better than you did. It felt nostalgic reading this because I posted about it and translated parts of it from Spanish when my tumblr was still new.
The first story was kind of cute and I liked the way the stories connected--I thought Sakura, Shingo and Maya’s crossdressing (?) cousin, was going to have his own chapter, but an unrelated story was included instead. But overall, it was rather enh.
requierobl replied to your photo: “Psyche Delico: Fuuzokugurui Desu ga Toshishita Danshi [3.4] There’s...”:
I love psyche delico smut but this was kinda meh. It felt a bit mechanical and her art has gotten weird. Last Person (?) was probably my favorite.
This was boring, although I liked the ending of “The Last Person” (or “Lover” as someone else translated it). I prefer her style circa Love Full of Scars, but storywise, my favorite, hands down, is Choco Strawberry Vanilla.
Whitney Bishop [shukyou/ladysisyphus]: Bodies in Space [4.5]
Bodies in Space is a novella-length story about Isaac, a young man whose cognitive abilities place him somewhere on the autism spectrum, and his relationship with his friend Rick, a videographer whom he’s known since childhood. Isaac lives a semi-independent life in a living space above his parents’ garage, he attends life skills class and therapy sessions, and three times a week he works at an office for which he performs some clerical tasks. His primary interests are space and Rick. Rick’s life is not so routine. He travels often for work with the amount of time he’s away and the level of danger involved varying. I can only assume his interests are traveling and exploring because he’s not shooting man-on-the-street documentaries. When we finally meet him, he’s returning from Mozambique.
Isaac is the narrator and it is done to perfection. We, the readers, are limited by his view of the world and of himself. Though he has a hard time focusing for extended periods of time, his thoughts are not sporadic and jumbled. So when he moves from one topic to another there is a connection between the two and you don’t feel like you’re being spun around while playing blind darts. We are always in his head and the times when he’s not concentrating on his own physical behavior, we are clueless about what his body is doing. There was a very interesting scene where he is masturbating and it just seems like the fact that he came was either completely due to magic, or that he’s really sensitive and really fast, but what actually happened was that his mind was focused on something other than his erection at the time his hands were attending to it. This level of attention runs throughout the story and makes it very easy to understand Isaac in his world rather than seeing Isaac as someone to feel sorry for even when he’s having a difficult moment. Isaac doesn’t need your sympathy.
The thing I appreciate the most about this story is how Bishop manages to write a character whose cognitive abilities limits the ways he interacts with people and things around him without him reading as stilted or flat. To someone with a broader range of subjective discernment skills, Isaac’s understanding of the world he lives in may seem rather simplistic, but it isn’t--he just doesn’t take the everyday things for granted. I’d like to say it’s because he can’t afford to since he continues to learn that things aren’t always what they seem, especially words, and that can make even what would appear to be a trivial interaction not so easy to navigate. On the other hand, according to and with the exception of Rick, Isaac is surrounded by people who have a great amount of confidence that he will never be able to be anymore independent that he is when we meet him. And if that is the case, he is probably constantly being cushioned from many of the blows of daily living by those people, so there’s no need or sense of urgency in him seeing beyond a few steps ahead of himself.
However, I think it’s more accurate to say that the reason Isaac’s perspective isn’t simplistic is because he doesn’t want it to be. Beyond things like learning life skills like making mac-n-cheese, moving above the garage because that’s what adults do, and holding down a job even if it is only three days a week, Isaac collects his experiences and the incidental things he learns like legos. Once he grasps the nature or multiple natures of these pieces, he can snap them together however he sees fit to build bridges, tunnels, and shelters to get over, through, and endure the successive moments in life. At some point he came across a piece called hugs. Another time he collected a piece called duration in regards to actions. At some other time he picked up a piece called selective interaction. With those and a few other pieces he’s able hug Rick’s mother for a count of three and move on, but, reconfigured, he’s able hug Rick, but wait for the signal that it's time to let go or hug him and have the expectation of something more. He also has pieces that represent what's important and what isn't. These allow him to get away with tuning out things that don't interest him or he doesn't have ability to process at that moment. I say “get away with” because he does exactly that--he doesn't feel the need to engage in the table's conversation even though everyone else does (and he does have, to an extent, a grasp on social queues), so he tunes it out and only returns to it when Rick engages him, because, to him, that's important.
At one point in the story Isaac talks about the wall that’s around his brain that makes it difficult for things to get in and even more so for things to get out. Through Isaac we get to know Rick and we get to see that he has his own wall that makes traversing the landscape of his life a struggle. Through Rick’s responses to the things Isaac does you come to understand that he cares for Isaac; that he sees him as a whole person with his own thoughts, feelings, and motivations; and that, even though their physical relationship seems to be in a progressive state, he takes neither Isaac’s willingness nor his inexperience for granted. Through Isaac’s responses to the things that Rick does--it’s important to point out that this includes things that he witnessed for himself, was told by Rick, or inferred--we come to understand that beyond his desire to be with Rick and be touched by Rick because it makes him feel good, that he understands Rick’s personality, that he understands that their relationship is different, that it matters to him whether or not Rick is present, that even though he has trouble with conceptualizing stretches of time, that missing Rick for a few weeks will be a lot different than missing him for seven or eight months. We also see that he understands that his words mean something to Rick and that he understands fear and courage. And the way his understanding of fear and courage were illustrated was great because it happened in parts and as both a lived experience and a witnessed one.
The relationship between Isaac and Rick is very sweet, occasionally sensual, and just a little heartbreaking. Isaac is living with an alternative manner of cognition, but his personage is not written in the shadow of it neither does his personage erase it. And though Rick has what amounts to a more common manner of cognition, he does not stand out as any kind of benevolent savior for or in the eyes of Isaac. They are equals and they are both dealing with and trying to overcome their limitations. It’s a great story and there are so many more things I could tell you, but it’s beyond me right now. Also, you should just read it for yourself.
h/t to crimsonfeverdreams who submitted this rec to theslashpile.
As a bonus, before I found the cover on Smashwords, I created an image for this story because that’s just how this blog is; every story needs an image. So, here it is, I didn’t want it to go to waste.
I read part one before and my opinion of it hasn’t changed, but now reading the story as a whole, I get it, but the story still needs some work. I gave in and paid more money than I think it’s worth. I’ve reconciled that with myself, though. As expected, the art is great. I guess you can say the story did turn around, but I think they’re going to have a pretty unhealthy relationship. Yuuya ended up being a pretty interesting character and it was nice to see someone actually carry out their revenge. There were also good bits of humour in the second part that was absent in the first. I think PF just needs an editor. If he can get someone to finesse his dialogue, help with plot transitions, and correct the grammar, he could do some surprising work.
I have a thing for the way Kakine draws certain emotions. My favorite is that look when a character’s feelings are hurt because someone was mean to them or they feel hurt because they think they’ve hurt or inconvenienced someone else. I said that to say that there really wasn’t enough of that in this collection of related stories. As for the stories, they were cute, not cavity-inducing, but cute enough.
I really want to like the main story because I like Shimaji’s storytelling, but I don’t like it that much. It’s BL, so I know what I’m in for--usually--but sometimes I’d like to be surprised. In regards to this story, in the first volume, at least, the conflict is essentially about who’s on top. My first thought is,”why not take turns?” In general, I don’t have an issue with the seme/uke dynamic, but when the story makes a big deal about who’s going to fill which role, I get annoyed. There are exceptions like Seinen 14-sai, but I often find myself rolling my eyes and telling the story that it doesn’t have to be that way. And that always leads me to, “if you want to top, too (as in I like being the bottom, but I also like being the top), but your partner refuses to be the bottom, then maybe you shouldn’t be together,” and once I think that, my interest in the couple dulls a bit.
But I’m not full of complaints; this volume included a prequel oneshot to the second story in Konya de, Mister. So now I get why Momo fell for Yuudai (well as far as the way BL goes), but I don’t get how Yuudai turned out to be such a useless and emotionally abusive man. Momo deserves better and Yuudai should be drowned, but I still like(?) the story.
I think this is Shimaji’s first multi-volume title and this volume ended in a way that it could just stop there, so I’m interested in how the story will continue. I’m a sucker for “everybody’s gay” stories so it would be nice if their classmate Wakki found someone to be cute with, too.
Thank you so much for writing back to me. I'll definitely check out the Twitter page you told me about. It's too bad, I could have found that post earlier but I haven't been on tumblr for very long. I'm not sure why it's circulating again either, I saw it on my dashboard not even a day ago. Sorry for taking your time, and I looked into your blog and I can definitely say that I love it, you for sure just got a new follower :)
You’re very welcome! It was no bother; if I can help, I will.
Welcome aboard and I hope you enjoy your time here!
Hi, I just saw your post on the finder series and I was wondering where you were able to find the manga to buy or read, because I've looked everywhere and cannot find it. And the ones I have come across are either in Japanese or like $150, do you know where I can find at least the fist volume? Thank you
Oh dear, that post was from 2012—I’m not sure why it’s circulating again. I purchased volumes 1-6 before they went out of print.
DMP ended a fully-funded Kickstarter for restocking v01-v06 last month, so you may be able to get them soon. I don’t know if the KS page says anything specific about when or if the books will be available on Akadot (if they are it’ll be the only place they’ll be available, I think), but the tiers that include v01-v07 are supposed to be delivered to KS backers next month. If you’re on Twitter, you can ask them [digitalmanga or junemanga]. They usually reply within 1-3 days.
I had a lot of fun reading this series. There were a lot of great story development moments. My favorite in volume 1 was when Tanihara, being the playful and somewhat capricious guy that he is, tries to rattle the Doc by taking him out of his element and much to his disappointment, the Doc actually turns out to be subtly suave. The bonus is that Tanihara’s plan and subsequent disappointment is exposed and he has to kind of wallow in it for a minute. But that’s it, he doesn’t try it again.
In volume 2, my favorite part was when the Doc is getting walked over like a doormat by his ex and Tanihara steps in and chastises Yukihisa about it which leads to conflict between him and the Doc which eventually turns into yet another attempt by Tanihara to break up as it were. But the best part is that he wanted to do it without hurting the Doc’s feelings too much but ended up telling him the reason straight out. And it’s one of the best reasons to break up with someone. The whole scene isn’t gold, but the important parts are.
It’s kind of a drag at points, but mostly sad; the Doc wasn’t treated well by his previous partners and it really shows. He has a serious inferiority complex. Tanihara kind of picked up on its manifestations at times and those moments inadvertently clued him in on his own feelings. These things don’t go away so easily, even after they become an actual couple. So in volume 3, Tanihara feels suffocated when the cuddle after sex and ends up rejects the Doc and he as an “I’m not good enough” moment. What I liked is that rather than say, “oh well, if it’s you...,” Tanihara’s pretty firm about his decision, but still manages to find a compromise when he decides to be the big spoon, so to speak, instead of the Doc.
It’s not a perfect story; there are somethings that I could have done without, but if I have to pick one thing that I’d most like to be different, it is the magical subtraction of the child out of the equation. I’d like to see more single fathers explaining their relationship to their children and perhaps going through the process of becoming a blended family and not have their kids be blissfully unaware.
